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I

"Undine Spragg—how can you?" her mother wailed, raising a prematurely-wrinkled hand heavy with rings to defend the note which a languid "bell-boy" had just brought in.

But her defence was as feeble as her protest, and she continued to smile on her visitor while Miss Spragg, with a turn of her quick young fingers, possessed herself of the missive and withdrew to the window to read it.

"I guess it's meant for me," she merely threw over her shoulder at her mother.

"Did you EVER, Mrs. Heeny?" Mrs. Spragg murmured with deprecating pride.

Mrs. Heeny, a stout professional-looking person in a waterproof, her rusty veil thrown back, and a shabby alligator bag at her feet, followed the mother's glance with good-humoured approval.

"I never met with a lovelier form," she agreed, answering the spirit rather than the letter of her hostess's enquiry.

Mrs. Spragg and her visitor were enthroned in two heavy gilt armchairs in one of the private drawing-rooms of the Hotel Stentorian. The Spragg rooms were known as one of the Looey suites, and the drawing-room walls, above their wainscoting of highly-varnished mahogany, were hung with salmon-pink damask and adorned with oval portraits of Marie Antoinette and the Princess de Lamballe. In the centre of the florid carpet a gilt table with a top of Mexican onyx sustained a palm in a gilt basket tied with a pink bow. But for this ornament, and a copy of "The Hound of the Baskervilles" which lay beside it, the room showed no traces of human use, and Mrs. Spragg herself wore as complete an air of detachment as if she had been a wax figure in a show-window. Her attire was fashionable enough to justify such a post, and her pale soft-cheeked face, with puffy eye-lids and drooping mouth, suggested a partially-melted wax figure which had run to double-chin.

Mrs. Heeny, in comparison, had a reassuring look of solidity and reality. The planting of her firm black bulk in its chair, and the grasp of her broad red hands on the gilt arms, bespoke an organized and self-reliant activity, accounted for by the fact that Mrs. Heeny was a "society" manicure and masseuse. Toward Mrs. Spragg and her daughter she filled the double role of manipulator and friend; and it was in the latter capacity that, her day's task ended, she had dropped in for a moment to "cheer up" the lonely ladies of the Stentorian.

The young girl whose "form" had won Mrs. Heeny's professional commendation suddenly shifted its lovely lines as she turned back from the window.

"Here—you can have it after all," she said, crumpling the note and tossing it with a contemptuous gesture into her mother's lap.

"Why—isn't it from Mr. Popple?" Mrs. Spragg exclaimed unguardedly.

"No—it isn't. What made you think I thought it was?" snapped her daughter; but the next instant she added, with an outbreak of childish disappointment: "It's only from Mr. Marvell's sister—at least she says she's his sister."

Mrs. Spragg, with a puzzled frown, groped for her eye-glass among the jet fringes of her tightly-girded front.

Mrs. Heeny's small blue eyes shot out sparks of curiosity. "Marvell—what Marvell is that?"

The girl explained languidly: "A little fellow—I think Mr. Popple said his name was Ralph"; while her mother continued: "Undine met them both last night at that party downstairs. And from something Mr. Popple said to her about going to one of the new plays, she thought—"

"How on earth do you know what I thought?" Undine flashed back, her grey eyes darting warnings at her mother under their straight black brows.

"Why, you SAID you thought—" Mrs. Spragg began reproachfully; but Mrs. Heeny, heedless of their bickerings, was pursuing her own train of thought.

"What Popple? Claud Walsingham Popple—the portrait painter?"

"Yes—I suppose so. He said he'd like to paint me. Mabel Lipscomb introduced him. I don't care if I never see him again," the girl said, bathed in angry pink.

"Do you know him, Mrs. Heeny?" Mrs. Spragg enquired.

"I should say I did. I manicured him for his first society portrait—a full-length of Mrs. Harmon B. Driscoll." Mrs. Heeny smiled indulgently on her hearers. "I know everybody. If they don't know ME they ain't in it, and Claud Walsingham Popple's in it. But he ain't nearly AS in it," she continued judicially, "as Ralph Marvell—the little fellow, as you call him."

Undine Spragg, at the word, swept round on the speaker with one of the quick turns that revealed her youthful flexibility. She was always doubling and twisting on herself, and every movement she made seemed to start at the nape of her neck, just below the lifted roll of reddish-gold hair, and flow without a break through her whole slim length to the tips of her fingers and the points of her slender restless feet.

"Why, do you know the Marvells? Are THEY stylish?" she asked.

Mrs. Heeny gave the discouraged gesture of a pedagogue who has vainly striven to implant the rudiments of knowledge in a rebellious mind.

"Why, Undine Spragg, I've told you all about them time and again! His mother was a Dagonet. They live with old Urban Dagonet down in Washington Square."

II

Undine's white and gold bedroom, with sea-green panels and old rose carpet, looked along Seventy-second Street toward the leafless tree-tops of the Central Park.

She went to the window, and drawing back its many layers of lace gazed eastward down the long brownstone perspective. Beyond the Park lay Fifth Avenue—and Fifth Avenue was where she wanted to be!

She turned back into the room, and going to her writing-table laid Mrs. Fairford's note before her, and began to study it minutely. She had read in the "Boudoir Chat" of one of the Sunday papers that the smartest women were using the new pigeon-blood notepaper with white ink; and rather against her mother's advice she had ordered a large supply, with her monogram in silver. It was a disappointment, therefore, to find that Mrs. Fairford wrote on the old-fashioned white sheet, without even a monogram—simply her address and telephone number. It gave Undine rather a poor opinion of Mrs. Fairford's social standing, and for a moment she thought with considerable satisfaction of answering the note on her pigeon-blood paper. Then she remembered Mrs. Heeny's emphatic commendation of Mrs. Fairford, and her pen wavered. What if white paper were really newer than pigeon blood? It might be more stylish, anyhow. Well, she didn't care if Mrs. Fairford didn't like red paper—SHE did! And she wasn't going to truckle to any woman who lived in a small house down beyond Park Avenue...

Undine was fiercely independent and yet passionately imitative. She wanted to surprise every one by her dash and originality, but she could not help modelling herself on the last person she met, and the confusion of ideals thus produced caused her much perturbation when she had to choose between two courses. She hesitated a moment longer, and then took from the drawer a plain sheet with the hotel address.

It was amusing to write the note in her mother's name—she giggled as she formed the phrase "I shall be happy to permit my daughter to take dinner with you" ("take dinner" seemed more elegant than Mrs. Fairford's "dine")—but when she came to the signature she was met by a new difficulty. Mrs. Fairford had signed herself "Laura Fairford"—just as one school-girl would write to another. But could this be a proper model for Mrs. Spragg? Undine could not tolerate the thought of her mother's abasing herself to a denizen of regions beyond Park Avenue, and she resolutely formed the signature: "Sincerely, Mrs. Abner E. Spragg." Then uncertainty overcame her, and she re-wrote her note and copied Mrs. Fairford's formula: "Yours sincerely, Leota B. Spragg." But this struck her as an odd juxtaposition of formality and freedom, and she made a third attempt: "Yours with love, Leota B. Spragg." This, however, seemed excessive, as the ladies had never met; and after several other experiments she finally decided on a compromise, and ended the note: "Yours sincerely, Mrs. Leota B. Spragg." That might be conventional. Undine reflected, but it was certainly correct. This point settled, she flung open her door, calling imperiously down the passage: "Celeste!" and adding, as the French maid appeared: "I want to look over all my dinner-dresses."

Considering the extent of Miss Spragg's wardrobe her dinner-dresses were not many. She had ordered a number the year before but, vexed at her lack of use for them, had tossed them over impatiently to the maid. Since then, indeed, she and Mrs. Spragg had succumbed to the abstract pleasure of buying two or three more, simply because they were too exquisite and Undine looked too lovely in them; but she had grown tired of these also—tired of seeing them hang unworn in her wardrobe, like so many derisive points of interrogation. And now, as Celeste spread them out on the bed, they seemed disgustingly common-place, and as familiar as if she had danced them to shreds. Nevertheless, she yielded to the maid's persuasions and tried them on.

The first and second did not gain by prolonged inspection: they looked old-fashioned already. "It's something about the sleeves," Undine grumbled as she threw them aside.

The third was certainly the prettiest; but then it was the one she had worn at the hotel dance the night before and the impossibility of wearing it again within the week was too obvious for discussion. Yet she enjoyed looking at herself in it, for it reminded her of her sparkling passages with Claud Walsingham Popple, and her quieter but more fruitful talk with his little friend—the young man she had hardly noticed.

III

Though she would not for the world have owned it to her parents, Undine was disappointed in the Fairford dinner.

The house, to begin with, was small and rather shabby. There was no gilding, no lavish diffusion of light: the room they sat in after dinner, with its green-shaded lamps making faint pools of brightness, and its rows of books from floor to ceiling, reminded Undine of the old circulating library at Apex, before the new marble building was put up. Then, instead of a gas-log, or a polished grate with electric bulbs behind ruby glass, there was an old-fashioned wood-fire, like pictures of "Back to the farm for Christmas"; and when the logs fell forward Mrs. Pairford or her brother had to jump up to push them in place, and the ashes scattered over the hearth untidily.

The dinner too was disappointing. Undine was too young to take note of culinary details, but she had expected to view the company through a bower of orchids and eat pretty-coloured entrees in ruffled papers. Instead, there was only a low centre-dish of ferns, and plain roasted and broiled meat that one could recognize—as if they'd been dyspeptics on a diet! With all the hints in the Sunday papers, she thought it dull of Mrs. Fairford not to have picked up something newer; and as the evening progressed she began to suspect that it wasn't a real "dinner party," and that they had just asked her in to share what they had when they were alone.

But a glance about the table convinced her that Mrs. Fairford could not have meant to treat her other guests so lightly. They were only eight in number, but one was no less a person than young Mrs. Peter Van Degen—the one who had been a Dagonet—and the consideration which this young lady, herself one of the choicest ornaments of the Society Column, displayed toward the rest of the company, convinced Undine that they must be more important than they looked. She liked Mrs. Fairford, a small incisive woman, with a big nose and good teeth revealed by frequent smiles. In her dowdy black and antiquated ornaments she was not what Undine would have called "stylish"; but she had a droll kind way which reminded the girl of her father's manner when he was not tired or worried about money. One of the other ladies, having white hair, did not long arrest Undine's attention; and the fourth, a girl like herself, who was introduced as Miss Harriet Ray, she dismissed at a glance as plain and wearing a last year's "model."

IV

"Father, you've got to take a box for me at the opera next Friday."

From the tone of her voice Undine's parents knew at once that she was "nervous."

They had counted a great deal on the Fairford dinner as a means of tranquillization, and it was a blow to detect signs of the opposite result when, late the next morning, their daughter came dawdling into the sodden splendour of the Stentorian breakfast-room.

The symptoms of Undine's nervousness were unmistakable to Mr. and Mrs. Spragg. They could read the approaching storm in the darkening of her eyes from limpid grey to slate-colour, and in the way her straight black brows met above them and the red curves of her lips narrowed to a parallel line below.

Mr. Spragg, having finished the last course of his heterogeneous meal, was adjusting his gold eye-glasses for a glance at the paper when Undine trailed down the sumptuous stuffy room, where coffee-fumes hung perpetually under the emblazoned ceiling and the spongy carpet might have absorbed a year's crumbs without a sweeping.

About them sat other pallid families, richly dressed, and silently eating their way through a bill-of-fare which seemed to have ransacked the globe for gastronomic incompatibilities; and in the middle of the room a knot of equally pallid waiters, engaged in languid conversation, turned their backs by common consent on the persons they were supposed to serve.

Undine, who rose too late to share the family breakfast, usually had her chocolate brought to her in bed by Celeste, after the manner described in the articles on "A Society Woman's Day" which were appearing in Boudoir Chat. Her mere appearance in the restaurant therefore prepared her parents for those symptoms of excessive tension which a nearer inspection confirmed, and Mr. Spragg folded his paper and hooked his glasses to his waistcoat with the air of a man who prefers to know the worst and have it over.

"An opera box!" faltered Mrs. Spragg, pushing aside the bananas and cream with which she had been trying to tempt an appetite too languid for fried liver or crab mayonnaise.

"A parterre box," Undine corrected, ignoring the exclamation, and continuing to address herself to her father. "Friday's the stylish night, and that new tenor's going to sing again in 'Cavaleeria,'" she condescended to explain.

"That so?" Mr. Spragg thrust his hands into his waistcoat pockets, and began to tilt his chair till he remembered there was no wall to meet it. He regained his balance and said: "Wouldn't a couple of good orchestra seats do you?"

"No; they wouldn't," Undine answered with a darkening brow. He looked at her humorously. "You invited the whole dinner-party, I suppose?"

"No—no one."

"Going all alone in a box?" She was disdainfully silent. "I don't s'pose you're thinking of taking mother and me?"

This was so obviously comic that they all laughed—even Mrs. Spragg—and Undine went on more mildly: "I want to do something for Mabel Lipscomb: make some return. She's always taking me 'round, and I've never done a thing for her—not a single thing."

This appeal to the national belief in the duty of reciprocal "treating" could not fail of its effect, and Mrs. Spragg murmured: "She never HAS, Abner,"—but Mr. Spragg's brow remained unrelenting.

"Do you know what a box costs?"

"No; but I s'pose you do," Undine returned with unconscious flippancy.

"I do. That's the trouble. WHY won't seats do you?"

"Mabel could buy seats for herself."

"That's so," interpolated Mrs. Spragg—always the first to succumb to her daughter's arguments.

"Well, I guess I can't buy a box for her."

Undine's face gloomed more deeply. She sat silent, her chocolate thickening in the cup, while one hand, almost as much beringed as her mother's, drummed on the crumpled table-cloth.

"We might as well go straight back to Apex," she breathed at last between her teeth.

Mrs. Spragg cast a frightened glance at her husband. These struggles between two resolute wills always brought on her palpitations, and she wished she had her phial of digitalis with her.

"A parterre box costs a hundred and twenty-five dollars a night," said Mr. Spragg, transferring a toothpick to his waistcoat pocket.

"I only want it once."

He looked at her with a quizzical puckering of his crows'-feet. "You only want most things once. Undine."

It was an observation they had made in her earliest youth—Undine never wanted anything long, but she wanted it "right off." And until she got it the house was uninhabitable.

"I'd a good deal rather have a box for the season," she rejoined, and he saw the opening he had given her. She had two ways of getting things out of him against his principles; the tender wheedling way, and the harsh-lipped and cold—and he did not know which he dreaded most. As a child they had admired her assertiveness, had made Apex ring with their boasts of it; but it had long since cowed Mrs. Spragg, and it was beginning to frighten her husband.

"Fact is, Undie," he said, weakening, "I'm a little mite strapped just this month."

Her eyes grew absent-minded, as they always did when he alluded to business. THAT was man's province; and what did men go "down town" for but to bring back the spoils to their women? She rose abruptly, leaving her parents seated, and said, more to herself than the others: "Think I'll go for a ride."

"Oh, Undine!" fluttered Mrs. Spragg. She always had palpitations when Undine rode, and since the Aaronson episode her fears were not confined to what the horse might do.

"Why don't you take your mother out shopping a little?" Mr. Spragg suggested, conscious of the limitation of his resources.

Undine made no answer, but swept down the room, and out of the door ahead of her mother, with scorn and anger in every line of her arrogant young back. Mrs. Spragg tottered meekly after her, and Mr. Spragg lounged out into the marble hall to buy a cigar before taking the Subway to his office.

V

She had looked down at them, enviously, from the balcony—she had looked up at them, reverentially, from the stalls; but now at last she was on a line with them, among them, she was part of the sacred semicircle whose privilege it is, between the acts, to make the mere public forget that the curtain has fallen.

As she swept to the left-hand seat of their crimson niche, waving Mabel Lipscomb to the opposite corner with a gesture learned during her apprenticeship in the stalls, Undine felt that quickening of the faculties that comes in the high moments of life. Her consciousness seemed to take in at once the whole bright curve of the auditorium, from the unbroken lines of spectators below her to the culminating blaze of the central chandelier; and she herself was the core of that vast illumination, the sentient throbbing surface which gathered all the shafts of light into a centre.

It was almost a relief when, a moment later, the lights sank, the curtain rose, and the focus of illumination was shifted. The music, the scenery, and the movement on the stage, were like a rich mist tempering the radiance that shot on her from every side, and giving her time to subside, draw breath, adjust herself to this new clear medium which made her feel so oddly brittle and transparent.

When the curtain fell on the first act she began to be aware of a subtle change in the house. In all the boxes cross-currents of movement had set in: groups were coalescing and breaking up, fans waving and heads twinkling, black coats emerging among white shoulders, late comers dropping their furs and laces in the red penumbra of the background. Undine, for the moment unconscious of herself, swept the house with her opera-glass, searching for familiar faces. Some she knew without being able to name them—fixed figure-heads of the social prow—others she recognized from their portraits in the papers; but of the few from whom she could herself claim recognition not one was visible, and as she pursued her investigations the whole scene grew blank and featureless.

Almost all the boxes were full now, but one, just opposite, tantalized her by its continued emptiness. How queer to have an opera-box and not use it! What on earth could the people be doing—what rarer delight could they be tasting? Undine remembered that the numbers of the boxes and the names of their owners were given on the back of the programme, and after a rapid computation she turned to consult the list. Mondays and Fridays, Mrs. Peter Van Degen. That was it: the box was empty because Mrs. Van Degen was dining alone with Ralph Marvell! "PETER WILL BE AT ONE OF HIS DINNERS." Undine had a sharp vision of the Van Degen dining-room—she pictured it as oak-carved and sumptuous with gilding —with a small table in the centre, and rosy lights and flowers, and Ralph Marvell, across the hot-house grapes and champagne, leaning to take a light from his hostess's cigarette. Undine had seen such scenes on the stage, she had come upon them in the glowing pages of fiction, and it seemed to her that every detail was before her now, from the glitter of jewels on Mrs. Van Degen's bare shoulders to the way young Marvell stroked his slight blond moustache while he smiled and listened.

Undine blushed with anger at her own simplicity in fancying that he had been "taken" by her—that she could ever really count among these happy self-absorbed people! They all had their friends, their ties, their delightful crowding obligations: why should they make room for an intruder in a circle so packed with the initiated?

As her imagination developed the details of the scene in the Van Degen dining-room it became clear to her that fashionable society was horribly immoral and that she could never really be happy in such a poisoned atmosphere. She remembered that an eminent divine was preaching a series of sermons against Social Corruption, and she determined to go and hear him on the following Sunday.

This train of thought was interrupted by the feeling that she was being intently observed from the neighbouring box. She turned around with a feint of speaking to Mrs. Lipscomb, and met the bulging stare of Peter Van Degen. He was standing behind the lady of the eye-glass, who had replaced her tortoise-shell implement by one of closely-set brilliants, which, at word from her companion, she critically bent on Undine.

"No—I don't remember," she said; and the girl reddened, divining herself unidentified after this protracted scrutiny.

But there was no doubt as to young Van Degen's remembering her. She was even conscious that he was trying to provoke in her some reciprocal sign of recognition; and the attempt drove her to the haughty study of her programme.

"Why, there's Mr. Popple over there!" exclaimed Mabel Lipscomb, making large signs across the house with fan and play-bill.

VI

Upstairs, in his brown firelit room, he threw himself into an armchair, and remembered... Harvard first—then Oxford; then a year of wandering and rich initiation. Returning to New York, he had read law, and now had his desk in the office of the respectable firm in whose charge the Dagonet estate had mouldered for several generations. But his profession was the least real thing in his life. The realities lay about him now: the books jamming his old college bookcases and overflowing on chairs and tables; sketches too—he could do charming things, if only he had known how to finish them!—and, on the writing-table at his elbow, scattered sheets of prose and verse; charming things also, but, like the sketches, unfinished.

Nothing in the Dagonet and Marvell tradition was opposed to this desultory dabbling with life. For four or five generations it had been the rule of both houses that a young fellow should go to Columbia or Harvard, read law, and then lapse into more or less cultivated inaction. The only essential was that he should live "like a gentleman"—that is, with a tranquil disdain for mere money-getting, a passive openness to the finer sensations, one or two fixed principles as to the quality of wine, and an archaic probity that had not yet learned to distinguish between private and "business" honour.

No equipment could more thoroughly have unfitted the modern youth for getting on: it hardly needed the scribbled pages on the desk to complete the hopelessness of Ralph Marvell's case. He had accepted the fact with a humorous fatalism. Material resources were limited on both sides of the house, but there would always be enough for his frugal wants—enough to buy books (not "editions"), and pay now and then for a holiday dash to the great centres of art and ideas. And meanwhile there was the world of wonders within him. As a boy at the sea-side, Ralph, between tides, had once come on a cave—a secret inaccessible place with glaucous lights, mysterious murmurs, and a single shaft of communication with the sky. He had kept his find from the other boys, not churlishly, for he was always an outspoken lad, but because he felt there were things about the cave that the others, good fellows as they all were, couldn't be expected to understand, and that, anyhow, it would never be quite his cave again after he had let his thick-set freckled cousins play smuggler and pirate in it.

VII

Some two months later than the date of young Marvell's midnight vigil, Mrs. Heeny, seated on a low chair at Undine's knee, gave the girl's left hand an approving pat as she laid aside her lapful of polishers.

"There! I guess you can put your ring on again," she said with a laugh of jovial significance; and Undine, echoing the laugh in a murmur of complacency, slipped on the fourth finger of her recovered hand a band of sapphires in an intricate setting.

Mrs. Heeny took up the hand again. "Them's old stones, Undine—they've got a different look," she said, examining the ring while she rubbed her cushioned palm over the girl's brilliant finger-tips. "And the setting's quaint—I wouldn't wonder but what it was one of old Gran'ma Dagonet's."

Mrs. Spragg, hovering near in fond beatitude, looked up quickly.

"Why, don't you s'pose he BOUGHT it for her, Mrs. Heeny? It came in a Tiff'ny box."

The manicure laughed again. "Of course he's had Tiff'ny rub it up. Ain't you ever heard of ancestral jewels, Mrs. Spragg? In the Eu-ropean aristocracy they never go out and BUY engagement-rings; and Undine's marrying into our aristocracy."

Mrs. Spragg looked relieved. "Oh, I thought maybe they were trying to scrimp on the ring—"

Mrs. Heeny, shrugging away this explanation, rose from her seat and rolled back her shiny black sleeves.

"Look at here, Undine, if you really want me to do your hair it's time we got to work."

The girl swung about in her seat so that she faced the mirror on the dressing-table. Her shoulders shone through transparencies of lace and muslin which slipped back as she lifted her arms to draw the tortoise-shell pins from her hair.

"Of course you've got to do it—I want to look perfectly lovely!"

"Well—I dunno's my hand's in nowadays," said Mrs. Heeny in a tone that belied the doubt she cast on her own ability.

"Oh, you're an ARTIST, Mrs. Heeny—and I just couldn't have had that French maid 'round to-night," sighed Mrs. Spragg, sinking into a chair near the dressing-table.

Undine, with a backward toss of her head, scattered her loose locks about her. As they spread and sparkled under Mrs. Heeny's touch, Mrs. Spragg leaned back, drinking in through half-closed lids her daughter's loveliness. Some new quality seemed added to Undine's beauty: it had a milder bloom, a kind of melting grace, which might have been lent to it by the moisture in her mother's eyes.

"So you're to see the old gentleman for the first time at this dinner?" Mrs. Heeny pursued, sweeping the live strands up into a loosely woven crown.

"Yes. I'm frightened to death!" Undine, laughing confidently, took up a hand-glass and scrutinized the small brown mole above the curve of her upper lip.

"I guess she'll know how to talk to him," Mrs. Spragg averred with a kind of quavering triumph.

"She'll know how to LOOK at him, anyhow," said Mrs. Heeny; and Undine smiled at her own image.

"I hope he won't think I'm too awful!"

Mrs. Heeny laughed. "Did you read the description of yourself in the Radiator this morning? I wish't I'd 'a had time to cut it out. I guess I'll have to start a separate bag for YOUR clippings soon."

Undine stretched her arms luxuriously above her head and gazed through lowered lids at the foreshortened reflection of her face.

"Mercy! Don't jerk about like that. Am I to put in this rose?—There—you ARE lovely!" Mrs. Heeny sighed, as the pink petals sank into the hair above the girl's forehead. Undine pushed her chair back, and sat supporting her chin on her clasped hands while she studied the result of Mrs. Heeny's manipulations.

"Yes—that's the way Mrs. Peter Van Degen's flower was put in the other night; only hers was a camellia.—Do you think I'd look better with a camellia?"

VIII

It was doubtless owing to Mrs. Fairford's foresight that such possibilities of tension were curtailed, after dinner, by her carrying off Ralph and his betrothed to the theatre.

Mr. Dagonet, it was understood, always went to bed after an hour's whist with his daughter; and the silent Mr. Fairford gave his evenings to bridge at his club. The party, therefore, consisted only of Undine and Ralph, with Mrs. Fairford and her attendant friend. Undine vaguely wondered why the grave and grey-haired Mr. Bowen formed so invariable a part of that lady's train; but she concluded that it was the York custom for married ladies to have gentlemen "'round" (as girls had in Apex), and that Mr. Bowen was the sole survivor of Laura Fairford's earlier triumphs.

She had, however, little time to give to such conjectures, for the performance they were attending—the debut of a fashionable London actress—had attracted a large audience in which Undine immediately recognized a number of familiar faces. Her engagement had been announced only the day before, and she had the delicious sense of being "in all the papers," and of focussing countless glances of interest and curiosity as she swept through the theatre in Mrs. Fairford's wake. Their stalls were near the stage, and progress thither was slow enough to permit of prolonged enjoyment of this sensation. Before passing to her place she paused for Ralph to remove her cloak, and as he lifted it from her shoulders she heard a lady say behind her: "There she is—the one in white, with the lovely back—" and a man answer: "Gad! Where did he find anything as good as that?"

Anonymous approval was sweet enough; but she was to taste a moment more exquisite when, in the proscenium box across the house, she saw Clare Van Degen seated beside the prim figure of Miss Harriet Ray. "They're here to see me with him—they hate it, but they couldn't keep away!" She turned and lifted a smile of possessorship to Ralph. Mrs. Fairford seemed also struck by the presence of the two ladies, and Undine heard her whisper to Mr. Bowen: "Do you see Clare over there—and Harriet with her? Harriet WOULD COME—I call it Spartan! And so like Clare to ask her!"

Her companion laughed. "It's one of the deepest instincts in human nature. The murdered are as much given as the murderer to haunting the scene of the crime."

Doubtless guessing Ralph's desire to have Undine to himself, Mrs. Fairford had sent the girl in first; and Undine, as she seated herself, was aware that the occupant of the next stall half turned to her, as with a vague gesture of recognition. But just then the curtain rose, and she became absorbed in the development of the drama, especially as it tended to display the remarkable toilets which succeeded each other on the person of its leading lady. Undine, seated at Ralph Marvell's side, and feeling the thrill of his proximity as a subtler element in the general interest she was exciting, was at last repaid for the disappointment of her evening at the opera. It was characteristic of her that she remembered her failures as keenly as her triumphs, and that the passionate desire to obliterate, to "get even" with them, was always among the latent incentives of her conduct. Now at last she was having what she wanted—she was in conscious possession of the "real thing"; and through her other, diffused, sensations Ralph's adoration gave her such a last refinement of pleasure as might have come to some warrior Queen borne in triumph by captive princes, and reading in the eyes of one the passion he dared not speak. When the curtain fell this vague enjoyment was heightened by various acts of recognition. All the people she wanted to "go with," as they said in Apex, seemed to be about her in the stalls and boxes; and her eyes continued to revert with special satisfaction to the incongruous group formed by Mrs. Peter Van Degen and Miss Ray. The sight made it irresistible to whisper to Ralph: "You ought to go round and talk to your cousin. Have you told her we're engaged?"

"Clare? of course. She's going to call on you tomorrow."

"Oh, she needn't put herself out—she's never been yet," said Undine loftily.

He made no rejoinder, but presently asked: "Who's that you're waving to?"

"Mr. Popple. He's coming round to see us. You know he wants to paint me." Undine fluttered and beamed as the brilliant Popple made his way across the stalls to the seat which her neighbour had momentarily left.

IX

Undine, late the next day, waited alone under the leafless trellising of a wistaria arbour on the west side of the Central Park. She had put on her plainest dress, and wound a closely, patterned veil over her least vivid hat; but even thus toned down to the situation she was conscious of blazing out from it inconveniently.

The habit of meeting young men in sequestered spots was not unknown to her: the novelty was in feeling any embarrassment about it. Even now she was disturbed not so much by the unlikely chance of an accidental encounter with Ralph Marvell as by the remembrance of similar meetings, far from accidental, with the romantic Aaronson. Could it be that the hand now adorned with Ralph's engagement ring had once, in this very spot, surrendered itself to the riding-master's pressure? At the thought a wave of physical disgust passed over her, blotting out another memory as distasteful but more remote.

It was revived by the appearance of a ruddy middle-sized young man, his stoutish figure tightly buttoned into a square-shouldered over-coat, who presently approached along the path that led to the arbour. Silhouetted against the slope of the asphalt, the newcomer revealed an outline thick yet compact, with a round head set on a neck in which, at the first chance, prosperity would be likely to develop a red crease. His face, with its rounded surfaces, and the sanguine innocence of a complexion belied by prematurely astute black eyes, had a look of jovial cunning which Undine had formerly thought "smart" but which now struck her as merely vulgar. She felt that in the Marvell set Elmer Moffatt would have been stamped as "not a gentleman." Nevertheless something in his look seemed to promise the capacity to develop into any character he might care to assume; though it did not seem probable that, for the present, that of a gentleman would be among them. He had always had a brisk swaggering step, and the faintly impudent tilt of the head that she had once thought "dashing"; but whereas this look had formerly denoted a somewhat desperate defiance of the world and its judgments it now suggested an almost assured relation to these powers; and Undine's heart sank at the thought of what the change implied.

As he drew nearer, the young man's air of assurance was replaced by an expression of mildly humorous surprise.

"Well—this is white of you. Undine!" he said, taking her lifeless fingers into his dapperly gloved hand.

Through her veil she formed the words: "I said I'd come."

He laughed. "That's so. And you see I believed you. Though I might not have—"

"I don't see the use of beginning like this," she interrupted nervously.

"That's so too. Suppose we walk along a little ways? It's rather chilly standing round."

He turned down the path that descended toward the Ramble and the girl moved on beside him with her long flowing steps.

When they had reached the comparative shelter of the interlacing trees Moffatt paused again to say: "If we're going to talk I'd like to see you. Undine;" and after a first moment of reluctance she submissively threw back her veil.

He let his eyes rest on her in silence; then he said judicially: "You've filled out some; but you're paler." After another appreciative scrutiny he added: "There's mighty few women as well worth looking at, and I'm obliged to you for letting me have the chance again."

Undine's brows drew together, but she softened her frown to a quivering smile.

"I'm glad to see you too, Elmer—I am, REALLY!"

He returned her smile while his glance continued to study her humorously. "You didn't betray the fact last night. Miss Spragg."

"I was so taken aback. I thought you were out in Alaska somewhere."

The young man shaped his lips into the mute whistle by which he habitually vented his surprise. "You DID? Didn't Abner E. Spragg tell you he'd seen me down town?"

Undine gave him a startled glance. "Father? Why, have you seen him? He never said a word about it!"

Her companion's whistle became audible. "He's running yet!" he said gaily. "I wish I could scare some people as easy as I can your father."

The girl hesitated. "I never felt toward you the way father did," she hazarded at length; and he gave her another long look in return.

"Well, if they'd left you alone I don't believe you'd ever have acted mean to me," was the conclusion he drew from it.

"I didn't mean to, Elmer ... I give you my word—but I was so young ... I didn't know anything...."

X

Mr. and Mrs. Spragg were both given to such long periods of ruminating apathy that the student of inheritance might have wondered whence Undine derived her overflowing activity. The answer would have been obtained by observing her father's business life. From the moment he set foot in Wall Street Mr. Spragg became another man. Physically the change revealed itself only by the subtlest signs. As he steered his way to his office through the jostling crowd of William Street his relaxed muscles did not grow more taut or his lounging gait less desultory. His shoulders were hollowed by the usual droop, and his rusty black waistcoat showed the same creased concavity at the waist, the same flabby prominence below. It was only in his face that the difference was perceptible, though even here it rather lurked behind the features than openly modified them: showing itself now and then in the cautious glint of half-closed eyes, the forward thrust of black brows, or a tightening of the lax lines of the mouth—as the gleam of a night-watchman's light might flash across the darkness of a shuttered house-front. The shutters were more tightly barred than usual, when, on a morning some two weeks later than the date of the incidents last recorded, Mr. Spragg approached the steel and concrete tower in which his office occupied a lofty pigeon-hole. Events had moved rapidly and somewhat surprisingly in the interval, and Mr. Spragg had already accustomed himself to the fact that his daughter was to be married within the week, instead of awaiting the traditional post-Lenten date. Conventionally the change meant little to him; but on the practical side it presented unforeseen difficulties. Mr. Spragg had learned within the last weeks that a New York marriage involved material obligations unknown to Apex. Marvell, indeed, had been loftily careless of such questions; but his grandfather, on the announcement of the engagement, had called on Mr. Spragg and put before him, with polished precision, the young man's financial situation.

Mr. Spragg, at the moment, had been inclined to deal with his visitor in a spirit of indulgent irony. As he leaned back in his revolving chair, with feet adroitly balanced against a tilted scrap basket, his air of relaxed power made Mr. Dagonet's venerable elegance seem as harmless as that of an ivory jack-straw—and his first replies to his visitor were made with the mildness of a kindly giant.

"Ralph don't make a living out of the law, you say? No, it didn't strike me he'd be likely to, from the talks I've had with him. Fact is, the law's a business that wants—" Mr. Spragg broke off, checked by a protest from Mr. Dagonet. "Oh, a PROFESSION, you call it? It ain't a business?" His smile grew more indulgent as this novel distinction dawned on him. "Why, I guess that's the whole trouble with Ralph. Nobody expects to make money in a PROFESSION; and if you've taught him to regard the law that way, he'd better go right into cooking-stoves and done with it."

Mr. Dagonet, within a narrower range, had his own play of humour; and it met Mr. Spragg's with a leap. "It's because I knew he would manage to make cooking-stoves as unremunerative as a profession that I saved him from so glaring a failure by putting him into the law."

The retort drew a grunt of amusement from Mr. Spragg; and the eyes of the two men met in unexpected understanding.

"That so? What can he do, then?" the future father-in-law enquired.

"He can write poetry—at least he tells me he can." Mr. Dagonet hesitated, as if aware of the inadequacy of the alternative, and then added: "And he can count on three thousand a year from me."

Mr. Spragg tilted himself farther back without disturbing his subtly-calculated relation to the scrap basket.

"Does it cost anything like that to print his poetry?"

Mr. Dagonet smiled again: he was clearly enjoying his visit. "Dear, no—he doesn't go in for 'luxe' editions. And now and then he gets ten dollars from a magazine."

Mr. Spragg mused. "Wasn't he ever TAUGHT to work?"

"No; I really couldn't have afforded that."

"I see. Then they've got to live on two hundred and fifty dollars a month."

Mr. Dagonet remained pleasantly unmoved. "Does it cost anything like that to buy your daughter's dresses?"

A subterranean chuckle agitated the lower folds of Mr. Spragg's waistcoat.

"I might put him in the way of something—I guess he's smart enough."

Mr. Dagonet made a gesture of friendly warning. "It will pay us both in the end to keep him out of business," he said, rising as if to show that his mission was accomplished.

The results of this friendly conference had been more serious than Mr. Spragg could have foreseen—and the victory remained with his antagonist. It had not entered into Mr. Spragg's calculations that he would have to give his daughter any fixed income on her marriage. He meant that she should have the "handsomest" wedding the New York press had ever celebrated, and her mother's fancy was already afloat on a sea of luxuries—a motor, a Fifth Avenue house, and a tiara that should out-blaze Mrs. Van Degen's; but these were movable benefits, to be conferred whenever Mr. Spragg happened to be "on the right side" of the market. It was a different matter to be called on, at such short notice, to bridge the gap between young Marvell's allowance and Undine's requirements; and her father's immediate conclusion was that the engagement had better be broken off. Such scissions were almost painless in Apex, and he had fancied it would be easy, by an appeal to the girl's pride, to make her see that she owed it to herself to do better.

"You'd better wait awhile and look round again," was the way he had put it to her at the opening of the talk of which, even now, he could not recall the close without a tremor.

XI

The July sun enclosed in a ring of fire the ilex grove of a villa in the hills near Siena.

Below, by the roadside, the long yellow house seemed to waver and palpitate in the glare; but steep by steep, behind it, the cool ilex-dusk mounted to the ledge where Ralph Marvell, stretched on his back in the grass, lay gazing up at a black reticulation of branches between which bits of sky gleamed with the hardness and brilliancy of blue enamel.

Up there too the air was thick with heat; but compared with the white fire below it was a dim and tempered warmth, like that of the churches in which he and Undine sometimes took refuge at the height of the torrid days.

Ralph loved the heavy Italian summer, as he had loved the light spring days leading up to it: the long line of dancing days that had drawn them on and on ever since they had left their ship at Naples four months earlier. Four months of beauty, changeful, inexhaustible, weaving itself about him in shapes of softness and strength; and beside him, hand in hand with him, embodying that spirit of shifting magic, the radiant creature through whose eyes he saw it. This was what their hastened marriage had blessed them with, giving them leisure, before summer came, to penetrate to remote folds of the southern mountains, to linger in the shade of Sicilian orange-groves, and finally, travelling by slow stages to the Adriatic, to reach the central hill-country where even in July they might hope for a breathable air.

To Ralph the Sienese air was not only breathable but intoxicating. The sun, treading the earth like a vintager, drew from it heady fragrances, crushed out of it new colours. All the values of the temperate landscape were reversed: the noon high-lights were whiter but the shadows had unimagined colour. On the blackness of cork and ilex and cypress lay the green and purple lustres, the coppery iridescences, of old bronze; and night after night the skies were wine-blue and bubbling with stars. Ralph said to himself that no one who had not seen Italy thus prostrate beneath the sun knew what secret treasures she could yield.

As he lay there, fragments of past states of emotion, fugitive felicities of thought and sensation, rose and floated on the surface of his thoughts. It was one of those moments when the accumulated impressions of life converge on heart and brain, elucidating, enlacing each other, in a mysterious confusion of beauty. He had had glimpses of such a state before, of such mergings of the personal with the general life that one felt one's self a mere wave on the wild stream of being, yet thrilled with a sharper sense of individuality than can be known within the mere bounds of the actual. But now he knew the sensation in its fulness, and with it came the releasing power of language. Words were flashing like brilliant birds through the boughs overhead; he had but to wave his magic wand to have them flutter down to him. Only they were so beautiful up there, weaving their fantastic flights against the blue, that it was pleasanter, for the moment, to watch them and let the wand lie.

He stared up at the pattern they made till his eyes ached with excess of light; then he changed his position and looked at his wife.

Undine, near by, leaned against a gnarled tree with the slightly constrained air of a person unused to sylvan abandonments. Her beautiful back could not adapt itself to the irregularities of the tree-trunk, and she moved a little now and then in the effort to find an easier position. But her expression was serene, and Ralph, looking up at her through drowsy lids, thought her face had never been more exquisite.

"You look as cool as a wave," he said, reaching out for the hand on her knee. She let him have it, and he drew it closer, scrutinizing it as if it had been a bit of precious porcelain or ivory. It was small and soft, a mere featherweight, a puff-ball of a hand—not quick and thrilling, not a speaking hand, but one to be fondled and dressed in rings, and to leave a rosy blur in the brain. The fingers were short and tapering, dimpled at the base, with nails as smooth as rose-leaves. Ralph lifted them one by one, like a child playing with piano-keys, but they were inelastic and did not spring back far—only far enough to show the dimples.

He turned the hand over and traced the course of its blue veins from the wrist to the rounding of the palm below the fingers; then he put a kiss in the warm hollow between. The upper world had vanished: his universe had shrunk to the palm of a hand. But there was no sense of diminution. In the mystic depths whence his passion sprang, earthly dimensions were ignored and the curve of beauty was boundless enough to hold whatever the imagination could pour into it. Ralph had never felt more convinced of his power to write a great poem; but now it was Undine's hand which held the magic wand of expression.

She stirred again uneasily, answering his last words with a faint accent of reproach.

"I don't FEEL cool. You said there'd be a breeze up here."

He laughed.

"You poor darling! Wasn't it ever as hot as this in Apex?"

She withdrew her hand with a slight grimace.

"Yes—but I didn't marry you to go back to Apex!"

Ralph laughed again; then he lifted himself on his elbow and regained the hand. "I wonder what you DID marry me for?"

"Mercy! It's too hot for conundrums." She spoke without impatience, but with a lassitude less joyous than his.

He roused himself. "Do you really mind the heat so much? We'll go, if you do."

She sat up eagerly. "Go to Switzerland, you mean?"

"Well, I hadn't taken quite as long a leap. I only meant we might drive back to Siena."

XII

In the quiet place with the green water-fall Ralph's vision might have kept faith with him; but how could he hope to surprise it in the midsummer crowds of St. Moritz? Undine, at any rate, had found there what she wanted; and when he was at her side, and her radiant smile included him, every other question was in abeyance. But there were hours of solitary striding over bare grassy slopes, face to face with the ironic interrogation of sky and mountains, when his anxieties came back, more persistent and importunate. Sometimes they took the form of merely material difficulties. How, for instance, was he to meet the cost of their ruinous suite at the Engadine Palace while he awaited Mr. Spragg's next remittance? And once the hotel bills were paid, what would be left for the journey back to Paris, the looming expenses there, the price of the passage to America? These questions would fling him back on the thought of his projected book, which was, after all, to be what the masterpieces of literature had mostly been—a pot-boiler. Well! Why not? Did not the worshipper always heap the rarest essences on the altar of his divinity? Ralph still rejoiced in the thought of giving back to Undine something of the beauty of their first months together. But even on his solitary walks the vision eluded him; and he could spare so few hours to its pursuit!

Undine's days were crowded, and it was still a matter of course that where she went he should follow. He had risen visibly in her opinion since they had been absorbed into the life of the big hotels, and she had seen that his command of foreign tongues put him at an advantage even in circles where English was generally spoken if not understood. Undine herself, hampered by her lack of languages, was soon drawn into the group of compatriots who struck the social pitch of their hotel.

Their types were familiar enough to Ralph, who had taken their measure in former wanderings, and come across their duplicates in every scene of continental idleness. Foremost among them was Mrs. Harvey Shallum, a showy Parisianized figure, with a small wax-featured husband whose ultra-fashionable clothes seemed a tribute to his wife's importance rather than the mark of his personal taste. Mr. Shallum, in fact, could not be said to have any personal bent. Though he conversed with a colourless fluency in the principal European tongues, he seldom exercised his gift except in intercourse with hotel-managers and head-waiters; and his long silences were broken only by resigned allusions to the enormities he had suffered at the hands of this gifted but unscrupulous class.

Mrs. Shallum, though in command of but a few verbs, all of which, on her lips, became irregular, managed to express a polyglot personality as vivid as her husband's was effaced. Her only idea of intercourse with her kind was to organize it into bands and subject it to frequent displacements; and society smiled at her for these exertions like an infant vigorously rocked. She saw at once Undine's value as a factor in her scheme, and the two formed an alliance on which Ralph refrained from shedding the cold light of depreciation. It was a point of honour with him not to seem to disdain any of Undine's amusements: the noisy interminable picnics, the hot promiscuous balls, the concerts, bridge-parties and theatricals which helped to disguise the difference between the high Alps and Paris or New York. He told himself that there is always a Narcissus-element in youth, and that what Undine really enjoyed was the image of her own charm mirrored in the general admiration. With her quick perceptions and adaptabilities she would soon learn to care more about the quality of the reflecting surface; and meanwhile no criticism of his should mar her pleasure.

The appearance at their hotel of the cavalry-officer from Siena was a not wholly agreeable surprise; but even after the handsome Marquis had been introduced to Undine, and had whirled her through an evening's dances, Ralph was not seriously disturbed. Husband and wife had grown closer to each other since they had come to St. Moritz, and in the brief moments she could give him Undine was now always gay and approachable. Her fitful humours had vanished, and she showed qualities of comradeship that seemed the promise of a deeper understanding. But this very hope made him more subject to her moods, more fearful of disturbing the harmony between them. Least of all could he broach the subject of money: he had too keen a memory of the way her lips could narrow, and her eyes turn from him as if he were a stranger.

It was a different matter that one day brought the look he feared to her face. She had announced her intention of going on an excursion with Mrs. Shallum and three or four of the young men who formed the nucleus of their shifting circle, and for the first time she did not ask Ralph if he were coming; but he felt no resentment at being left out. He was tired of these noisy assaults on the high solitudes, and the prospect of a quiet afternoon turned his thoughts to his book. Now if ever there seemed a chance of recapturing the moonlight vision...

From his balcony he looked down on the assembling party. Mrs. Shallum was already screaming bilingually at various windows in the long facade; and Undine presently came out of the hotel with the Marchese Roviano and two young English diplomatists. Slim and tall in her trim mountain garb, she made the ornate Mrs. Shallum look like a piece of ambulant upholstery. The high air brightened her cheeks and struck new lights from her hair, and Ralph had never seen her so touched with morning freshness. The party was not yet complete, and he felt a movement of annoyance when he recognized, in the last person to join it, a Russian lady of cosmopolitan notoriety whom he had run across in his unmarried days, and as to whom he had already warned Undine. Knowing what strange specimens from the depths slip through the wide meshes of the watering-place world, he had foreseen that a meeting with the Baroness Adelschein was inevitable; but he had not expected her to become one of his wife's intimate circle.

When the excursionists had started he turned back to his writing-table and tried to take up his work; but he could not fix his thoughts: they were far away, in pursuit of Undine. He had been but five months married, and it seemed, after all, rather soon for him to be dropped out of such excursions as unquestioningly as poor Harvey Shallum. He smiled away this first twinge of jealousy, but the irritation it left found a pretext in his displeasure at Undine's choice of companions. Mrs. Shallum grated on his taste, but she was as open to inspection as a shop-window, and he was sure that time would teach his wife the cheapness of what she had to show. Roviano and the Englishmen were well enough too: frankly bent on amusement, but pleasant and well-bred. But they would naturally take their tone from the women they were with; and Madame Adelschein's tone was notorious. He knew also that Undine's faculty of self-defense was weakened by the instinct of adapting herself to whatever company she was in, of copying "the others" in speech and gesture as closely as she reflected them in dress; and he was disturbed by the thought of what her ignorance might expose her to.

She came back late, flushed with her long walk, her face all sparkle and mystery, as he had seen it in the first days of their courtship; and the look somehow revived his irritated sense of having been intentionally left out of the party.

XIII

He had expected to find Undine still out; but on the stairs he crossed Mrs. Shallum, who threw at him from under an immense hat-brim: "Yes, she's in, but you'd better come and have tea with me at the Luxe. I don't think husbands are wanted!"

Ralph laughingly rejoined that that was just the moment for them to appear; and Mrs. Shallum swept on, crying back: "All the same, I'll wait for you!"

In the sitting-room Ralph found Undine seated behind a tea-table on the other side of which, in an attitude of easy intimacy, Peter Van Degen stretched his lounging length.

He did not move on Ralph's appearance, no doubt thinking their kinship close enough to make his nod and "Hullo!" a sufficient greeting. Peter in intimacy was given to miscalculations of the sort, and Ralph's first movement was to glance at Undine and see how it affected her. But her eyes gave out the vivid rays that noise and banter always struck from them; her face, at such moments, was like a theatre with all the lustres blazing. That the illumination should have been kindled by his cousin's husband was not precisely agreeable to Marvell, who thought Peter a bore in society and an insufferable nuisance on closer terms. But he was becoming blunted to Undine's lack of discrimination; and his own treatment of Van Degen was always tempered by his sympathy for Clare.

He therefore listened with apparent good-humour to Peter's suggestion of an evening at a petit theatre with the Harvey Shallums, and joined in the laugh with which Undine declared: "Oh, Ralph won't go—he only likes the theatres where they walk around in bathtowels and talk poetry.—Isn't that what you've just been seeing?" she added, with a turn of the neck that shed her brightness on him.

"What? One of those five-barrelled shows at the Français? Great Scott, Ralph—no wonder your wife's pining for the Folies Bergère!"

"She needn't, my dear fellow. We never interfere with each other's vices."

Peter, unsolicited, was comfortably lighting a cigarette. "Ah, there's the secret of domestic happiness. Marry somebody who likes all the things you don't, and make love to somebody who likes all the things you do."

Undine laughed appreciatively. "Only it dooms poor Ralph to such awful frumps. Can't you see the sort of woman who'd love his sort of play?"

"Oh, I can see her fast enough—my wife loves 'em," said their visitor, rising with a grin; while Ralph threw, out: "So don't waste your pity on me!" and Undine's laugh had the slight note of asperity that the mention of Clare always elicited.

"To-morrow night, then, at Paillard's," Van Degen concluded. "And about the other business—that's a go too? I leave it to you to settle the date."

The nod and laugh they exchanged seemed to hint at depths of collusion from which Ralph was pointedly excluded; and he wondered how large a programme of pleasure they had already had time to sketch out. He disliked the idea of Undine's being too frequently seen with Van Degen, whose Parisian reputation was not fortified by the connections that propped it up in New York; but he did not want to interfere with her pleasure, and he was still wondering what to say when, as the door closed, she turned to him gaily.

"I'm so glad you've come! I've got some news for you." She laid a light touch on his arm.

Touch and tone were enough to disperse his anxieties, and he answered that he was in luck to find her already in when he had supposed her engaged, over a Nouveau Luxe tea-table, in repairing the afternoon's ravages.

"Oh, I didn't shop much—I didn't stay out long." She raised a kindling face to him. "And what do you think I've been doing? While you were sitting in your stuffy old theatre, worrying about the money I was spending (oh, you needn't fib—I know you were!) I was saving you hundreds and thousands. I've saved you the price of our passage!"

Ralph laughed in pure enjoyment of her beauty. When she shone on him like that what did it matter what nonsense she talked?

"You wonderful woman—how did you do it? By countermanding a tiara?"

"You know I'm not such a fool as you pretend!" She held him at arm's length with a nod of joyous mystery. "You'll simply never guess! I've made Peter Van Degen ask us to go home on the Sorceress. What do you say to that?"

She flashed it out on a laugh of triumph, without appearing to have a doubt of the effect the announcement would produce.

Ralph stared at her. "The Sorceress? You MADE him?"

"Well, I managed it, I worked him round to it! He's crazy about the idea now—but I don't think he'd thought of it before he came."

"I should say not!" Ralph ejaculated. "He never would have had the cheek to think of it."

"Well, I've made him, anyhow! Did you ever know such luck?"

XIV

It was one of the distinctions of Mr. Claud Walsingham Popple that his studio was never too much encumbered with the attributes of his art to permit the installing, in one of its cushioned corners, of an elaborately furnished tea-table flanked by the most varied seductions in sandwiches and pastry.

Mr. Popple, like all great men, had at first had his ups and downs; but his reputation had been permanently established by the verdict of a wealthy patron who, returning from an excursion into other fields of portraiture, had given it as the final fruit of his experience that Popple was the only man who could "do pearls." To sitters for whom this was of the first consequence it was another of the artist's merits that he always subordinated art to elegance, in life as well as in his portraits. The "messy" element of production was no more visible in his expensively screened and tapestried studio than its results were perceptible in his painting; and it was often said, in praise of his work, that he was the only artist who kept his studio tidy enough for a lady to sit to him in a new dress.

Mr. Popple, in fact, held that the personality of the artist should at all times be dissembled behind that of the man. It was his opinion that the essence of good-breeding lay in tossing off a picture as easily as you lit a cigarette. Ralph Marvell had once said of him that when he began a portrait he always turned back his cuffs and said: "Ladies and gentlemen, you can see there's absolutely nothing here," and Mrs. Fairford supplemented the description by defining his painting as "chafing-dish" art. On a certain late afternoon of December, some four years after Mr. Popple's first meeting with Miss Undine Spragg of Apex, even the symbolic chafing-dish was nowhere visible in his studio; the only evidence of its recent activity being the full-length portrait of Mrs. Ralph Marvell, who, from her lofty easel and her heavily garlanded frame, faced the doorway with the air of having been invited to "receive" for Mr. Popple.

The artist himself, becomingly clad in mouse-coloured velveteen, had just turned away from the picture to hover above the tea-cups; but his place had been taken by the considerably broader bulk of Mr. Peter Van Degen, who, tightly moulded into a coat of the latest cut, stood before the portrait in the attitude of a first arrival.

"Yes, it's good—it's damn good, Popp; you've hit the hair off ripplingly; but the pearls ain't big enough," he pronounced.

A slight laugh sounded from the raised dais behind the easel.

"Of course they're not! But it's not HIS fault, poor man; HE didn't give them to me!" As she spoke Mrs. Ralph Marvell rose from a monumental gilt arm-chair of pseudo-Venetian design and swept her long draperies to Van Degen's side.

"He might, then—for the privilege of painting you!" the latter rejoined, transferring his bulging stare from the counterfeit to the original. His eyes rested on Mrs. Marvell's in what seemed a quick exchange of understanding; then they passed on to a critical inspection of her person. She was dressed for the sitting in something faint and shining, above which the long curves of her neck looked dead white in the cold light of the studio; and her hair, all a shadowless rosy gold, was starred with a hard glitter of diamonds.

"The privilege of painting me? Mercy, I have to pay for being painted! He'll tell you he's giving me the picture—but what do you suppose this cost?" She laid a finger-tip on her shimmering dress.

Van Degen's eye rested on her with cold enjoyment. "Does the price come higher than the dress?"

She ignored the allusion. "Of course what they charge for is the cut—"

"What they cut away? That's what they ought to charge for, ain't it, Popp?"

Undine took this with cool disdain, but Mr. Popple's sensibilities were offended.

"My dear Peter—really—the artist, you understand, sees all this as a pure question of colour, of pattern; and it's a point of honour with the MAN to steel himself against the personal seduction."

Mr. Van Degen received this protest with a sound of almost vulgar derision, but Undine thrilled agreeably under the glance which her portrayer cast on her. She was flattered by Van Degen's notice, and thought his impertinence witty; but she glowed inwardly at Mr. Popple's eloquence. After more than three years of social experience she still thought he "spoke beautifully," like the hero of a novel, and she ascribed to jealousy the lack of seriousness with which her husband's friends regarded him. His conversation struck her as intellectual, and his eagerness to have her share his thoughts was in flattering contrast to Ralph's growing tendency to keep his to himself. Popple's homage seemed the, subtlest proof of what Ralph could have made of her if he had "really understood" her. It was but another step to ascribe all her past mistakes to the lack of such understanding; and the satisfaction derived from this thought had once impelled her to tell the artist that he alone knew how to rouse her 'higher self.' He had assured her that the memory of her words would thereafter hallow his life; and as he hinted that it had been stained by the darkest errors she was moved at the thought of the purifying influence she exerted.

XV

In the Dagonet drawing-room the lamps had long been lit, and Mrs. Fairford, after a last impatient turn, had put aside the curtains of worn damask to strain her eyes into the darkening square. She came back to the hearth, where Charles Bowen stood leaning between the prim caryatides of the white marble chimney-piece.

"No sign of her. She's simply forgotten."

Bowen looked at his watch, and turned to compare it with the high-waisted Empire clock.

"Six o'clock. Why not telephone again? There must be some mistake. Perhaps she knew Ralph would be late."

Laura laughed. "I haven't noticed that she follows Ralph's movements so closely. When I telephoned just now the servant said she'd been out since two. The nurse waited till half-past four, not liking to come without orders; and now it's too late for Paul to come."

She wandered away toward the farther end of the room, where, through half-open doors, a shining surface of mahogany reflected a flower-wreathed cake in which two candles dwindled.

"Put them out, please," she said to some one in the background; then she shut the doors and turned back to Bowen.

"It's all so unlucky—my grandfather giving up his drive, and mother backing out of her hospital meeting, and having all the committee down on her. And Henley: I'd even coaxed Henley away from his bridge! He escaped again just before you came. Undine promised she'd have the boy here at four. It's not as if it had never happened before. She's always breaking her engagements."

"She has so many that it's inevitable some should get broken."

"All if she'd only choose! Now that Ralph has had into business, and is kept in his office so late, it's cruel of her to drag him out every night. He told us the other day they hadn't dined at home for a month. Undine doesn't seem to notice how hard he works."

Bowen gazed meditatively at the crumbling fire. "No—why should she?"

"Why SHOULD she? Really, Charles—!"

"Why should she, when she knows nothing about it?"

"She may know nothing about his business; but she must know it's her extravagance that's forced him into it." Mrs. Fairford looked at Bowen reproachfully. "You talk as if you were on her side!"

"Are there sides already? If so, I want to look down on them impartially from the heights of pure speculation. I want to get a general view of the whole problem of American marriages."

Mrs. Fairford dropped into her arm-chair with a sigh. "If that's what you want you must make haste! Most of them don't last long enough to be classified."

"I grant you it takes an active mind. But the weak point is so frequently the same that after a time one knows where to look for it."

"What do you call the weak point?"

He paused. "The fact that the average American looks down on his wife."

Mrs. Fairford was up with a spring. "If that's where paradox lands you!"

Bowen mildly stood his ground. "Well—doesn't he prove it? How much does he let her share in the real business of life? How much does he rely on her judgment and help in the conduct of serious affairs? Take Ralph for instance—you say his wife's extravagance forces him to work too hard; but that's not what's wrong. It's normal for a man to work hard for a woman—what's abnormal is his not caring to tell her anything about it."

"To tell Undine? She'd be bored to death if he did!"

"Just so; she'd even feel aggrieved. But why? Because it's against the custom of the country. And whose fault is that? The man's again—I don't mean Ralph I mean the genus he belongs to: homo sapiens, Americanus. Why haven't we taught our women to take an interest in our work? Simply because we don't take enough interest in THEM."

Mrs. Fairford, sinking back into her chair, sat gazing at the vertiginous depths above which his thought seemed to dangle her.

"YOU don't? The American man doesn't—the most slaving, self-effacing, self-sacrificing—?"

"Yes; and the most indifferent: there's the point. The 'slaving's' no argument against the indifference. To slave for women is part of the old American tradition; lots of people give their lives for dogmas they've ceased to believe in. Then again, in this country the passion for making money has preceded the knowing how to spend it, and the American man lavishes his fortune on his wife because he doesn't know what else to do with it."

"Then you call it a mere want of imagination for a man to spend his money on his wife?"

"Not necessarily—but it's a want of imagination to fancy it's all he owes her. Look about you and you'll see what I mean. Why does the European woman interest herself so much more in what the men are doing? Because she's so important to them that they make it worth her while! She's not a parenthesis, as she is here—she's in the very middle of the picture. I'm not implying that Ralph isn't interested in his wife—he's a passionate, a pathetic exception. But even he has to conform to an environment where all the romantic values are reversed. Where does the real life of most American men lie? In some woman's drawing-room or in their offices? The answer's obvious, isn't it? The emotional centre of gravity's not the same in the two hemispheres. In the effete societies it's love, in our new one it's business. In America the real crime passionnel is a 'big steal'—there's more excitement in wrecking railways than homes."

XVI

The turnings of life seldom show a sign-post; or rather, though the sign is always there, it is usually placed some distance back, like the notices that give warning of a bad hill or a level railway-crossing.

Ralph Marvell, pondering upon this, reflected that for him the sign had been set, more than three years earlier, in an Italian ilex-grove. That day his life had brimmed over—so he had put it at the time. He saw now that it had brimmed over indeed: brimmed to the extent of leaving the cup empty, or at least of uncovering the dregs beneath the nectar. He knew now that he should never hereafter look at his wife's hand without remembering something he had read in it that day. Its surface-language had been sweet enough, but under the rosy lines he had seen the warning letters.

Since then he had been walking with a ghost: the miserable ghost of his illusion. Only he had somehow vivified, coloured, substantiated it, by the force of his own great need—as a man might breathe a semblance of life into a dear drowned body that he cannot give up for dead. All this came to him with aching distinctness the morning after his talk with his wife on the stairs. He had accused himself, in midnight retrospect, of having failed to press home his conclusion because he dared not face the truth. But he knew this was not the case. It was not the truth he feared, it was another lie. If he had foreseen a chance of her saying: "Yes, I was with Peter Van Degen, and for the reason you think," he would have put it to the touch, stood up to the blow like a man; but he knew she would never say that. She would go on eluding and doubling, watching him as he watched her; and at that game she was sure to beat him in the end.

On their way home from the Elling dinner this certainty had become so insufferable that it nearly escaped him in the cry: "You needn't watch me—I shall never again watch you!" But he had held his peace, knowing she would not understand. How little, indeed, she ever understood, had been made clear to him when, the same night, he had followed her upstairs through the sleeping house. She had gone on ahead while he stayed below to lock doors and put out lights, and he had supposed her to be already in her room when he reached the upper landing; but she stood there waiting in the spot where he had waited for her a few hours earlier. She had shone her vividest at dinner, with revolving brilliancy that collective approval always struck from her; and the glow of it still hung on her as she paused there in the dimness, her shining cloak dropped from her white shoulders.

"Ralphie—" she began, a soft hand on his arm. He stopped, and she pulled him about so that their faces were close, and he saw her lips curving for a kiss. Every line of her face sought him, from the sweep of the narrowed eyelids to the dimples that played away from her smile. His eye received the picture with distinctness; but for the first time it did not pass into his veins. It was as if he had been struck with a subtle blindness that permitted images to give their colour to the eye but communicated nothing to the brain.

"Good-night," he said, as he passed on.

When a man felt in that way about a woman he was surely in a position to deal with his case impartially. This came to Ralph as the joyless solace of the morning. At last the bandage was off and he could see. And what did he see? Only the uselessness of driving his wife to subterfuges that were no longer necessary. Was Van Degen her lover? Probably not—the suspicion died as it rose. She would not take more risks than she could help, and it was admiration, not love, that she wanted. She wanted to enjoy herself, and her conception of enjoyment was publicity, promiscuity—the band, the banners, the crowd, the close contact of covetous impulses, and the sense of walking among them in cool security. Any personal entanglement might mean "bother," and bother was the thing she most abhorred. Probably, as the queer formula went, his "honour" was safe: he could count on the letter of her fidelity. At moment the conviction meant no more to him than if he had been assured of the honesty of the first strangers he met in the street. A stranger—that was what she had always been to him. So malleable outwardly, she had remained insensible to the touch of the heart.

XVII

Nothing was bitterer to her than to confess to herself the failure of her power; but her last talk with Van Degen had taught her a lesson almost worth the abasement. She saw the mistake she had made in taking money from him, and understood that if she drifted into repeating that mistake her future would be irretrievably compromised. What she wanted was not a hand-to-mouth existence of precarious intrigue: to one with her gifts the privileges of life should come openly. Already in her short experience she had seen enough of the women who sacrifice future security for immediate success, and she meant to lay solid foundations before she began to build up the light super-structure of enjoyment.

Nevertheless it was galling to see Van Degen leave, and to know that for the time he had broken away from her. Over a nature so insensible to the spells of memory, the visible and tangible would always prevail. If she could have been with him again in Paris, where, in the shining spring days, every sight and sound ministered to such influences, she was sure she could have regained her hold. And the sense of frustration was intensified by the fact that every one she knew was to be there: her potential rivals were crowding the east-bound steamers. New York was a desert, and Ralph's seeming unconsciousness of the fact increased her resentment. She had had but one chance at Europe since her marriage, and that had been wasted through her husband's unaccountable perversity. She knew now with what packed hours of Paris and London they had paid for their empty weeks in Italy.

Meanwhile the long months of the New York spring stretched out before her in all their social vacancy to the measureless blank of a summer in the Adirondacks. In her girlhood she had plumbed the dim depths of such summers; but then she had been sustained by the hope of bringing some capture to the surface. Now she knew better: there were no "finds" for her in that direction. The people she wanted would be at Newport or in Europe, and she was too resolutely bent on a definite object, too sternly animated by her father's business instinct, to turn aside in quest of casual distractions.

The chief difficulty in the way of her attaining any distant end had always been her reluctance to plod through the intervening stretches of dulness and privation. She had begun to see this, but she could not always master the weakness: never had she stood in greater need of Mrs. Heeny's "Go slow. Undine!" Her imagination was incapable of long flights. She could not cheat her impatience with the mirage of far-off satisfactions, and for the moment present and future seemed equally void. But her desire to go to Europe and to rejoin the little New York world that was reforming itself in London and Paris was fortified by reasons which seemed urgent enough to justify an appeal to her father.

She went down to his office to plead her case, fearing Mrs. Spragg's intervention. For some time past Mr. Spragg had been rather continuously overworked, and the strain was beginning to tell on him. He had never quite regained, in New York, the financial security of his Apex days. Since he had changed his base of operations his affairs had followed an uncertain course, and Undine suspected that his breach with his old political ally, the Representative Rolliver who had seen him through the muddiest reaches of the Pure Water Move, was not unconnected with his failure to get a footing in Wall Street. But all this was vague and shadowy to he.r Even had "business" been less of a mystery, she was too much absorbed in her own affairs to project herself into her father's case; and she thought she was sacrificing enough to delicacy of feeling in sparing him the "bother" of Mrs. Spragg's opposition. When she came to him with a grievance he always heard her out with the same mild patience; but the long habit of "managing" him had made her, in his own language, "discount" this tolerance, and when she ceased to speak her heart throbbed with suspense as he leaned back, twirling an invisible toothpick under his sallow moustache. Presently he raised a hand to stroke the limp beard in which the moustache was merged; then he groped for the Masonic emblem that had lost itself in one of the folds of his depleted waistcoat.

He seemed to fish his answer from the same rusty depths, for as his fingers closed about the trinket he said: "Yes, the heated term IS trying in New York. That's why the Fresh Air Fund pulled my last dollar out of me last week."

Undine frowned: there was nothing more irritating, in these encounters with her father, than his habit of opening the discussion with a joke.

"I wish you'd understand that I'm serious, father. I've never been strong since the baby was born, and I need a change. But it's not only that: there are other reasons for my wanting to go."

Mr. Spragg still held to his mild tone of banter. "I never knew you short on reasons, Undie. Trouble is you don't always know other people's when you see 'em."

His daughter's lips tightened. "I know your reasons when I see them, father: I've heard them often enough. But you can't know mine because I haven't told you—not the real ones."

"Jehoshaphat! I thought they were all real as long as you had a use for them."

XVIII

Undine stood alone on the landing outside her father's office.

Only once before had she failed to gain her end with him—and there was a peculiar irony in the fact that Moffatt's intrusion should have brought before her the providential result of her previous failure. Not that she confessed to any real resemblance between the two situations. In the present case she knew well enough what she wanted, and how to get it. But the analogy had served her father's purpose, and Moffatt's unlucky entrance had visibly strengthened his resistance.

The worst of it was that the obstacles in the way were real enough. Mr. Spragg had not put her off with vague asseverations—somewhat against her will he had forced his proofs on her, showing her how much above his promised allowance he had contributed in the last three years to the support of her household. Since she could not accuse herself of extravagance—having still full faith in her gift of "managing"—she could only conclude that it was impossible to live on what her father and Ralph could provide; and this seemed a practical reason for desiring her freedom. If she and Ralph parted he would of course return to his family, and Mr. Spragg would no longer be burdened with a helpless son-in-law. But even this argument did not move him. Undine, as soon as she had risked Van Degen's name, found herself face to face with a code of domestic conduct as rigid as its exponent's business principles were elastic. Mr. Spragg did not regard divorce as intrinsically wrong or even inexpedient; and of its social disadvantages he had never even heard. Lots of women did it, as Undine said, and if their reasons were adequate they were justified. If Ralph Marvell had been a drunkard or "unfaithful" Mr. Spragg would have approved Undine's desire to divorce him; but that it should be prompted by her inclination for another man—and a man with a wife of his own—was as shocking to him as it would have been to the most uncompromising of the Dagonets and Marvells. Such things happened, as Mr. Spragg knew, but they should not happen to any woman of his name while he had the power to prevent it; and Undine recognized that for the moment he had that power.

As she emerged from the elevator she was surprised to see Moffatt in the vestibule. His presence was an irritating reminder of her failure, and she walked past him with a rapid bow; but he overtook her.

"Mrs. Marvell—I've been waiting to say a word to you."

If it had been any one else she would have passed on; but Moffatt's voice had always a detaining power. Even now that she knew him to be defeated and negligible, the power asserted itself, and she paused to say: "I'm afraid I can't stop—I'm late for an engagement."

"I shan't make you much later; but if you'd rather have me call round at your house—"

"Oh, I'm so seldom in." She turned a wondering look on him. "What is it you wanted to say?"

"Just two words. I've got an office in this building and the shortest way would be to come up there for a minute." As her look grew distant he added: "I think what I've got to say is worth the trip."

His face was serious, without underlying irony: the face he wore when he wanted to be trusted.

"Very well," she said, turning back.

Undine, glancing at her watch as she came out of Moffatt's office, saw that he had been true to his promise of not keeping her more than ten minutes. The fact was characteristic. Under all his incalculableness there had always been a hard foundation of reliability: it seemed to be a matter of choice with him whether he let one feel that solid bottom or not. And in specific matters the same quality showed itself in an accuracy of statement, a precision of conduct, that contrasted curiously with his usual hyperbolic banter and his loose lounging manner. No one could be more elusive yet no one could be firmer to the touch. Her face had cleared and she moved more lightly as she left the building. Moffatt's communication had not been completely clear to her, but she understood the outline of the plan he had laid before her, and was satisfied with the bargain they had struck. He had begun by reminding her of her promise to introduce him to any friend of hers who might be useful in the way of business. Over three years had passed since they had made the pact, and Moffatt had kept loyally to his side of it. With the lapse of time the whole matter had become less important to her, but she wanted to prove her good faith, and when he reminded her of her promise she at once admitted it.

"Well, then—I want you to introduce me to your husband."

Undine was surprised; but beneath her surprise she felt a quick sense of relief. Ralph was easier to manage than so many of her friends—and it was a mark of his present indifference to acquiesce in anything she suggested.

"My husband? Why, what can he do for you?"

Moffatt explained at once, in the fewest words, as his way was when it came to business. He was interested in a big "deal" which involved the purchase of a piece of real estate held by a number of wrangling heirs. The real-estate broker with whom Ralph Marvell was associated represented these heirs, but Moffatt had his reasons for not approaching him directly. And he didn't want to go to Marvell with a "business proposition"—it would be better to be thrown with him socially as if by accident. It was with that object that Moffatt had just appealed to Mr. Spragg, but Mr. Spragg, as usual, had "turned him down," without even consenting to look into the case.

"He'd rather have you miss a good thing than have it come to you through me. I don't know what on earth he thinks it's in my power to do to you—or ever was, for that matter," he added. "Anyhow," he went on to explain, "the power's all on your side now; and I'll show you how little the doing will hurt you as soon as I can have a quiet chat with your husband." He branched off again into technicalities, nebulous projections of capital and interest, taxes and rents, from which she finally extracted, and clung to, the central fact that if the "deal went through" it would mean a commission of forty thousand dollars to Marvell's firm, of which something over a fourth would come to Ralph.

"By Jove, that's an amazing fellow!" Ralph Marvell exclaimed, turning back into the drawing-room, a few evenings later, at the conclusion of one of their little dinners. Undine looked up from her seat by the fire. She had had the inspired thought of inviting Moffatt to meet Clare Van Degen, Mrs. Fairford and Charles Bowen. It had occurred to her that the simplest way of explaining Moffatt was to tell Ralph that she had unexpectedly discovered an old Apex acquaintance in the protagonist of the great Ararat Trust fight. Moffatt's defeat had not wholly divested him of interest. As a factor in affairs he no longer inspired apprehension, but as the man who had dared to defy Harmon B. Driscoll he was a conspicuous and, to some minds, almost an heroic figure.

Undine remembered that Clare and Mrs. Fairford had once expressed a wish to see this braver of the Olympians, and her suggestion that he should be asked meet them gave Ralph evident pleasure. It was long since she had made any conciliatory sign to his family.

Moffatt's social gifts were hardly of a kind to please the two ladies: he would have shone more brightly in Peter Van Degen's set than in his wife's. But neither Clare nor Mrs. Fairford had expected a man of conventional cut, and Moffatt's loud easiness was obviously less disturbing to them than to their hostess. Undine felt only his crudeness, and the tacit criticism passed on it by the mere presence of such men as her husband and Bowen; but Mrs. Fairford seemed to enjoy provoking him to fresh excesses of slang and hyperbole. Gradually she drew him into talking of the Driscoll campaign, and he became recklessly explicit. He seemed to have nothing to hold back: all the details of the prodigious exploit poured from him with Homeric volume. Then he broke off abruptly, thrusting his hands into his trouser-pockets and shaping his red lips to a whistle which he checked as his glance met Undine's. To conceal his embarrassment he leaned back in his chair, looked about the table with complacency, and said "I don't mind if I do" to the servant who approached to re-fill his champagne glass.

The men sat long over their cigars; but after an interval Undine called Charles Bowen into the drawing-room to settle some question in dispute between Clare and Mrs. Fairford, and thus gave Moffatt a chance to be alone with her husband. Now that their guests had gone she was throbbing with anxiety to know what had passed between the two; but when Ralph rejoined her in the drawing-room she continued to keep her eyes on the fire and twirl her fan listlessly.

"That's an amazing chap," Ralph repeated, looking down at her. "Where was it you ran across him—out at Apex?"

As he leaned against the chimney-piece, lighting his cigarette, it struck Undine that he looked less fagged and lifeless than usual, and she felt more and more sure that something important had happened during the moment of isolation she had contrived.

She opened and shut her fan reflectively. "Yes—years ago; father had some business with him and brought him home to dinner one day."

"And you've never seen him since?"

XIX

"The Parisian Diamond Company—Anglo-American branch."

Charles Bowen, seated, one rainy evening of the Paris season, in a corner of the great Nouveau Luxe restaurant, was lazily trying to resolve his impressions of the scene into the phrases of a letter to his old friend Mrs. Henley Fairford.

The long habit of unwritten communion with this lady—in no way conditioned by the short rare letters they actually exchanged—usually caused his notations, in absence, to fall into such terms when the subject was of a kind to strike an answering flash from her. And who but Mrs. Fairford would see, from his own precise angle, the fantastic improbability, the layers on layers of unsubstantialness, on which the seemingly solid scene before him rested?

The dining-room of the Nouveau Luxe was at its fullest, and, having contracted on the garden side through stress of weather, had even overflowed to the farther end of the long hall beyond; so that Bowen, from his corner, surveyed a seemingly endless perspective of plumed and jewelled heads, of shoulders bare or black-coated, encircling the close-packed tables. He had come half an hour before the time he had named to his expected guest, so that he might have the undisturbed amusement of watching the picture compose itself again before his eyes. During some forty years' perpetual exercise of his perceptions he had never come across anything that gave them the special titillation produced by the sight of the dinner-hour at the Nouveau Luxe: the same sense of putting his hand on human nature's passion for the factitious, its incorrigible habit of imitating the imitation.

As he sat watching the familiar faces swept toward him on the rising tide of arrival—for it was one of the joys of the scene that the type was always the same even when the individual was not—he hailed with renewed appreciation this costly expression of a social ideal. The dining-room at the Nouveau Luxe represented, on such a spring evening, what unbounded material power had devised for the delusion of its leisure: a phantom "society," with all the rules, smirks, gestures of its model, but evoked out of promiscuity and incoherence while the other had been the product of continuity and choice. And the instinct which had driven a new class of world-compellers to bind themselves to slavish imitation of the superseded, and their prompt and reverent faith in the reality of the sham they had created, seemed to Bowen the most satisfying proof of human permanence.

With this thought in his mind he looked up to greet his guest. The Comte Raymond de Chelles, straight, slim and gravely smiling, came toward him with frequent pauses of salutation at the crowded tables; saying, as he seated himself and turned his pleasant eyes on the scene: "Il n'y a pas à dire, my dear Bowen, it's charming and sympathetic and original—we owe America a debt of gratitude for inventing it!"

Bowen felt a last touch of satisfaction: they were the very words to complete his thought.

"My dear fellow, it's really you and your kind who are responsible. It's the direct creation of feudalism, like all the great social upheavals!"

XX

Some six weeks later. Undine Marvell stood at the window smiling down on her recovered Paris.

Her hotel sitting-room had, as usual, been flowered, cushioned and lamp-shaded into a delusive semblance of stability; and she had really felt, for the last few weeks, that the life she was leading there must be going to last—it seemed so perfect an answer to all her wants!

As she looked out at the thronged street, on which the summer light lay like a blush of pleasure, she felt herself naturally akin to all the bright and careless freedom of the scene. She had been away from Paris for two days, and the spectacle before her seemed more rich and suggestive after her brief absence from it. Her senses luxuriated in all its material details: the thronging motors, the brilliant shops, the novelty and daring of the women's dresses, the piled-up colours of the ambulant flower-carts, the appetizing expanse of the fruiterers' windows, even the chromatic effects of the petits fours behind the plate-glass of the pastry-cooks: all the surface-sparkle and variety of the inexhaustible streets of Paris.

The scene before her typified to Undine her first real taste of life. How meagre and starved the past appeared in comparison with this abundant present! The noise, the crowd, the promiscuity beneath her eyes symbolized the glare and movement of her life. Every moment of her days was packed with excitement and exhilaration. Everything amused her: the long hours of bargaining and debate with dress-makers and jewellers, the crowded lunches at fashionable restaurants, the perfunctory dash through a picture-show or the lingering visit to the last new milliner; the afternoon motor-rush to some leafy suburb, where tea and musics and sunset were hastily absorbed on a crowded terrace above the Seine; the whirl home through the Bois to dress for dinner and start again on the round of evening diversions; the dinner at the Nouveau Luxe or the Café de Paris, and the little play at the Capucines or the Variétés, followed, because the night was "too lovely," and it was a shame to waste it, by a breathless flight back to the Bois, with supper in one of its lamp-hung restaurants, or, if the weather forbade, a tumultuous progress through the midnight haunts where "ladies" were not supposed to show themselves, and might consequently taste the thrill of being occasionally taken for their opposites.

As the varied vision unrolled itself, Undine contrasted it with the pale monotony of her previous summers. The one she most resented was the first after her marriage, the European summer out of whose joys she had been cheated by her own ignorance and Ralph's perversity. They had been free then, there had been no child to hamper their movements, their money anxieties had hardly begun, the face of life had been fresh and radiant, and she had been doomed to waste such opportunities on a succession of ill-smelling Italian towns. She still felt it to be her deepest grievance against her husband; and now that, after four years of petty household worries, another chance of escape had come, he already wanted to drag her back to bondage!

This fit of retrospection had been provoked by two letters which had come that morning. One was from Ralph, who began by reminding her that he had not heard from her for weeks, and went on to point out, in his usual tone of good-humoured remonstrance, that since her departure the drain on her letter of credit had been deep and constant. "I wanted you," he wrote, "to get all the fun you could out of the money I made last spring; but I didn't think you'd get through it quite so fast. Try to come home without leaving too many bills behind you. Your illness and Paul's cost more than I expected, and Lipscomb has had a bad knock in Wall Street, and hasn't yet paid his first quarter..."

Always the same monotonous refrain! Was it her fault that she and the boy had been ill? Or that Harry Lipscomb had been "on the wrong side" of Wall Street? Ralph seemed to have money on the brain: his business life had certainly deteriorated him. And, since he hadn't made a success of it after all, why shouldn't he turn back to literature and try to write his novel? Undine, the previous winter, had been dazzled by the figures which a well-known magazine editor, whom she had met at dinner had named as within reach of the successful novelist. She perceived for the first time that literature was becoming fashionable, and instantly decided that it would be amusing and original if she and Ralph should owe their prosperity to his talent. She already saw herself, as the wife of a celebrated author, wearing "artistic" dresses and doing the drawing-room over with Gothic tapestries and dim lights in altar candle-sticks. But when she suggested Ralph's taking up his novel he answered with a laugh that his brains were sold to the firm—that when he came back at night the tank was empty...And now he wanted her to sail for home in a week!

The other letter excited a deeper resentment. It was an appeal from Laura Fairford to return and look after Ralph. He was overworked and out of spirits, she wrote, and his mother and sister, reluctant as they were to interfere, felt they ought to urge Undine to come back to him. Details followed, unwelcome and officious. What right had Laura Fairford to preach to her of wifely obligations? No doubt Charles Bowen had sent home a highly-coloured report—and there was really a certain irony in Mrs. Fairford's criticizing her sister-in-law's conduct on information obtained from such a source! Undine turned from the window and threw herself down on her deeply cushioned sofa. She was feeling the pleasant fatigue consequent on her trip to the country, whither she and Mrs. Shallum had gone with Raymond de Chelles to spend a night at the old Marquis's chateau. When her travelling companions, an hour earlier, had left her at her door, she had half-promised to rejoin them for a late dinner in the Bois; and as she leaned back among the cushions disturbing thoughts were banished by the urgent necessity of deciding what dress she should wear.

These bright weeks of the Parisian spring had given her a first real glimpse into the art of living. From the experts who had taught her to subdue the curves of her figure and soften her bright free stare with dusky pencillings, to the skilled purveyors of countless forms of pleasure—the theatres and restaurants, the green and blossoming suburbs, the whole shining shifting spectacle of nights and days—every sight and sound and word had combined to charm her perceptions and refine her taste. And her growing friendship with Raymond de Chelles had been the most potent of these influences.

Chelles, at once immensely "taken," had not only shown his eagerness to share in the helter-skelter motions of Undine's party, but had given her glimpses of another, still more brilliant existence, that life of the inaccessible "Faubourg" of which the first tantalizing hints had but lately reached her. Hitherto she had assumed that Paris existed for the stranger, that its native life was merely an obscure foundation for the dazzling superstructure of hotels and restaurants in which her compatriots disported themselves. But lately she had begun to hear about other American women, the women who had married into the French aristocracy, and who led, in the high-walled houses beyond the Seine which she had once thought so dull and dingy, a life that made her own seem as undistinguished as the social existence of the Mealey House. Perhaps what most exasperated her was the discovery, in this impenetrable group, of the Miss Wincher who had poisoned her far-off summer at Potash Springs. To recognize her old enemy in the Marquise de Trezac who so frequently figured in the Parisian chronicle was the more irritating to Undine because her intervening social experiences had caused her to look back on Nettie Wincher as a frumpy girl who wouldn't have "had a show" in New York.

Once more all the accepted values were reversed, and it turned out that Miss Wincher had been in possession of some key to success on which Undine had not yet put her hand. To know that others were indifferent to what she had thought important was to cheapen all present pleasure and turn the whole force of her desires in a new direction. What she wanted for the moment was to linger on in Paris, prolonging her flirtation with Chelles, and profiting by it to detach herself from her compatriots and enter doors closed to their approach. And Chelles himself attracted her: she thought him as "sweet" as she had once thought Ralph, whose fastidiousness and refinement were blent in him with a delightful foreign vivacity. His chief value, however, lay in his power of exciting Van Degen's jealousy. She knew enough of French customs to be aware that such devotion as Chelles' was not likely to have much practical bearing on her future; but Peter had an alarming way of lapsing into security, and as a spur to his ardour she knew the value of other men's attentions.

It had become Undine's fixed purpose to bring Van Degen to a definite expression of his intentions. The case of Indiana Frusk, whose brilliant marriage the journals of two continents had recently chronicled with unprecedented richness of detail, had made less impression on him than she hoped. He treated it as a comic episode without special bearing on their case, and once, when Undine cited Rolliver's expensive fight for freedom as an instance of the power of love over the most invulnerable natures, had answered carelessly: "Oh, his first wife was a laundress, I believe."

XXI

The spring in New York proceeded through more than its usual extremes of temperature to the threshold of a sultry June.

Ralph Marvell, wearily bent to his task, felt the fantastic humours of the weather as only one more incoherence in the general chaos of his case. It was strange enough, after four years of marriage, to find himself again in his old brown room in Washington Square. It was hardly there that he had expected Pegasus to land him; and, like a man returning to the scenes of his childhood, he found everything on a much smaller scale than he had imagined. Had the Dagonet boundaries really narrowed, or had the breach in the walls of his own life let in a wider vision?

Certainly there had come to be other differences between his present and his former self than that embodied in the presence of his little boy in the next room. Paul, in fact, was now the chief link between Ralph and his past. Concerning his son he still felt and thought, in a general way, in the terms of the Dagonet tradition; he still wanted to implant in Paul some of the reserves and discriminations which divided that tradition from the new spirit of limitless concession. But for himself it was different. Since his transaction with Moffatt he had had the sense of living under a new dispensation. He was not sure that it was any worse than the other; but then he was no longer very sure about anything. Perhaps this growing indifference was merely the reaction from a long nervous strain: that his mother and sister thought it so was shown by the way in which they mutely watched and hovered. Their discretion was like the hushed tread about a sick-bed. They permitted themselves no criticism of Undine; he was asked no awkward questions, subjected to no ill-timed sympathy. They simply took him back, on his own terms, into the life he had left them to; and their silence had none of those subtle implications of disapproval which may be so much more wounding than speech.

For a while he received a weekly letter from Undine. Vague and disappointing though they were, these missives helped him through the days; but he looked forward to them rather as a pretext for replies than for their actual contents. Undine was never at a loss for the spoken word: Ralph had often wondered at her verbal range and her fluent use of terms outside the current vocabulary. She had certainly not picked these up in books, since she never opened one: they seemed rather like some odd transmission of her preaching grandparent's oratory. But in her brief and colourless letters she repeated the same bald statements in the same few terms. She was well, she had been "round" with Bertha Shallum, she had dined with the Jim Driscolls or May Beringer or Dicky Bowles, the weather was too lovely or too awful; such was the gist of her news. On the last page she hoped Paul was well and sent him a kiss; but she never made a suggestion concerning his care or asked a question about his pursuits. One could only infer that, knowing in what good hands he was, she judged such solicitude superfluous; and it was thus that Ralph put the matter to his mother.

"Of course she's not worrying about the boy—why should she? She knows that with you and Laura he's as happy as a king."

To which Mrs. Marvell would answer gravely: "When you write, be sure to say I shan't put on his thinner flannels as long as this east wind lasts."

As for her husband's welfare. Undine's sole allusion to it consisted in the invariable expression of the hope that he was getting along all right: the phrase was always the same, and Ralph learned to know just how far down the third page to look for it. In a postscript she sometimes asked him to tell her mother about a new way of doing hair or cutting a skirt; and this was usually the most eloquent passage of the letter. What satisfaction he extracted from these communications he would have found it hard to say; yet when they did not come he missed them hardly less than if they had given him all he craved. Sometimes the mere act of holding the blue or mauve sheet and breathing its scent was like holding his wife's hand and being enveloped in her fresh young fragrance: the sentimental disappointment vanished in the penetrating physical sensation. In other moods it was enough to trace the letters of the first line and the last for the desert of perfunctory phrases between the two to vanish, leaving him only the vision of their interlaced names, as of a mystic bond which her own hand had tied. Or else he saw her, closely, palpably before him, as she sat at her writing-table, frowning and a little flushed, her bent nape showing the light on her hair, her short lip pulled up by the effort of composition; and this picture had the violent reality of dream-images on the verge of waking. At other times, as he read her letter, he felt simply that at least in the moment of writing it she had been with him. But in one of the last she had said (to excuse a bad blot and an incoherent sentence): "Everybody's talking to me at once, and I don't know what I'm writing." That letter he had thrown into the fire....

After the first few weeks, the letters came less and less regularly: at the end of two months they ceased. Ralph had got into the habit of watching for them on the days when a foreign post was due, and as the weeks went by without a sign he began to invent excuses for leaving the office earlier and hurrying back to Washington Square to search the letter-box for a big tinted envelope with a straggling blotted superscription.

Undine's departure had given him a momentary sense of liberation: at that stage in their relations any change would have brought relief. But now that she was gone he knew she could never really go. Though his feeling for her had changed, it still ruled his life. If he saw her in her weakness he felt her in her power: the power of youth and physical radiance that clung to his disenchanted memories as the scent she used clung to her letters. Looking back at their four years of marriage he began to ask himself if he had done all he could to draw her half-formed spirit from its sleep. Had he not expected too much at first, and grown too indifferent in the sequel? After all, she was still in the toy age; and perhaps the very extravagance of his love had retarded her growth, helped to imprison her in a little circle of frivolous illusions. But the last months had made a man of him, and when she came back he would know how to lift her to the height of his experience.

So he would reason, day by day, as he hastened back to Washington Square; but when he opened the door, and his first glance at the hall table showed him there was no letter there, his illusions shrivelled down to their weak roots. She had not written: she did not mean to write. He and the boy were no longer a part of her life. When she came back everything would be as it had been before, with the dreary difference that she had tasted new pleasures and that their absence would take the savour from all he had to give her. Then the coming of another foreign mail would lift his hopes, and as he hurried home he would imagine new reasons for expecting a letter....

Week after week he swung between the extremes of hope and dejection, and at last, when the strain had become unbearable, he cabled her. The answer ran: "Very well best love writing"; but the promised letter never came....

XXII

When he woke, the first thing he remembered was the fact of having cried.

He could not think how he had come to be such a fool. He hoped to heaven no one had seen him. He supposed he must have been worrying about the unfinished piece of work at the office: where was it, by the way, he wondered? Why—where he had left it the day before, of course! What a ridiculous thing to worry about—but it seemed to follow him about like a dog...

He said to himself that he must get up presently and go down to the office. Presently—when he could open his eyes. Just now there was a dead weight on them; he tried one after another in vain. The effort set him weakly trembling, and he wanted to cry again. Nonsense! He must get out of bed.

He stretched his arms out, trying to reach something to pull himself up by; but everything slipped away and evaded him. It was like trying to catch at bright short waves. Then suddenly his fingers clasped themselves about something firm and warm. A hand: a hand that gave back his pressure! The relief was inexpressible. He lay still and let the hand hold him, while mentally he went through the motions of getting up and beginning to dress. So indistinct were the boundaries between thought and action that he really felt himself moving about the room, in a queer disembodied way, as one treads the air in sleep. Then he felt the bedclothes over him and the pillows under his head.

"I MUST get up," he said, and pulled at the hand.

It pressed him down again: down into a dim deep pool of sleep. He lay there for a long time, in a silent blackness far below light and sound; then he gradually floated to the surface with the buoyancy of a dead body. But his body had never been more alive. Jagged strokes of pain tore through it, hands dragged at it with nails that bit like teeth. They wound thongs about him, bound him, tied weights to him, tried to pull him down with them; but still he floated, floated, danced on the fiery waves of pain, with barbed light pouring down on him from an arrowy sky.

Charmed intervals of rest, blue sailings on melodious seas, alternated with the anguish. He became a leaf on the air, a feather on a current, a straw on the tide, the spray of the wave spinning itself to sunshine as the wave toppled over into gulfs of blue...

He woke on a stony beach, his legs and arms still lashed to his sides and the thongs cutting into him; but the fierce sky was hidden, and hidden by his own languid lids. He felt the ecstasy of decreasing pain, and courage came to him to open his eyes and look about him...

The beach was his own bed; the tempered light lay on familiar things, and some one was moving about in a shadowy way between bed and window. He was thirsty and some one gave him a drink. His pillow burned, and some one turned the cool side out. His brain was clear enough now for him to understand that he was ill, and to want to talk about it; but his tongue hung in his throat like a clapper in a bell. He must wait till the rope was pulled...

So time and life stole back on him, and his thoughts laboured weakly with dim fears. Slowly he cleared a way through them, adjusted himself to his strange state, and found out that he was in his own room, in his grandfather's house, that alternating with the white-capped faces about him were those of his mother and sister, and that in a few days—if he took his beef-tea and didn't fret—Paul would be brought up from Long Island, whither, on account of the great heat, he had been carried off by Clare Van Degen.

No one named Undine to him, and he did not speak of her. But one day, as he lay in bed in the summer twilight, he had a vision of a moment, a long way behind him—at the beginning of his illness, it must have been—when he had called out for her in his anguish, and some one had said: "She's coming: she'll be here next week."

Could it be that next week was not yet here? He supposed that illness robbed one of all sense of time, and he lay still, as if in ambush, watching his scattered memories come out one by one and join themselves together. If he watched long enough he was sure he should recognize one that fitted into his picture of the day when he had asked for Undine. And at length a face came out of the twilight: a freckled face, benevolently bent over him under a starched cap. He had not seen the face for a long time, but suddenly it took shape and fitted itself into the picture...

Laura Fairford sat near by, a book on her knee. At the sound of his voice she looked up.

XXIII

In the Adirondacks Ralph Marvell sat day after day on the balcony of his little house above the lake, staring at the great white cloud-reflections in the water and at the dark line of trees that closed them in. Now and then he got into the canoe and paddled himself through a winding chain of ponds to some lonely clearing in the forest; and there he lay on his back in the pine-needles and watched the great clouds form and dissolve themselves above his head.

All his past life seemed to be symbolized by the building-up and breaking-down of those fluctuating shapes, which incalculable wind-currents perpetually shifted and remodelled or swept from the zenith like a pinch of dust. His sister told him that he looked well—better than he had in years; and there were moments when his listlessness, his stony insensibility to the small pricks and frictions of daily life, might have passed for the serenity of recovered health.

There was no one with whom he could speak of Undine. His family had thrown over the whole subject a pall of silence which even Laura Fairford shrank from raising. As for his mother, Ralph had seen at once that the idea of talking over the situation was positively frightening to her. There was no provision for such emergencies in the moral order of Washington Square. The affair was a "scandal," and it was not in the Dagonet tradition to acknowledge the existence of scandals. Ralph recalled a dim memory of his childhood, the tale of a misguided friend of his mother's who had left her husband for a more congenial companion, and who, years later, returning ill and friendless to New York, had appealed for sympathy to Mrs. Marvell. The latter had not refused to give it; but she had put on her black cashmere and two veils when she went to see her unhappy friend, and had never mentioned these errands of mercy to her husband.

Ralph suspected that the constraint shown by his mother and sister was partly due to their having but a dim and confused view of what had happened. In their vocabulary the word "divorce" was wrapped in such a dark veil of innuendo as no ladylike hand would care to lift. They had not reached the point of differentiating divorces, but classed them indistinctively as disgraceful incidents, in which the woman was always to blame, but the man, though her innocent victim, was yet inevitably contaminated. The time involved in the "proceedings" was viewed as a penitential season during which it behoved the family of the persons concerned to behave as if they were dead; yet any open allusion to the reason for adopting such an attitude would have been regarded as the height of indelicacy.

XXIV

"If you'd only had the sense to come straight to me, Undine Spragg! There isn't a tip I couldn't have given you—not one!"

This speech, in which a faintly contemptuous compassion for her friend's case was blent with the frankest pride in her own, probably represented the nearest approach to "tact" that Mrs. James J. Rolliver had yet acquired. Undine was impartial enough to note in it a distinct advance on the youthful methods of Indiana Frusk; yet it required a good deal of self-control to take the words to herself with a smile, while they seemed to be laying a visible scarlet welt across the pale face she kept valiantly turned to her friend. The fact that she must permit herself to be pitied by Indiana Frusk gave her the uttermost measure of the depth to which her fortunes had fallen. This abasement was inflicted on her in the staring gold apartment of the Hotel Nouveau Luxe in which the Rollivers had established themselves on their recent arrival in Paris. The vast drawing-room, adorned only by two high-shouldered gilt baskets of orchids drooping on their wires, reminded Undine of the "Looey suite" in which the opening scenes of her own history had been enacted; and the resemblance and the difference were emphasized by the fact that the image of her past self was not inaccurately repeated in the triumphant presence of Indiana Rolliver.

"There isn't a tip I couldn't have given you—not one!" Mrs. Rolliver reproachfully repeated; and all Undine's superiorities and discriminations seemed to shrivel up in the crude blaze of the other's solid achievement.

There was little comfort in noting, for one's private delectation, that Indiana spoke of her husband as "Mr. Rolliver," that she twanged a piercing R, that one of her shoulders was still higher than the other, and that her striking dress was totally unsuited to the hour, the place and the occasion. She still did and was all that Undine had so sedulously learned not to be and to do; but to dwell on these obstacles to her success was but to be more deeply impressed by the fact that she had nevertheless succeeded.

Not much more than a year had elapsed since Undine Marvell, sitting in the drawing-room of another Parisian hotel, had heard the immense orchestral murmur of Paris rise through the open windows like the ascending movement of her own hopes. The immense murmur still sounded on, deafening and implacable as some elemental force; and the discord in her fate no more disturbed it than the motor wheels rolling by under the windows were disturbed by the particles of dust that they ground to finer powder as they passed.

"I could have told you one thing right off," Mrs. Rolliver went on with her ringing energy. "And that is, to get your divorce first thing. A divorce is always a good thing to have: you never can tell when you may want it. You ought to have attended to that before you even BEGAN with Peter Van Degen."

Undine listened, irresistibly impressed. "Did YOU?" she asked; but Mrs. Rolliver, at this, grew suddenly veiled and sibylline. She wound her big bejewelled hand through her pearls—there were ropes and ropes of them—and leaned back, modestly sinking her lids.

"I'm here, anyhow," she rejoined, with "CIRCUMSPICE!" in look and tone.

Undine, obedient to the challenge, continued to gaze at the pearls. They were real; there was no doubt about that. And so was Indiana's marriage—if she kept out of certain states.

"Don't you see," Mrs. Rolliver continued, "that having to leave him when you did, and rush off to Dakota for six months, was—was giving him too much time to think; and giving it at the wrong time, too?"

"Oh, I see. But what could I do? I'm not an immoral woman."

"Of course not, dearest. You were merely thoughtless that's what I meant by saying you ought to have had your divorce ready."

A flicker of self-esteem caused Undine to protest. "It wouldn't have made any difference. His wife would never have given him up."

"She's so crazy about him?"

"No: she hates him so. And she hates me too, because she's in love with my husband."

Indiana bounced out of her lounging attitude and struck her hands together with a rattle of rings.

"In love with your husband? What's the matter, then? Why on earth didn't the four of you fix it up together?"

"You don't understand." (It was an undoubted relief to be able, at last, to say that to Indiana!) "Clare Van Degen thinks divorce wrong—or rather awfully vulgar."

"VULGAR?" Indiana flamed. "If that isn't just too much! A woman who's in love with another woman's husband? What does she think refined, I'd like to know? Having a lover, I suppose—like the women in these nasty French plays? I've told Mr. Rolliver I won't go to the theatre with him again in Paris—it's too utterly low. And the swell society's just as bad: it's simply rotten. Thank goodness I was brought up in a place where there's some sense of decency left!" She looked compassionately at Undine. "It was New York that demoralized you—and I don't blame you for it. Out at Apex you'd have acted different. You never NEVER would have given way to your feelings before you'd got your divorce."

A slow blush rose to Undine's forehead.

"He seemed so unhappy—" she murmured.

"Oh, I KNOW!" said Indiana in a tone of cold competence. She gave Undine an impatient glance. "What was the understanding between you, when you left Europe last August to go out to Dakota?"

"Peter was to go to Reno in the autumn—so that it wouldn't look too much as if we were acting together. I was to come to Chicago to see him on his way out there."

"And he never came?"

"No."

"And he stopped writing?"

"Oh, he never writes."

Indiana heaved a deep sigh of intelligence. "There's one perfectly clear rule: never let out of your sight a man who doesn't write."

"I know. That's why I stayed with him—those few weeks last summer...."

XXV

Undine Marvell, for the next few months, tasted all the accumulated bitterness of failure. After January the drifting hordes of her compatriots had scattered to the four quarters of the globe, leaving Paris to resume, under its low grey sky, its compacter winter personality. Noting, from her more and more deserted corner, each least sign of the social revival, Undine felt herself as stranded and baffled as after the ineffectual summers of her girlhood. She was not without possible alternatives; but the sense of what she had lost took the savour from all that was left. She might have attached herself to some migratory group winged for Italy or Egypt; but the prospect of travel did not in itself appeal to her, and she was doubtful of its social benefit. She lacked the adventurous curiosity which seeks its occasion in the unknown; and though she could work doggedly for a given object the obstacles to be overcome had to be as distinct as the prize. Her one desire was to get back an equivalent of the precise value she had lost in ceasing to be Ralph Marvell's wife. Her new visiting-card, bearing her Christian name in place of her husband's, was like the coin of a debased currency testifying to her diminished trading capacity. Her restricted means, her vacant days, all the minor irritations of her life, were as nothing compared to this sense of a lost advantage. Even in the narrowed field of a Parisian winter she might have made herself a place in some more or less extra-social world; but her experiments in this line gave her no pleasure proportioned to the possible derogation. She feared to be associated with "the wrong people," and scented a shade of disrespect in every amicable advance. The more pressing attentions of one or two men she had formerly known filled her with a glow of outraged pride, and for the first time in her life she felt that even solitude might be preferable to certain kinds of society. Since ill health was the most plausible pretext for seclusion, it was almost a relief to find that she was really growing "nervous" and sleeping badly. The doctor she summoned advised her trying a small quiet place on the Riviera, not too near the sea; and thither in the early days of December, she transported herself with her maid and an omnibus-load of luggage.

XXVI

The next phase in the unrolling vision was the episode of her return to New York. She had gone to the Malibran, to her parents—for it was a moment in her career when she clung passionately to the conformities, and when the fact of being able to say: "I'm here with my father and mother" was worth paying for even in the discomfort of that grim abode. Nevertheless, it was another thorn in her pride that her parents could not—for the meanest of material reasons—transfer themselves at her coming to one of the big Fifth Avenue hotels. When she had suggested it Mr. Spragg had briefly replied that, owing to the heavy expenses of her divorce suit, he couldn't for the moment afford anything better; and this announcement cast a deeper gloom over the future.

It was not an occasion for being "nervous," however; she had learned too many hard facts in the last few months to think of having recourse to her youthful methods. And something told her that if she made the attempt it would be useless. Her father and mother seemed much older, seemed tired and defeated, like herself.

Parents and daughter bore their common failure in a common silence, broken only by Mrs. Spragg's occasional tentative allusions to her grandson. But her anecdotes of Paul left a deeper silence behind them. Undine did not want to talk of her boy. She could forget him when, as she put it, things were "going her way," but in moments of discouragement the thought of him was an added bitterness, subtly different from her other bitter thoughts, and harder to quiet. It had not occurred to her to try to gain possession of the child. She was vaguely aware that the courts had given her his custody; but she had never seriously thought of asserting this claim. Her parents' diminished means and her own uncertain future made her regard the care of Paul as an additional burden, and she quieted her scruples by thinking of him as "better off" with Ralph's family, and of herself as rather touchingly disinterested in putting his welfare before her own. Poor Mrs. Spragg was pining for him, but Undine rejected her artless suggestion that Mrs. Heeny should be sent to "bring him round." "I wouldn't ask them a favour for the world—they're just waiting for a chance to be hateful to me," she scornfully declared; but it pained her that her boy, should be so near, yet inaccessible, and for the first time she was visited by unwonted questionings as to her share in the misfortunes that had befallen her. She had voluntarily stepped out of her social frame, and the only person on whom she could with any satisfaction have laid the blame was the person to whom her mind now turned with a belated tenderness. It was thus, in fact, that she thought of Ralph. His pride, his reserve, all the secret expressions of his devotion, the tones of his voice, his quiet manner, even his disconcerting irony: these seemed, in contrast to what she had since known, the qualities essential to her happiness. She could console herself only by regarding it as part of her sad lot that poverty and the relentless animosity of his family, should have put an end to so perfect a union: she gradually began to look on herself and Ralph as the victims of dark machinations, and when she mentioned him she spoke forgivingly, and implied that "everything might have been different" if "people" had not "come between" them. She had arrived in New York in midseason, and the dread of seeing familiar faces kept her shut up in her room at the Malibran, reading novels and brooding over possibilities of escape. She tried to avoid the daily papers, but they formed the staple diet of her parents, and now and then she could not help taking one up and turning to the "Society Column." Its perusal produced the impression that the season must be the gayest New York had ever known. The Harmon B. Driscolls, young Jim and his wife, the Thurber Van Degens, the Chauncey Ellings, and all the other Fifth Avenue potentates, seemed to have their doors perpetually open to a stream of feasters among whom the familiar presences of Grace Beringer, Bertha Shallum, Dicky Bowles and Claud Walsingham Popple came and went with the irritating sameness of the figures in a stage-procession.

Among them also Peter Van Degen presently appeared. He had been on a tour around the world, and Undine could not look at a newspaper without seeing some allusion to his progress. After his return she noticed that his name was usually coupled with his wife's: he and Clare seemed to be celebrating his home-coming in a series of festivities, and Undine guessed that he had reasons for wishing to keep before the world the evidences of his conjugal accord.

Mrs. Heeny's clippings supplied her with such items as her own reading missed; and one day the masseuse appeared with a long article from the leading journal of Little Rock, describing the brilliant nuptials of Mabel Lipscomb—now Mrs. Homer Branney—and her departure for "the Coast" in the bridegroom's private car. This put the last touch to Undine's irritation, and the next morning she got up earlier than usual, put on her most effective dress, went for a quick walk around the Park, and told her father when she came in that she wanted him to take her to the opera that evening.

Mr. Spragg stared and frowned. "You mean you want me to go round and hire a box for you?"

XXVII

She was still brooding over this last failure when one afternoon, as she loitered on the hotel terrace, she was approached by a young woman whom she had seen sitting near the wheeled chair of an old lady wearing a crumpled black bonnet under a funny fringed parasol with a jointed handle.

The young woman, who was small, slight and brown, was dressed with a disregard of the fashion which contrasted oddly with the mauve powder on her face and the traces of artificial colour in her dark untidy hair. She looked as if she might have several different personalities, and as if the one of the moment had been hanging up a long time in her wardrobe and been hurriedly taken down as probably good enough for the present occasion.

With her hands in her jacket pockets, and an agreeable smile on her boyish face, she strolled up to Undine and asked, in a pretty variety of Parisian English, if she had the pleasure of speaking to Mrs. Marvell.

On Undine's assenting, the smile grew more alert and the lady continued: "I think you know my friend Sacha Adelschein?"

No question could have been less welcome to Undine. If there was one point on which she was doggedly and puritanically resolved, it was that no extremes of social adversity should ever again draw her into the group of people among whom Madame Adelschein too conspicuously figured. Since her unsuccessful attempt to win over Indiana by introducing her to that group, Undine had been righteously resolved to remain aloof from it; and she was drawing herself up to her loftiest height of disapproval when the stranger, as if unconscious of it, went on: "Sacha speaks of you so often—she admires you so much.—I think you know also my cousin Chelles," she added, looking into Undine's eyes. "I am the Princess Estradina. I've come here with my mother for the air."

The murmur of negation died on Undine's lips. She found herself grappling with a new social riddle, and such surprises were always stimulating. The name of the untidy-looking young woman she had been about to repel was one of the most eminent in the impregnable quarter beyond the Seine. No one figured more largely in the Parisian chronicle than the Princess Estradina, and no name more impressively headed the list at every marriage, funeral and philanthropic entertainment of the Faubourg Saint Germain than that of her mother, the Duchesse de Dordogne, who must be no other than the old woman sitting in the Bath-chair with the crumpled bonnet and the ridiculous sunshade.

XXVIII

"What do you say to Nice to-morrow, dearest?" the Princess suggested a few evenings later as she followed Undine upstairs after a languid evening at bridge with the Duchess and Madame de Trezac.

Half-way down the passage she stopped to open a door and, putting her finger to her lip, signed to Undine to enter. In the taper-lit dimness stood two small white beds, each surmounted by a crucifix and a palm branch, and each containing a small brown sleeping child with a mop of hair and a curiously finished little face. As the Princess stood gazing on their innocent slumbers she seemed for a moment like a third little girl scarcely bigger and browner than the others; and the smile with which she watched them was as clear as theirs. "Ah, si seulement je pouvais choisir leurs amants!" she sighed as she turned away.

"—Nice to-morrow," she repeated, as she and Undine walked on to their rooms with linked arms. "We may as well make hay while the Trezac shines. She bores Mamma frightfully, but Mamma won't admit it because they belong to the same oeuvres. Shall it be the eleven train, dear? We can lunch at the Royal and look in the shops—we may meet somebody amusing. Anyhow, it's better than staying here!"

Undine was sure the trip to Nice would be delightful. Their previous expeditions had shown her the Princess's faculty for organizing such adventures. At Monte-Carlo, a few days before, they had run across two or three amusing but unassorted people, and the Princess, having fused them in a jolly lunch, had followed it up by a bout at baccarat, and, finally hunting down an eminent composer who had just arrived to rehearse a new production, had insisted on his asking the party to tea, and treating them to fragments of his opera.

A few days earlier, Undine's hope of renewing such pleasures would have been clouded by the dread of leaving Madame de Trezac alone with the Duchess. But she had no longer any fear of Madame de Trezac. She had discovered that her old rival of Potash Springs was in actual dread of her disfavour, and nervously anxious to conciliate her, and the discovery gave her such a sense of the heights she had scaled, and the security of her footing, that all her troubled past began to seem like the result of some providential "design," and vague impulses of piety stirred in her as she and the Princess whirled toward Nice through the blue and gold glitter of the morning.

XXIX

The early spring found Undine once more in Paris.

She had every reason to be satisfied with the result of the course she had pursued since she had pronounced her ultimatum on the subject of Raymond de Chelles. She had continued to remain on the best of terms with the Princess, to rise in the estimation of the old Duchess, and to measure the rapidity of her ascent in the upward gaze of Madame de Trezac; and she had given Chelles to understand that, if he wished to renew their acquaintance, he must do so in the shelter of his venerable aunt's protection.

To the Princess she was careful to make her attitude equally clear. "I like your cousin very much—he's delightful, and if I'm in Paris this spring I hope I shall see a great deal of him. But I know how easy it is for a woman in my position to get talked about—and I have my little boy to consider."

Nevertheless, whenever Chelles came over from Beaulieu to spend a day with his aunt and cousin—an excursion he not infrequently repeated—Undine was at no pains to conceal her pleasure. Nor was there anything calculated in her attitude. Chelles seemed to her more charming than ever, and the warmth of his wooing was in flattering contrast to the cool reserve of his manners. At last she felt herself alive and young again, and it became a joy to look in her glass and to try on her new hats and dresses...

The only menace ahead was the usual one of the want of money. While she had travelled with her parents she had been at relatively small expense, and since their return to America Mr. Spragg had sent her allowance regularly; yet almost all the money she had received for the pearls was already gone, and she knew her Paris season would be far more expensive than the quiet weeks on the Riviera.

Meanwhile the sense of reviving popularity, and the charm of Chelles' devotion, had almost effaced the ugly memories of failure, and refurbished that image of herself in other minds which was her only notion of self-seeing. Under the guidance of Madame de Trezac she had found a prettily furnished apartment in a not too inaccessible quarter, and in its light bright drawing-room she sat one June afternoon listening, with all the forbearance of which she was capable, to the counsels of her newly-acquired guide.

"Everything but marriage—" Madame de Trezac was repeating, her long head slightly tilted, her features wearing the rapt look of an adept reciting a hallowed formula.

Raymond de Chelles had not been mentioned by either of the ladies, and the former Miss Wincher was merely imparting to her young friend one of the fundamental dogmas of her social creed; but Undine was conscious that the air between them vibrated with an unspoken name. She made no immediate answer, but her glance, passing by Madame de Trezac's dull countenance, sought her own reflection in the mirror behind her visitor's chair. A beam of spring sunlight touched the living masses of her hair and made the face beneath as radiant as a girl's. Undine smiled faintly at the promise her own eyes gave her, and then turned them back to her friend. "What can such women know about anything?" she thought compassionately.

"There's everything against it," Madame de Trezac continued in a tone of patient exposition. She seemed to be doing her best to make the matter clear. "In the first place, between people in society a religious marriage is necessary; and, since the Church doesn't recognize divorce, that's obviously out of the question. In France, a man of position who goes through the form of civil marriage with a divorced woman is simply ruining himself and her. They might much better—from her point of view as well as his—be 'friends,' as it's called over here: such arrangements are understood and allowed for. But when a Frenchman marries he wants to marry as his people always have. He knows there are traditions he can't fight against—and in his heart he's glad there are."

"Oh, I know: they've so much religious feeling. I admire that in them: their religion's so beautiful." Undine looked thoughtfully at her visitor. "I suppose even money—a great deal of money—wouldn't make the least bit of difference?"

XXX

A few days after her decisive conversation with Raymond de Chelles, Undine, emerging from the doors of the Nouveau Luxe, where she had been to call on the newly-arrived Mrs. Homer Branney, once more found herself face to face with Elmer Moffatt.

This time there was no mistaking his eagerness to be recognized. He stopped short as they met, and she read such pleasure in his eyes that she too stopped, holding out her hand.

"I'm glad you're going to speak to me," she said, and Moffatt reddened at the allusion.

"Well, I very nearly didn't. I didn't know you. You look about as old as you did when I first landed at Apex—remember?"

He turned back and began to walk at her side in the direction of the Champs Elysees.

"Say—this is all right!" he exclaimed; and she saw that his glance had left her and was ranging across the wide silvery square ahead of them to the congregated domes and spires beyond the river.

"Do you like Paris?" she asked, wondering what theatres he had been to.

"It beats everything." He seemed to be breathing in deeply the impression of fountains, sculpture, leafy' avenues and long-drawn architectural distances fading into the afternoon haze.

"I suppose you've been to that old church over there?" he went on, his gold-topped stick pointing toward the towers of Notre Dame.

"Oh, of course; when I used to sightsee. Have you never been to Paris before?"

"No, this is my first look-round. I came across in March."

"In March?" she echoed inattentively. It never occurred to her that other people's lives went on when they were out of her range of vision, and she tried in vain to remember what she had last heard of Moffatt. "Wasn't that a bad time to leave Wall Street?"

"Well, so-so. Fact is, I was played out: needed a change." Nothing in his robust mien confirmed the statement, and he did not seem inclined to develop it. "I presume you're settled here now?" he went on. "I saw by the papers—"

"Yes," she interrupted; adding, after a moment: "It was all a mistake from the first."

"Well, I never thought he was your form," said Moffatt.

His eyes had come back to her, and the look in them struck her as something she might use to her advantage; but the next moment he had glanced away with a furrowed brow, and she felt she had not wholly fixed his attention.

"I live at the other end of Paris. Why not come back and have tea with me?" she suggested, half moved by a desire to know more of his affairs, and half by the thought that a talk with him might help to shed some light on hers.

In the open taxi-cab he seemed to recover his sense of well-being, and leaned back, his hands on the knob of his stick, with the air of a man pleasantly aware of his privileges. "This Paris is a thundering good place," he repeated once or twice as they rolled on through the crush and glitter of the afternoon; and when they had descended at Undine's door, and he stood in her drawing-room, and looked out on the horse-chestnut trees rounding their green domes under the balcony, his satisfaction culminated in the comment: "I guess this lays out West End Avenue!"

XXXI

Nearly two years had passed since Ralph Marvell, waking from his long sleep in the hot summer light of Washington Square, had found that the face of life was changed for him.

In the interval he had gradually adapted himself to the new order of things; but the months of adaptation had been a time of such darkness and confusion that, from the vantage-ground of his recovered lucidity, he could not yet distinguish the stages by which he had worked his way out; and even now his footing was not secure.

His first effort had been to readjust his values—to take an inventory of them, and reclassify them, so that one at least might be made to appear as important as those he had lost; otherwise there could be no reason why he should go on living. He applied himself doggedly to this attempt; but whenever he thought he had found a reason that his mind could rest in, it gave way under him, and the old struggle for a foothold began again. His two objects in life were his boy and his book. The boy was incomparably the stronger argument, yet the less serviceable in filling the void. Ralph felt his son all the while, and all through his other feelings; but he could not think about him actively and continuously, could not forever exercise his eager empty dissatisfied mind on the relatively simple problem of clothing, educating and amusing a little boy of six. Yet Paul's existence was the all-sufficient reason for his own; and he turned again, with a kind of cold fervour, to his abandoned literary dream. Material needs obliged him to go on with his regular business; but, the day's work over, he was possessed of a leisure as bare and as blank as an unfurnished house, yet that was at least his own to furnish as he pleased.

Meanwhile he was beginning to show a presentable face to the world, and to be once more treated like a man in whose case no one is particularly interested. His men friends ceased to say: "Hallo, old chap, I never saw you looking fitter!" and elderly ladies no longer told him they were sure he kept too much to himself, and urged him to drop in any afternoon for a quiet talk. People left him to his sorrow as a man is left to an incurable habit, an unfortunate tie: they ignored it, or looked over its head if they happened to catch a glimpse of it at his elbow.

These glimpses were given to them more and more rarely. The smothered springs of life were bubbling up in Ralph, and there were days when he was glad to wake and see the sun in his window, and when he began to plan his book, and to fancy that the planning really interested him. He could even maintain the delusion for several days—for intervals each time appreciably longer—before it shrivelled up again in a scorching blast of disenchantment. The worst of it was that he could never tell when these hot gusts of anguish would overtake him. They came sometimes just when he felt most secure, when he was saying to himself: "After all, things are really worth while—" sometimes even when he was sitting with Clare Van Degen, listening to her voice, watching her hands, and turning over in his mind the opening chapters of his book.

"You ought to write"; they had one and all said it to him from the first; and he fancied he might have begun sooner if he had not been urged on by their watchful fondness. Everybody wanted him to write—everybody had decided that he ought to, that he would, that he must be persuaded to; and the incessant imperceptible pressure of encouragement—the assumption of those about him that because it would be good for him to write he must naturally be able to—acted on his restive nerves as a stronger deterrent than disapproval.

XXXII

Ralph, as the days passed, felt that Clare was right: if Undine married again he would possess himself more completely, be more definitely rid of his past. And he did not doubt that she would gain her end: he knew her violent desires and her cold tenacity. If she had failed to capture Van Degen it was probably because she lacked experience of that particular type of man, of his huge immediate wants and feeble vacillating purposes; most of all, because she had not yet measured the strength of the social considerations that restrained him. It was a mistake she was not likely to repeat, and her failure had probably been a useful preliminary to success. It was a long time since Ralph had allowed himself to think of her, and as he did so the overwhelming fact of her beauty became present to him again, no longer as an element of his being but as a power dispassionately estimated. He said to himself: "Any man who can feel at all will feel it as I did"; and the conviction grew in him that Raymond de Chelles, of whom he had formed an idea through Bowen's talk, was not the man to give her up, even if she failed to obtain the release his religion exacted.

Meanwhile Ralph was gradually beginning to feel himself freer and lighter. Undine's act, by cutting the last link between them, seemed to have given him back to himself; and the mere fact that he could consider his case in all its bearings, impartially and ironically, showed him the distance he had travelled, the extent to which he had renewed himself. He had been moved, too, by Clare's cry of joy at his release. Though the nature of his feeling for her had not changed he was aware of a new quality in their friendship. When he went back to his book again his sense of power had lost its asperity, and the spectacle of life seemed less like a witless dangling of limp dolls. He was well on in his second chapter now.

This lightness of mood was still on him when, returning one afternoon to Washington Square, full of projects for a long evening's work, he found his mother awaiting him with a strange face. He followed her into the drawing-room, and she explained that there had been a telephone message she didn't understand—something perfectly crazy about Paul—of course it was all a mistake...

Ralph's first thought was of an accident, and his heart contracted. "Did Laura telephone?"

"No, no; not Laura. It seemed to be a message from Mrs. Spragg: something about sending some one here to fetch him—a queer name like Heeny—to fetch him to a steamer on Saturday. I was to be sure to have his things packed...but of course it's a misunderstanding..." She gave an uncertain laugh, and looked up at Ralph as though entreating him to return the reassurance she had given him.

"Of course, of course," he echoed.

He made his mother repeat her statement; but the unforeseen always flurried her, and she was confused and inaccurate. She didn't actually know who had telephoned: the voice hadn't sounded like Mrs. Spragg's... A woman's voice; yes—oh, not a lady's! And there was certainly something about a steamer...but he knew how the telephone bewildered her...and she was sure she was getting a little deaf. Hadn't he better call up the Malibran? Of course it was all a mistake—but... well, perhaps he HAD better go there himself...

XXXIII

The upshot of Ralph's visit was that Mr. Spragg, after considerable deliberation, agreed, pending farther negotiations between the opposing lawyers, to undertake that no attempt should be made to remove Paul from his father's custody. Nevertheless, he seemed to think it quite natural that Undine, on the point of making a marriage which would put it in her power to give her child a suitable home, should assert her claim on him. It was more disconcerting to Ralph to learn that Mrs. Spragg, for once departing from her attitude of passive impartiality, had eagerly abetted her daughter's move; he had somehow felt that Undine's desertion of the child had established a kind of mute understanding between himself and his mother-in-law.

"I thought Mrs. Spragg would know there's no earthly use trying to take Paul from me," he said with a desperate awkwardness of entreaty, and Mr. Spragg startled him by replying: "I presume his grandma thinks he'll belong to her more if we keep him in the family."

Ralph, abruptly awakened from his dream of recovered peace, found himself confronted on every side by indifference or hostility: it was as though the June fields in which his boy was playing had suddenly opened to engulph him. Mrs. Marvell's fears and tremors were almost harder to bear than the Spraggs' antagonism; and for the next few days Ralph wandered about miserably, dreading some fresh communication from Undine's lawyers, yet racked by the strain of hearing nothing more from them. Mr. Spragg had agreed to cable his daughter asking her to await a letter before enforcing her demands; but on the fourth day after Ralph's visit to the Malibran a telephone message summoned him to his father-in-law's office.

Half an hour later their talk was over and he stood once more on the landing outside Mr. Spragg's door. Undine's answer had come and Paul's fate was sealed. His mother refused to give him up, refused to await the arrival of her lawyer's letter, and reiterated, in more peremptory language, her demand that the child should be sent immediately to Paris in Mrs. Heeny's care.

XXXIV

The means of raising the requisite amount of money became, during the next few weeks, the anxious theme of all Ralph's thoughts. His lawyers' enquiries soon brought the confirmation of Clare's surmise, and it became clear that—for reasons swathed in all the ingenuities of legal verbiage—Undine might, in return for a substantial consideration, be prevailed on to admit that it was for her son's advantage to remain with his father.

The day this admission was communicated to Ralph his first impulse was to carry the news to his cousin. His mood was one of pure exaltation; he seemed to be hugging his boy to him as he walked. Paul and he were to belong to each other forever: no mysterious threat of separation could ever menace them again! He had the blissful sense of relief that the child himself might have had on waking out of a frightened dream and finding the jolly daylight in his room.

Clare at once renewed her entreaty to be allowed to aid in ransoming her little cousin, but Ralph tried to put her off by explaining that he meant to "look about."

"Look where? In the Dagonet coffers? Oh, Ralph, what's the use of pretending? Tell me what you've got to give her." It was amazing how his cousin suddenly dominated him. But as yet he couldn't go into the details of the bargain. That the reckoning between himself and Undine should be settled in dollars and cents seemed the last bitterest satire on his dreams: he felt himself miserably diminished by the smallness of what had filled his world.

Nevertheless, the looking about had to be done; and a day came when he found himself once more at the door of Elmer Moffatt's office. His thoughts had been drawn back to Moffatt by the insistence with which the latter's name had lately been put forward by the press in connection with a revival of the Ararat investigation. Moffatt, it appeared, had been regarded as one of the most valuable witnesses for the State; his return from Europe had been anxiously awaited, his unreadiness to testify caustically criticized; then at last he had arrived, had gone on to Washington—and had apparently had nothing to tell.

Ralph was too deep in his own troubles to waste any wonder over this anticlimax; but the frequent appearance of Moffatt's name in the morning papers acted as an unconscious suggestion. Besides, to whom else could he look for help? The sum his wife demanded could be acquired only by "a quick turn," and the fact that Ralph had once rendered the same kind of service to Moffatt made it natural to appeal to him now. The market, moreover, happened to be booming, and it seemed not unlikely that so experienced a speculator might have a "good thing" up his sleeve.

XXXV

Within forty-eight hours Ralph's money was in Moffatt's hands, and the interval of suspense had begun.

The transaction over, he felt the deceptive buoyancy that follows on periods of painful indecision. It seemed to him that now at last life had freed him from all trammelling delusions, leaving him only the best thing in its gift—his boy.

The things he meant Paul to do and to be filled his fancy with happy pictures. The child was growing more and more interesting—throwing out countless tendrils of feeling and perception that delighted Ralph but preoccupied the watchful Laura.

"He's going to be exactly like you, Ralph—" she paused and then risked it: "For his own sake, I wish there were just a drop or two of Spragg in him."

Ralph laughed, understanding her. "Oh, the plodding citizen I've become will keep him from taking after the lyric idiot who begot him. Paul and I, between us, are going to turn out something first-rate."

His book too was spreading and throwing out tendrils, and he worked at it in the white heat of energy which his factitious exhilaration produced. For a few weeks everything he did and said seemed as easy and unconditioned as the actions in a dream.

Clare Van Degen, in the light of this mood, became again the comrade of his boyhood. He did not see her often, for she had gone down to the country with her children, but they communicated daily by letter or telephone, and now and then she came over to the Fairfords' for a night. There they renewed the long rambles of their youth, and once more the summer fields and woods seemed full of magic presences. Clare was no more intelligent, she followed him no farther in his flights; but some of the qualities that had become most precious to him were as native to her as its perfume to a flower. So, through the long June afternoons, they ranged together over many themes; and if her answers sometimes missed the mark it did not matter, because her silences never did.

Meanwhile Ralph, from various sources, continued to pick up a good deal of more or less contradictory information about Elmer Moffatt. It seemed to be generally understood that Moffatt had come back from Europe with the intention of testifying in the Ararat investigation, and that his former patron, the great Harmon B. Driscoll, had managed to silence him; and it was implied that the price of this silence, which was set at a considerable figure, had been turned to account in a series of speculations likely to lift Moffatt to permanent eminence among the rulers of Wall Street. The stories as to his latest achievement, and the theories as to the man himself, varied with the visual angle of each reporter: and whenever any attempt was made to focus his hard sharp personality some guardian divinity seemed to throw a veil of mystery over him. His detractors, however, were the first to own that there was "something about him"; it was felt that he had passed beyond the meteoric stage, and the business world was unanimous in recognizing that he had "come to stay." A dawning sense of his stability was even beginning to make itself felt in Fifth Avenue. It was said that he had bought a house in Seventy-second Street, then that he meant to build near the Park; one or two people (always "taken by a friend") had been to his flat in the Pactolus, to see his Chinese porcelains and Persian rugs; now and then he had a few important men to dine at a Fifth Avenue restaurant; his name began to appear in philanthropic reports and on municipal committees (there were even rumours of its having been put up at a well-known club); and the rector of a wealthy parish, who was raising funds for a chantry, was known to have met him at dinner and to have stated afterward that "the man was not wholly a materialist."

All these converging proofs of Moffatt's solidity strengthened Ralph's faith in his venture. He remembered with what astuteness and authority Moffatt had conducted their real estate transaction—how far off and unreal it all seemed!—and awaited events with the passive faith of a sufferer in the hands of a skilful surgeon.

The days moved on toward the end of June, and each morning Ralph opened his newspaper with a keener thrill of expectation. Any day now he might read of the granting of the Apex charter: Moffatt had assured him it would "go through" before the close of the month. But the announcement did not appear, and after what seemed to Ralph a decent lapse of time he telephoned to ask for news. Moffatt was away, and when he came back a few days later he answered Ralph's enquiries evasively, with an edge of irritation in his voice. The same day Ralph received a letter from his lawyer, who had been reminded by Mrs. Marvell's representatives that the latest date agreed on for the execution of the financial agreement was the end of the following week.

Ralph, alarmed, betook himself at once to the Ararat, and his first glimpse of Moffatt's round common face and fastidiously dressed person gave him an immediate sense of reassurance. He felt that under the circle of baldness on top of that carefully brushed head lay the solution of every monetary problem that could beset the soul of man. Moffatt's voice had recovered its usual cordial note, and the warmth of his welcome dispelled Ralph's last apprehension.

"Why, yes, everything's going along first-rate. They thought they'd hung us up last week—but they haven't. There may be another week's delay; but we ought to be opening a bottle of wine on it by the Fourth."

XXXVI

He stood at the corner of Wall Street, looking up and down its hot summer perspective. He noticed the swirls of dust in the cracks of the pavement, the rubbish in the gutters, the ceaseless stream of perspiring faces that poured by under tilted hats.

He found himself, next, slipping northward between the glazed walls of the Subway, another languid crowd in the seats about him and the nasal yelp of the stations ringing through the car like some repeated ritual wail. The blindness within him seemed to have intensified his physical perceptions, his sensitiveness to the heat, the noise, the smells of the dishevelled midsummer city; but combined with the acuter perception of these offenses was a complete indifference to them, as though he were some vivisected animal deprived of the power of discrimination.

Now he had turned into Waverly Place, and was walking westward toward Washington Square. At the corner he pulled himself up, saying half-aloud: "The office—I ought to be at the office." He drew out his watch and stared at it blankly. What the devil had he taken it out for? He had to go through a laborious process of readjustment to find out what it had to say.... Twelve o'clock.... Should he turn back to the office? It seemed easier to cross the square, go up the steps of the old house and slip his key into the door....

XXXVII

In a drawing-room hung with portraits of high-nosed personages in perukes and orders, a circle of ladies and gentlemen, looking not unlike every-day versions of the official figures above their heads, sat examining with friendly interest a little boy in mourning.

The boy was slim, fair and shy, and his small black figure, islanded in the middle of the wide lustrous floor, looked curiously lonely and remote. This effect of remoteness seemed to strike his mother as something intentional, and almost naughty, for after having launched him from the door, and waited to judge of the impression he produced, she came forward and, giving him a slight push, said impatiently: "Paul! Why don't you go and kiss your new granny?"

The boy, without turning to her, or moving, sent his blue glance gravely about the circle. "Does she want me to?" he asked, in a tone of evident apprehension; and on his mother's answering: "Of course, you silly!" he added earnestly: "How many more do you think there'll be?"

Undine blushed to the ripples of her brilliant hair. "I never knew such a child! They've turned him into a perfect little savage!"

Raymond de Chelles advanced from behind his mother's chair.

"He won't be a savage long with me," he said, stooping down so that his fatigued finely-drawn face was close to Paul's. Their eyes met and the boy smiled. "Come along, old chap," Chelles continued in English, drawing the little boy after him.

"Il est bien beau," the Marquise de Chelles observed, her eyes turning from Paul's grave face to her daughter-in-law's vivid countenance.

"Do be nice, darling! Say, 'bonjour, Madame,'" Undine urged.

An odd mingling of emotions stirred in her while she stood watching Paul make the round of the family group under her husband's guidance. It was "lovely" to have the child back, and to find him, after their three years' separation, grown into so endearing a figure: her first glimpse of him when, in Mrs. Heeny's arms, he had emerged that morning from the steamer train, had shown what an acquisition he would be. If she had had any lingering doubts on the point, the impression produced on her husband would have dispelled them. Chelles had been instantly charmed, and Paul, in a shy confused way, was already responding to his advances. The Count and Countess Raymond had returned but a few weeks before from their protracted wedding journey, and were staying—as they were apparently to do whenever they came to Paris—with the old Marquis, Raymond's father, who had amicably proposed that little Paul Marvell should also share the hospitality of the Hotel de Chelles. Undine, at first, was somewhat dismayed to find that she was expected to fit the boy and his nurse into a corner of her contracted entresol. But the possibility of a mother's not finding room for her son, however cramped her own quarters, seemed not to have occurred to her new relations, and the preparing of her dressing-room and boudoir for Paul's occupancy was carried on by the household with a zeal which obliged her to dissemble her lukewarmness.

XXXVIII

In a window of the long gallery of the chateau de Saint Desert the new Marquise de Chelles stood looking down the poplar avenue into the November rain. It had been raining heavily and persistently for a longer time than she could remember. Day after day the hills beyond the park had been curtained by motionless clouds, the gutters of the long steep roofs had gurgled with a perpetual overflow, the opaque surface of the moat been peppered by a continuous pelting of big drops. The water lay in glassy stretches under the trees and along the sodden edges of the garden-paths, it rose in a white mist from the fields beyond, it exuded in a chill moisture from the brick flooring of the passages and from the walls of the rooms on the lower floor. Everything in the great empty house smelt of dampness: the stuffing of the chairs, the threadbare folds of the faded curtains, the splendid tapestries, that were fading too, on the walls of the room in which Undine stood, and the wide bands of crape which her husband had insisted on her keeping on her black dresses till the last hour of her mourning for the old Marquis.

The summer had been more than usually inclement, and since her first coming to the country Undine had lived through many periods of rainy weather; but none which had gone before had so completely epitomized, so summed up in one vast monotonous blur, the image of her long months at Saint Desert.

When, the year before, she had reluctantly suffered herself to be torn from the joys of Paris, she had been sustained by the belief that her exile would not be of long duration. Once Paris was out of sight, she had even found a certain lazy charm in the long warm days at Saint Desert. Her parents-in-law had remained in town, and she enjoyed being alone with her husband, exploring and appraising the treasures of the great half abandoned house, and watching her boy scamper over the June meadows or trot about the gardens on the poney his stepfather had given him. Paul, after Mrs. Heeny's departure, had grown fretful and restive, and Undine had found it more and more difficult to fit his small exacting personality into her cramped rooms and crowded life. He irritated her by pining for his Aunt Laura, his Marvell granny, and old Mr. Dagonet's funny stories about gods and fairies; and his wistful allusions to his games with Clare's children sounded like a lesson he might have been drilled in to make her feel how little he belonged to her. But once released from Paris, and blessed with rabbits, a poney and the freedom of the fields, he became again all that a charming child should be, and for a time it amused her to share in his romps and rambles. Raymond seemed enchanted at the picture they made, and the quiet weeks of fresh air and outdoor activity gave her back a bloom that reflected itself in her tranquillized mood. She was the more resigned to this interlude because she was so sure of its not lasting. Before they left Paris a doctor had been found to say that Paul—who was certainly looking pale and pulled-down—was in urgent need of sea air, and Undine had nearly convinced her husband of the expediency of hiring a chalet at Deauville for July and August, when this plan, and with it every other prospect of escape, was dashed by the sudden death of the old Marquis.

Undine, at first, had supposed that the resulting change could not be other than favourable. She had been on too formal terms with her father-in-law—a remote and ceremonious old gentleman to whom her own personality was evidently an insoluble enigma—to feel more than the merest conventional pang at his death; and it was certainly "more fun" to be a marchioness than a countess, and to know that one's husband was the head of the house. Besides, now they would have the chateau to themselves—or at least the old Marquise, when she came, would be there as a guest and not a ruler—and visions of smart house-parties and big shoots lit up the first weeks of Undine's enforced seclusion. Then, by degrees, the inexorable conditions of French mourning closed in on her. Immediately after the long-drawn funeral observances the bereaved family—mother, daughters, sons and sons-in-law—came down to seclude themselves at Saint Desert; and Undine, through the slow hot crape-smelling months, lived encircled by shrouded images of woe in which the only live points were the eyes constantly fixed on her least movements. The hope of escaping to the seaside with Paul vanished in the pained stare with which her mother-in-law received the suggestion. Undine learned the next day that it had cost the old Marquise a sleepless night, and might have had more distressing results had it not been explained as a harmless instance of transatlantic oddness. Raymond entreated his wife to atone for her involuntary legereté by submitting with a good grace to the usages of her adopted country; and he seemed to regard the remaining months of the summer as hardly long enough for this act of expiation. As Undine looked back on them, they appeared to have been composed of an interminable succession of identical days, in which attendance at early mass (in the coroneted gallery she had once so glowingly depicted to Van Degen) was followed by a great deal of conversational sitting about, a great deal of excellent eating, an occasional drive to the nearest town behind a pair of heavy draft horses, and long evenings in a lamp-heated drawing-room with all the windows shut, and the stout cure making an asthmatic fourth at the Marquise's card-table.

XXXIX

Undine did not fulfil her threat. The month of May saw her back in the rooms she had declared she would never set foot in, and after her long sojourn among the echoing vistas of Saint Desert the exiguity of her Paris quarters seemed like cosiness.

In the interval many things had happened. Hubert, permitted by his anxious relatives to anticipate the term of the family mourning, had been showily and expensively united to his heiress; the Hotel de Chelles had been piped, heated and illuminated in accordance with the bride's requirements; and the young couple, not content with these utilitarian changes had moved doors, opened windows, torn down partitions, and given over the great trophied and pilastered dining-room to a decorative painter with a new theory of the human anatomy. Undine had silently assisted at this spectacle, and at the sight of the old Marquise's abject acquiescence; she had seen the Duchesse de Dordogne and the Princesse Estradina go past her door to visit Hubert's premier and marvel at the American bath-tubs and the Annamite bric-a-brac; and she had been present, with her husband, at the banquet at which Hubert had revealed to the astonished Faubourg the prehistoric episodes depicted on his dining-room walls. She had accepted all these necessities with the stoicism which the last months had developed in her; for more and more, as the days passed, she felt herself in the grasp of circumstances stronger than any effort she could oppose to them. The very absence of external pressure, of any tactless assertion of authority on her husband's part, intensified the sense of her helplessness. He simply left it to her to infer that, important as she might be to him in certain ways, there were others in which she did not weigh a feather.

Their outward relations had not changed since her outburst on the subject of Hubert's marriage. That incident had left her half-ashamed, half-frightened at her behaviour, and she had tried to atone for it by the indirect arts that were her nearest approach to acknowledging herself in the wrong. Raymond met her advances with a good grace, and they lived through the rest of the winter on terms of apparent understanding. When the spring approached it was he who suggested that, since his mother had consented to Hubert's marrying before the year of mourning was over, there was really no reason why they should not go up to Paris as usual; and she was surprised at the readiness with which he prepared to accompany her.

A year earlier she would have regarded this as another proof of her power; but she now drew her inferences less quickly. Raymond was as "lovely" to her as ever; but more than once, during their months in the country, she had had a startled sense of not giving him all he expected of her. She had admired him, before their marriage, as a model of social distinction; during the honeymoon he had been the most ardent of lovers; and with their settling down at Saint Desert she had prepared to resign herself to the society of a country gentleman absorbed in sport and agriculture. But Raymond, to her surprise, had again developed a disturbing resemblance to his predecessor. During the long winter afternoons, after he had gone over his accounts with the bailiff, or written his business letters, he took to dabbling with a paint-box, or picking out new scores at the piano; after dinner, when they went to the library, he seemed to expect to read aloud to her from the reviews and papers he was always receiving; and when he had discovered her inability to fix her attention he fell into the way of absorbing himself in one of the old brown books with which the room was lined. At first he tried—as Ralph had done—to tell her about what he was reading or what was happening in the world; but her sense of inadequacy made her slip away to other subjects, and little by little their talk died down to monosyllables. Was it possible that, in spite of his books, the evenings seemed as long to Raymond as to her, and that he had suggested going back to Paris because he was bored at Saint Desert? Bored as she was herself, she resented his not finding her company all-sufficient, and was mortified by the discovery that there were regions of his life she could not enter.

XL

After the Princess Estradina's departure, the days at Saint Desert succeeded each other indistinguishably; and more and more, as they passed, Undine felt herself drawn into the slow strong current already fed by so many tributary lives. Some spell she could not have named seemed to emanate from the old house which had so long been the custodian of an unbroken tradition: things had happened there in the same way for so many generations that to try to alter them seemed as vain as to contend with the elements.

Winter came and went, and once more the calendar marked the first days of spring; but though the horse-chestnuts of the Champs Elysees were budding snow still lingered in the grass drives of Saint Desert and along the ridges of the hills beyond the park. Sometimes, as Undine looked out of the windows of the Boucher gallery, she felt as if her eyes had never rested on any other scene. Even her occasional brief trips to Paris left no lasting trace: the life of the vivid streets faded to a shadow as soon as the black and white horizon of Saint Desert closed in on her again.

Though the afternoons were still cold she had lately taken to sitting in the gallery. The smiling scenes on its walls and the tall screens which broke its length made it more habitable than the drawing-rooms beyond; but her chief reason for preferring it was the satisfaction she found in having fires lit in both the monumental chimneys that faced each other down its long perspective. This satisfaction had its source in the old Marquise's disapproval. Never before in the history of Saint Desert had the consumption of firewood exceeded a certain carefully-calculated measure; but since Undine had been in authority this allowance had been doubled. If any one had told her, a year earlier, that one of the chief distractions of her new life would be to invent ways of annoying her mother-in-law, she would have laughed at the idea of wasting her time on such trifles. But she found herself with a great deal of time to waste, and with a fierce desire to spend it in upsetting the immemorial customs of Saint Desert. Her husband had mastered her in essentials, but she had discovered innumerable small ways of irritating and hurting him, and one—and not the least effectual—was to do anything that went counter to his mother's prejudices. It was not that he always shared her views, or was a particularly subservient son; but it seemed to be one of his fundamental principles that a man should respect his mother's wishes, and see to it that his household respected them. All Frenchmen of his class appeared to share this view, and to regard it as beyond discussion: it was based on something so much more Immutable than personal feeling that one might even hate one's mother and yet insist that her ideas as to the consumption of fire-wood should be regarded.

The old Marquise, during the cold weather, always sat in her bedroom; and there, between the tapestried four-poster and the fireplace, the family grouped itself around the ground-glass of her single carcel lamp. In the evening, if there were visitors, a fire was lit in the library; otherwise the family again sat about the Marquise's lamp till the footman came in at ten with tisane and biscuits de Reims; after which every one bade the dowager good night and scattered down the corridors to chill distances marked by tapers floating in cups of oil.

Since Undine's coming the library fire had never been allowed to go out; and of late, after experimenting with the two drawing-rooms and the so-called "study" where Raymond kept his guns and saw the bailiff, she had selected the gallery as the most suitable place for the new and unfamiliar ceremony of afternoon tea. Afternoon refreshments had never before been served at Saint Desert except when company was expected; when they had invariably consisted in a decanter of sweet port and a plate of small dry cakes—the kind that kept. That the complicated rites of the tea-urn, with its offering-up of perishable delicacies, should be enacted for the sole enjoyment of the family, was a thing so unheard of that for a while Undine found sufficient amusement in elaborating the ceremonial, and in making the ancestral plate groan under more varied viands; and when this palled she devised the plan of performing the office in the gallery and lighting sacrificial fires in both chimneys.

XLI

The incident left Undine with the baffled feeling of not being able to count on any of her old weapons of aggression. In all her struggles for authority her sense of the rightfulness of her cause had been measured by her power of making people do as she pleased. Raymond's firmness shook her faith in her own claims, and a blind desire to wound and destroy replaced her usual business-like intentness on gaining her end. But her ironies were as ineffectual as her arguments, and his imperviousness was the more exasperating because she divined that some of the things she said would have hurt him if any one else had said them: it was the fact of their coming from her that made them innocuous. Even when, at the close of their talk, she had burst out: "If you grudge me everything I care about we'd better separate," he had merely answered with a shrug: "It's one of the things we don't do—" and the answer had been like the slamming of an iron door in her face.

An interval of silent brooding had resulted in a reaction of rebellion. She dared not carry out her threat of joining her compatriots at the Nouveau Luxe: she had too clear a memory of the results of her former revolt. But neither could she submit to her present fate without attempting to make Raymond understand his selfish folly. She had failed to prove it by argument, but she had an inherited faith in the value of practical demonstration. If he could be made to see how easily he could give her what she wanted perhaps he might come round to her view.

With this idea in mind, she had gone up to Paris for twenty-four hours, on the pretext of finding a new nurse for Paul; and the steps then taken had enabled her, on the first occasion, to set her plan in motion. The occasion was furnished by Raymond's next trip to Beaune. He went off early one morning, leaving word that he should not be back till night; and on the afternoon of the same day she stood at her usual post in the gallery, scanning the long perspective of the poplar avenue.

She had not stood there long before a black speck at the end of the avenue expanded into a motor that was presently throbbing at the entrance. Undine, at its approach, turned from the window, and as she moved down the gallery her glance rested on the great tapestries, with their ineffable minglings of blue and rose, as complacently as though they had been mirrors reflecting her own image.

She was still looking at them when the door opened and a servant ushered in a small swarthy man who, in spite of his conspicuously London-made clothes, had an odd exotic air, as if he had worn rings in his ears or left a bale of spices at the door.

He bowed to Undine, cast a rapid eye up and down the room, and then, with his back to the windows, stood intensely contemplating the wall that faced them.

Undine's heart was beating excitedly. She knew the old Marquise was taking her afternoon nap in her room, yet each sound in the silent house seemed to be that of her heels on the stairs.

"Ah—" said the visitor.

He had begun to pace slowly down the gallery, keeping his face to the tapestries, like an actor playing to the footlights.

"AH—" he said again.

To ease the tension of her nerves Undine began: "They were given by Louis the Fifteenth to the Marquis de Chelles who—"

"Their history has been published," the visitor briefly interposed; and she coloured at her blunder.

The swarthy stranger, fitting a pair of eye-glasses to a nose that was like an instrument of precision, had begun a closer and more detailed inspection of the tapestries. He seemed totally unmindful of her presence, and his air of lofty indifference was beginning to make her wish she had not sent for him. His manner in Paris had been so different!

Suddenly he turned and took off the glasses, which sprang back into a fold of his clothing like retracted feelers.

"Yes." He stood and looked at her without seeing her. "Very well. I have brought down a gentleman."

"A gentleman—?"

"The greatest American collector—he buys only the best. He will not be long in Paris, and it was his only chance of coming down."

XLII

Undine had gained her point, and the entresol of the Hotel de Chelles reopened its doors for the season.

Hubert and his wife, in expectation of the birth of an heir, had withdrawn to the sumptuous chateau which General Arlington had hired for them near Compiegne, and Undine was at least spared the sight of their bright windows and animated stairway. But she had to take her share of the felicitations which the whole far-reaching circle of friends and relations distributed to every member of Hubert's family on the approach of the happy event. Nor was this the hardest of her trials. Raymond had done what she asked—he had stood out against his mother's protests, set aside considerations of prudence, and consented to go up to Paris for two months; but he had done so on the understanding that during their stay they should exercise the most unremitting economy. As dinner-giving put the heaviest strain on their budget, all hospitality was suspended; and when Undine attempted to invite a few friends informally she was warned that she could not do so without causing the gravest offense to the many others genealogically entitled to the same attention.

Raymond's insistence on this rule was simply part of an elaborate and inveterate system of "relations" (the whole of French social life seemed to depend on the exact interpretation of that word), and Undine felt the uselessness of struggling against such mysterious inhibitions. He reminded her, however, that their inability to receive would give them all the more opportunity for going out, and he showed himself more socially disposed than in the past. But his concession did not result as she had hoped. They were asked out as much as ever, but they were asked to big dinners, to impersonal crushes, to the kind of entertainment it is a slight to be omitted from but no compliment to be included in. Nothing could have been more galling to Undine, and she frankly bewailed the fact to Madame de Trezac.

"Of course it's what was sure to come of being mewed up for months and months in the country. We're out of everything, and the people who are having a good time are simply too busy to remember us. We're only asked to the things that are made up from visiting-lists."

Madame de Trezac listened sympathetically, but did not suppress a candid answer.

"It's not altogether that, my dear; Raymond's not a man his friends forget. It's rather more, if you'll excuse my saying so, the fact of your being—you personally—in the wrong set."

"The wrong set? Why, I'm in HIS set—the one that thinks itself too good for all the others. That's what you've always told me when I've said it bored me."

XLIII

She watched him go in a kind of stupour, knowing that when they next met he would be as courteous and self-possessed as if nothing had happened, but that everything would nevertheless go on in the same way—in HIS way—and that there was no more hope of shaking his resolve or altering his point of view than there would have been of transporting the deep-rooted masonry of Saint Desert by means of the wheeled supports on which Apex architecture performed its easy transits.

One of her childish rages possessed her, sweeping away every feeling save the primitive impulse to hurt and destroy; but search as she would she could not find a crack in the strong armour of her husband's habits and prejudices. For a long time she continued to sit where he had left her, staring at the portraits on the walls as though they had joined hands to imprison her. Hitherto she had almost always felt herself a match for circumstances, but now the very dead were leagued to defeat her: people she had never seen and whose names she couldn't even remember seemed to be plotting and contriving against her under the escutcheoned grave-stones of Saint Desert.

Her eyes turned to the old warm-toned furniture beneath the pictures, and to her own idle image in the mirror above the mantelpiece. Even in that one small room there were enough things of price to buy a release from her most pressing cares; and the great house, in which the room was a mere cell, and the other greater house in Burgundy, held treasures to deplete even such a purse as Moffatt's. She liked to see such things about her—without any real sense of their meaning she felt them to be the appropriate setting of a pretty woman, to embody something of the rareness and distinction she had always considered she possessed; and she reflected that if she had still been Moffatt's wife he would have given her just such a setting, and the power to live in it as became her.

The thought sent her memory flying back to things she had turned it from for years. For the first time since their far-off weeks together she let herself relive the brief adventure. She had been drawn to Elmer Moffatt from the first—from the day when Ben Frusk, Indiana's brother, had brought him to a church picnic at Mulvey's Grove, and he had taken instant possession of Undine, sitting in the big "stage" beside her on the "ride" to the grove, supplanting Millard Binch (to whom she was still, though intermittently and incompletely, engaged), swinging her between the trees, rowing her on the lake, catching and kissing her in "forfeits," awarding her the first prize in the Beauty Show he hilariously organized and gallantly carried out, and finally (no one knew how) contriving to borrow a buggy and a fast colt from old Mulvey, and driving off with her at a two-forty gait while Millard and the others took their dust in the crawling stage.

XLIV

Undine had been right in supposing that her husband would expect their life to go on as before. There was no appreciable change in the situation save that he was more often absent-finding abundant reasons, agricultural and political, for frequent trips to Saint Desert—and that, when in Paris, he no longer showed any curiosity concerning her occupations and engagements. They lived as much apart is if their cramped domicile had been a palace; and when Undine—as she now frequently did—joined the Shallums or Rollivers for a dinner at the Nouveau Luxe, or a party at a petit theatre, she was not put to the trouble of prevaricating.

Her first impulse, after her scene with Raymond, had been to ring up Indiana Rolliver and invite herself to dine. It chanced that Indiana (who was now in full social progress, and had "run over" for a few weeks to get her dresses for Newport) had organized for the same evening a showy cosmopolitan banquet in which she was enchanted to include the Marquise de Chelles; and Undine, as she had hoped, found Elmer Moffatt of the party. When she drove up to the Nouveau Luxe she had not fixed on any plan of action; but once she had crossed its magic threshold her energies revived like plants in water. At last she was in her native air again, among associations she shared and conventions she understood; and all her self-confidence returned as the familiar accents uttered the accustomed things.

Save for an occasional perfunctory call, she had hitherto made no effort to see her compatriots, and she noticed that Mrs. Jim Driscoll and Bertha Shallum received her with a touch of constraint; but it vanished when they remarked the cordiality of Moffatt's greeting. Her seat was at his side, and her old sense of triumph returned as she perceived the importance his notice conferred, not only in the eyes of her own party but of the other diners. Moffatt was evidently a notable figure in all the worlds represented about the crowded tables, and Undine saw that many people who seemed personally unacquainted with him were recognizing and pointing him out. She was conscious of receiving a large share of the attention he attracted, and, bathed again in the bright air of publicity, she remembered the evening when Raymond de Chelles' first admiring glance had given her the same sense of triumph.

This inopportune memory did not trouble her: she was almost grateful to Raymond for giving her the touch of superiority her compatriots clearly felt in her. It was not merely her title and her "situation," but the experiences she had gained through them, that gave her this advantage over the loud vague company. She had learned things they did not guess: shades of conduct, turns of speech, tricks of attitude—and easy and free and enviable as she thought them, she would not for the world have been back among them at the cost of knowing no more than they.

Moffatt made no allusion to his visit to Saint Desert; but when the party had re-grouped itself about coffee and liqueurs on the terrace, he bent over to ask confidentially: "What about my tapestries?"

She replied in the same tone: "You oughtn't to have let Fleischhauer write that letter. My husband's furious."

He seemed honestly surprised. "Why? Didn't I offer him enough?"

"He's furious that any one should offer anything. I thought when he found out what they were worth he might be tempted; but he'd rather see me starve than part with one of his grand-father's snuff-boxes."

"Well, he knows now what the tapestries are worth. I offered more than Fleischhauer advised."

"Yes; but you were in too much of a hurry."

XLV

She advanced into the room and slowly looked about her. The big vulgar writing-table wreathed in bronze was heaped with letters and papers. Among them stood a lapis bowl in a Renaissance mounting of enamel and a vase of Phenician glass that was like a bit of rainbow caught in cobwebs. On a table against the window a little Greek marble lifted its pure lines. On every side some rare and sensitive object seemed to be shrinking back from the false colours and crude contours of the hotel furniture. There were no books in the room, but the florid console under the mirror was stacked with old numbers of Town Talk and the New York Radiator. Undine recalled the dingy hall-room that Moffatt had lodged in at Mrs. Flynn's, over Hober's livery stable, and her heart beat at the signs of his altered state. When her eyes came back to him their lids were moist.

"Don't send me away," she repeated. He looked at her and smiled. "What is it? What's the matter?"

"I don't know—but I had to come. To-day, when you spoke again of sailing, I felt as if I couldn't stand it." She lifted her eyes and looked in his profoundly.

He reddened a little under her gaze, but she could detect no softening or confusion in the shrewd steady glance he gave her back.

"Things going wrong again—is that the trouble?" he merely asked with a comforting inflexion.

"They always are wrong; it's all been an awful mistake. But I shouldn't care if you were here and I could see you sometimes. You're so STRONG: that's what I feel about you, Elmer. I was the only one to feel it that time they all turned against you out at Apex.... Do you remember the afternoon I met you down on Main Street, and we walked out together to the Park? I knew then that you were stronger than any of them...."

She had never spoken more sincerely. For the moment all thought of self-interest was in abeyance, and she felt again, as she had felt that day, the instinctive yearning of her nature to be one with his. Something in her voice must have attested it, for she saw a change in his face.

"You're not the beauty you were," he said irrelevantly; "but you're a lot more fetching."

The oddly qualified praise made her laugh with mingled pleasure and annoyance.

"I suppose I must be dreadfully changed—"

"You're all right!—But I've got to go back home," he broke off abruptly. "I've put it off too long."

She paled and looked away, helpless in her sudden disappointment. "I knew you'd say that.... And I shall just be left here...." She sat down on the sofa near which they had been standing, and two tears formed on her lashes and fell.

Moffatt sat down beside her, and both were silent. She had never seen him at a loss before. She made no attempt to draw nearer, or to use any of the arts of cajolery; but presently she said, without rising: "I saw you look at your watch when I came in. I suppose somebody else is waiting for you."

"It don't matter."

"Some other woman?"

"It don't matter."

"I've wondered so often—but of course I've got no right to ask." She stood up slowly, understanding that he meant to let her go.

XLVI

In the great high-ceilinged library of a private hotel overlooking one of the new quarters of Paris, Paul Marvell stood listlessly gazing out into the twilight.

The trees were budding symmetrically along the avenue below; and Paul, looking down, saw, between windows and tree-tops, a pair of tall iron gates with gilt ornaments, the marble curb of a semi-circular drive, and bands of spring flowers set in turf. He was now a big boy of nearly nine, who went to a fashionable private school, and he had come home that day for the Easter holidays. He had not been back since Christmas, and it was the first time he had seen the new hotel which his step-father had bought, and in which Mr. and Mrs. Moffatt had hastily established themselves, a few weeks earlier, on their return from a flying trip to America. They were always coming and going; during the two years since their marriage they had been perpetually dashing over to New York and back, or rushing down to Rome or up to the Engadine: Paul never knew where they were except when a telegram announced that they were going somewhere else. He did not even know that there was any method of communication between mothers and sons less laconic than that of the electric wire; and once, when a boy at school asked him if his mother often wrote, he had answered in all sincerity: "Oh yes—I got a telegram last week."

He had been almost sure—as sure as he ever was of anything—that he should find her at home when he arrived; but a message (for she hadn't had time to telegraph) apprised him that she and Mr. Moffatt had run down to Deauville to look at a house they thought of hiring for the summer; they were taking an early train back, and would be at home for dinner—were in fact having a lot of people to dine.

It was just what he ought to have expected, and had been used to ever since he could remember; and generally he didn't much mind, especially since his mother had become Mrs. Moffatt, and the father he had been most used to, and liked best, had abruptly disappeared from his life. But the new hotel was big and strange, and his own room, in which there was not a toy or a book, or one of his dear battered relics (none of the new servants—they were always new—could find his things, or think where they had been put), seemed the loneliest spot in the whole house. He had gone up there after his solitary luncheon, served in the immense marble dining-room by a footman on the same scale, and had tried to occupy himself with pasting post-cards into his album; but the newness and sumptuousness of the room embarrassed him—the white fur rugs and brocade chairs seemed maliciously on the watch for smears and ink-spots—and after a while he pushed the album aside and began to roam through the house.

He went to all the rooms in turn: his mother's first, the wonderful lacy bedroom, all pale silks and velvets, artful mirrors and veiled lamps, and the boudoir as big as a drawing-room, with pictures he would have liked to know about, and tables and cabinets holding things he was afraid to touch. Mr. Moffatt's rooms came next. They were soberer and darker, but as big and splendid; and in the bedroom, on the brown wall, hung a single picture—the portrait of a boy in grey velvet—that interested Paul most of all. The boy's hand rested on the head of a big dog, and he looked infinitely noble and charming, and yet (in spite of the dog) so sad and lonely that he too might have come home that very day to a strange house in which none of his old things could be found.

From these rooms Paul wandered downstairs again. The library attracted him most: there were rows and rows of books, bound in dim browns and golds, and old faded reds as rich as velvet: they all looked as if they might have had stories in them as splendid as their bindings. But the bookcases were closed with gilt trellising, and when Paul reached up to open one, a servant told him that Mr. Moffatt's secretary kept them locked because the books were too valuable to be taken down. This seemed to make the library as strange as the rest of the house, and he passed on to the ballroom at the back. Through its closed doors he heard a sound of hammering, and when he tried the door-handle a servant passing with a tray-full of glasses told him that "they" hadn't finished, and wouldn't let anybody in.

The mysterious pronoun somehow increased Paul's sense of isolation, and he went on to the drawing-rooms, steering his way prudently between the gold arm-chairs and shining tables, and wondering whether the wigged and corseleted heroes on the walls represented Mr. Moffatt's ancestors, and why, if they did, he looked so little like them. The dining-room beyond was more amusing, because busy servants were already laying the long table. It was too early for the florist, and the centre of the table was empty, but down the sides were gold baskets heaped with pulpy summer fruits-figs, strawberries and big blushing nectarines. Between them stood crystal decanters with red and yellow wine, and little dishes full of sweets; and against the walls were sideboards with great pieces of gold and silver, ewers and urns and branching candelabra, which sprinkled the green marble walls with starlike reflections.

After a while he grew tired of watching the coming and going of white-sleeved footmen, and of listening to the butler's vociferated orders, and strayed back into the library. The habit of solitude had given him a passion for the printed page, and if he could have found a book anywhere—any kind of a book—he would have forgotten the long hours and the empty house. But the tables in the library held only massive unused inkstands and immense immaculate blotters; not a single volume had slipped its golden prison.

His loneliness had grown overwhelming, and he suddenly thought of Mrs. Heeny's clippings. His mother, alarmed by an insidious gain in weight, had brought the masseuse back from New York with her, and Mrs. Heeny, with her old black bag and waterproof, was established in one of the grand bedrooms lined with mirrors. She had been loud in her joy at seeing her little friend that morning, but four years had passed since their last parting, and her personality had grown remote to him. He saw too many people, and they too often disappeared and were replaced by others: his scattered affections had ended by concentrating themselves on the charming image of the gentleman he called his French father; and since his French father had vanished no one else seemed to matter much to him.

"Oh, well," Mrs. Heeny had said, discerning the reluctance under his civil greeting, "I guess you're as strange here as I am, and we're both pretty strange to each other. You just go and look round, and see what a lovely home your Ma's got to live in; and when you get tired of that, come up here to me and I'll give you a look at my clippings."

The word woke a train of dormant associations, and Paul saw himself seated on a dingy carpet, between two familiar taciturn old presences, while he rummaged in the depths of a bag stuffed with strips of newspaper.