"LET SOME ONE SPEAK!"

The hour of noon had just struck, and the few visitors still lingering among the curiosities of the great museum were suddenly startled by the sight of one of the attendants running down the broad, central staircase, loudly shouting:

"Close the doors! Let no one out! An accident has occurred, and nobody's to leave the building."

There was but one person near either of the doors, and as he chanced to be a man closely connected with the museum,—being, in fact, one of its most active directors,—he immediately turned about and in obedience to a gesture made by the attendant, ran up the marble steps, followed by some dozen others.

At the top they all turned, as by common consent, toward the left-hand gallery, where in the section marked II, a tableau greeted them which few of them will ever forget.

I say "tableau" because the few persons concerned in it stood as in a picture, absolutely motionless and silent as the dead. Sense, if not feeling, was benumbed in them all, as in another moment it was benumbed in the breasts of these new arrivals. Tragedy was there in its most terrible, its most pathetic, aspect. The pathos was given by the victim,—a young and pretty girl lying face upward on the tessellated floor with an arrow in her breast and death stamped unmistakably on every feature,—the terror by the look and attitude of the woman they saw kneeling over her—a remarkable woman, no longer young, but of a presence to hold the attention, even if the circumstances had been of a far less tragic nature. Her hand was on the arrow but she had made no movement to withdraw it, and her eyes, fixed upon space, showed depths of horror hardly to be explained even by the suddenness and startling character of the untoward fatality of which she had just been made the unhappy witness.

The director, whose name was Roberts, thought as he paused on the edge of the crowd that he had never seen a countenance upon which woe had stamped so deep a mark; and greatly moved by it, he was about to seek some explanation of a scene to which appearances gave so little clue, when the tall but stooping figure of the Curator entered, and he found himself relieved from a task whose seriousness he had no difficulty in measuring.

To those who knew William Jewett well, it was evident that he had been called from some task which still occupied his thoughts and for the moment somewhat bewildered his understanding. But as he was a conscientious man and quite capable of taking the lead when once roused to the exigencies of an occasion, Mr. Roberts felt a certain interest in watching the slow awakening of this self-absorbed man to the awful circumstances which in one instant had clouded the museum in an atmosphere of mysterious horror.

When the full realization came,—which was not till a way had been made for him to the side of the stricken woman crouching over the dead child,—the energy which transformed his countenance and gave character to his usually bent and inconspicuous figure was all if not more than the anxious director expected.

Finding that his attempts to meet the older woman's eye only prolonged the suspense, the Curator addressed her quietly, and in sympathetic tones inquired whose child this was and how so dreadful a thing had happened.

She did not answer. She did not even look his way. With a rapid glance into the faces about him, ending in one of deep compassion directed toward herself, he repeated his question.

IN ROOM B

Five minutes later the Curator was at the 'phone calling up Police Headquarters. A death had occurred at the museum. Would they send over a capable detective?

"What kind of death?" was the harsh reply. "We don't send detectives in cases of heart-failure or simple accident. Is it an accident?"

"No—no—hardly. It looks more like an insane woman's attack upon a harmless stranger. It's the oddest sort of an affair, and we feel very helpless. No common officer will do. We have one of that kind in the building. What we want is a man of brains; he will need them."

A muffled sound at the other end—then a different voice asking some half-dozen comprehensive questions—which, having been answered to the best of the Curator's ability, were followed by the welcome assurance that a man on whose experience he could rely would be at the museum doors within five minutes.

With an air of relief Mr. Jewett stepped again into the court, and repelling with hasty gestures the importunities of the small group of men and women who had lacked the courage to follow the more adventurous ones upstairs, crossed to where the door-man stood on guard over the main entrance.

"Locked?" he asked.

"Yes, sir. Such were the orders. Didn't you give them?"

"No, but I should have done so, had I known. No one's to go out, and no one's to come in but the detective whom I am expecting any moment."

They had not long to wait. Before their suspense had reached fever-point, a tap was heard on the great door. It was opened, and a young man stepped in.

"Coast clear?" he sang out with a humorous twist of his jaw as he noted the Curator's evident chagrin at his meager and unsatisfactory appearance. "Oh, I'm not your man," he added as his eye ran over the whole place with a look which seemed to take in every detail in an instant. "Mr. Gryce is in the automobile. Wait till I help him up."

He was gone before the Curator could utter a word, only to reappear in a few minutes with a man in his wake whom the former at first blush thought to be as much past the age where experience makes for efficiency as the other seemed to be short of it.

But this impression, if impression it were, was of short duration. No sooner had this physically weak but extremely wise old man entered upon the scene than his mental power became evident to every person there. Timorous hearts regained their composure, and the Curator—who in his ten years of service had never felt the burden of his position so acutely as in the last ten minutes—showed his relief by a volubility quite unnatural to him under ordinary conditions. As he conducted the detectives across the court, he talked not of the victim, as might reasonably be expected, but of the woman who had been found leaning over her with her hand on the arrow.

"We think her some escaped lunatic," he remarked. "Only a demented woman would act as she does. First she denied all knowledge of the girl. Then when she was made to see that the arrow sticking in the girl's breast had been taken from a quiver hanging within arm's reach on the wall and used as lances are used, she fell a-moaning and crying, and began to whisper in the poor child's senseless ear."

"A common woman? One of a low-down type?"

"Not at all. A lady, and an impressive one, at that. You seldom see her equal. That's what has upset us so. The crime and the criminal do not seem to fit."

The detective blinked. Then suddenly he seemed to grow an inch taller.

"Where is she now?" he asked.

"In Room B, away from the crowd. She is not alone. A young lady detained with the rest of the people here is keeping her company, to say nothing of an officer we have put on guard."

"And the victim?"

"Lies where she fell, in Section II on the upper floor. There was no call to move her. She was dead when we came upon the scene. She does not look to be more than sixteen years old."

"Let's go up. But wait—can we see that section from here?"

They were standing at the foot of the great staircase connecting the two floors. Above them, stretching away on either side, ran the two famous, highly ornamented galleries, with their row of long, low arches indicating the five compartments into which they were severally divided. Pointing to the second one on the southern side, the Curator replied:

"That's it—the one where you see the Apache relics hanging high on the rear wall. We shall have to shift those to some other place just as soon as we can recover from this horror. I don't want the finest spot in the whole museum made a Mecca for the morbid and the curious."

"I HAVE SOMETHING TO SHOW YOU"

Mr. Gryce took advantage of the momentary disturbance to slip from the room. He was followed by the Curator, who seemed more than ever anxious to talk.

"You see! Mad as a March hare!" was his hurried exclamation as the door closed behind them. "I declare I do not know which I pity more, her victim or herself. The one is freed from all her troubles; the other—Do you think we ought to have a doctor to look after her? Shall I telephone?"

"Not yet. We have much to learn before taking any decided steps." Then as he caught the look of amazement with which this unexpected suggestion of difficulties was met, he paused on his way to the stair-head to ask in a tentative way peculiarly his own: "Then you still think the girl died from a thrust given by this woman?"

"Of course. What else is there to think? You saw where the arrow came from. You saw that the only bow the place contained was hanging high and unstrung upon the wall, and you are witness to this woman's irresponsible condition of mind. The sight of those arrows well within her reach evidently aroused the homicidal mania often latent in one of her highly emotional nature; and when this fresh young girl came by, the natural result followed. I only hope I shall not be called upon to face the poor child's parents. What can I say to them? What can anybody say? Yet I do not see how we can be held responsible for so unprecedented an attack as this, do you?"

Mr. Gryce made no answer. He had turned his back toward the stair-head and was wondering if this easy explanation of a tragedy so peculiar as to have no prototype in all of the hundreds of cases he had been called upon to investigate in a long life of detective activity would satisfy all the other persons then in the building. It was his present business to find out—to search and probe among the dozen or two people he saw collected below, for the witness who had seen or had heard some slight thing as yet unrevealed which would throw a different light upon this matter. For his mind—or shall we say the almost unerring instinct of this ancient delver into human hearts?—would not accept without question this theory of sudden madness in one of Mrs. Taylor's appearance, strange and inexplicable as her conduct seemed. Though it was quite among the possibilities that she had struck the fatal blow and in the manner mentioned, it was equally clear to his mind that she had not done it in an access of frenzy. He knew a mad eye and he knew a despairing one. Fantastic as her story certainly was, he found himself more ready to believe it than to accept any explanation of this crime which ascribed its peculiar features to the irresponsibilities of lunacy.

However, he kept his impressions to himself and in his anxiety to pursue his inquiries among the people below, was on the point of descending thither, when he found his attention arrested, and that of the Curator's as well, by the sight of a young man hastening toward them through the northern gallery. (The tragedy, as you will remember, had occurred in the southern one.) He was dressed in the uniform of the museum, and moved so quickly and in such an evident flurry of spirits that the detective instinctively asked:

"Who's that? One of your own men?"

A STRATEGIC MOVE

He found the unhappy woman quite recovered from her fainting spell, but still greatly depressed and not a little incoherent. He set himself to work to soothe her, for he had a request to make which called for an intelligent answer. Relieved from all suspicion of her having been an active agent in the deplorable deed he was here to investigate, he was lavish in his promises of speedy release, and seeing how much this steadied her, he turned to Mr. Roberts, who was still in the room, and then to the young lady who had been giving her a woman's care, and signified that their attentions were no longer required and that he would be glad to have them join the people below.

When the door had closed and Mr. Gryce found himself for the first time alone with Mrs. Taylor, he drew up a chair to her side and remarked in his old benevolent way:

"I feel guilty of cruelty, madam, in repeating a question you have already answered. But the conditions are such that I must, and do it now. When this young lady fell so unexpectedly at your feet, was your first look at her or at the opposite gallery?"

For an instant her eyes held his—something which did not often happen to him.

"At her," she vehemently declared. "I never thought of looking anywhere else. I saw her at my feet, and fell on my knees at her side. Who wouldn't have done so! Who would have seen anything but that arrow—that arrow! Oh, it was terrible! Do not make me recall it. I have sorrows enough——"

"Mrs. Taylor, you have my utmost sympathy. But you must realize how important it is for me to make sure that you saw nothing in the place from which that arrow was sent which would help us to locate the author of this accident. The flitting of an escaping figure up or down the opposite gallery, even a stir in the great tapestry confronting you from that far-away wall, might give us a clue."

"I saw nothing," she replied coldly but with extreme firmness, "nothing but that lifeless child and the picture of desolation which rose in my own mind. Do not, I pray, make me speak again of that. It would sound like delirium, and it is my wish to impress you with my sanity, so that you will allow me to go home."

"You shall go, after the Coroner has had an opportunity to see you. We expect him any moment. Meanwhile, you will facilitate your release and greatly help us in what we have to do, if you will carry your fortitude to the point of showing me in your own person just where you were standing when this young girl dashed by you to her death."

"Do you mean for me to go back to that—that——"

"Yes, Mrs. Taylor. Surely you can do so if you will. When you have time to think, you will be as anxious as ourselves to know through whose carelessness (to call it nothing worse) this child came to her death. Though it may prove to be quite immaterial whether you stood in one place or another at that fatal moment, it is a question which will be sure to come up at the inquest. That you may be able to answer correctly I urge you to return with me to the exact spot, before your recollection of the same has had time to fade. After that we will go below and I will see that you are taken to some quiet place where you can remain undisturbed till the Coroner comes."

Had she been a weak woman she would have succumbed again at this. But she was a strong one, and after the first moment of recoil she rose tremulously to her feet and signified her willingness to follow him to the scene of death.

"Is—is she there alone?" was her sole question as they crossed the corridor separating the room they had been in from the galleries.

"No—you will find an officer there. We could not leave the place quite unguarded."

If she shuddered he did not observe it. Having summoned up all her forces to meet this ordeal, she followed him without further word, and re-entering the spot she had so lately left in great agony of mind, stopped for one look and for one look only at the sweet face of the dead girl smiling up at her from the cold floor, then she showed Mr. Gryce as nearly as she could just where she had paused in shock and horror when the poor child smitten by the fatal arrow fell back almost into her arms.

The detective, with a glance at the opposite gallery, turned and spoke to the officer who had stepped aside into the neighboring section.

"Take the place just occupied by this lady," he said, "and hold it till you hear from me again." Then offering his arm to Mrs. Taylor, he led her out.

"I see that you were approaching the railing overlooking the court when you were stopped in this fearful manner," he remarked when well down the gallery toward its lower exit. "What did you have in mind? A nearer glimpse of the tapestry over there and the two great vases?"

"No, no." She was wrought up by now to a tension almost unendurable. "It was the court—what I might see in the court. Oh!" she impulsively cried: "the child! the child! that innocent, beautiful child!" And breaking away from his arm, she threw herself against the wall in a burst of uncontrollable weeping.

He allowed her a moment of unrestrained grief, then he took her on his arm again and led her down into the court where he gave her into the charge of Correy. He had gone as far as he dared in her present hysterical condition. Besides, he could no longer defer the great experiment by means of which he hoped to reach the heart of this mystery.

Taking the slip of paper handed him by Sweetwater, he crossed the court to where the various visitors, detained, some against their will and some quite in accordance with it, stood about in groups or sat side by side on the long benches placed along the front for their comfort. As he confronted them, his face beamed with that benevolent smile which had done so much for him in days gone by. Raising his hand he called attention to himself; then, when he was quite sure of being heard by them all, he addressed them with a quiet emphasis which could not fail to gain and hold their attention:

"I am Detective Gryce, sent here from Police Headquarters to look into this very serious matter. Till the Coroner arrives, I am in authority here, and being so, will have to ask your indulgence for any discomfort you may experience in helping me with my investigation. A young girl, full of life an hour ago, lies dead in the gallery above. We do not know her name; we do not know who killed her. But there is some one here who does. The man or woman who, wittingly or unwittingly, launched that fatal shaft, is present with us in this building. This person has not spoken. If he will do so now, he will save us and himself, too, no end of trouble. Let him speak, then. I will give him five minutes in which to make this acknowledgment. Five minutes! If that man is wise—or can it be a woman?—he will not keep us waiting."

Silence. Heads moving, eyes peering, excitement visible in every face, but not a word from anybody. Mr. Gryce turned and pointed up at the clock. All looked—but still no word from man or woman.

One minute gone!

Two minutes!

Three!

The silence had become portentous. The movement, involuntary and simultaneous, which had run through the crowd at first had stopped. They were waiting—each and all—waiting with eyes on the minute-hand creeping forward over the dial toward which the detective's glance was still turned.

The fourth minute passed—then the fifth—and no one had spoken.

With a sigh Mr. Gryce wheeled himself back and faced the crowd again.

"You see," he quietly announced, "the case is serious. Twenty-two of you, and not one to speak the half-dozen words which would release the rest from their present embarrassing position! What remains for us to do under circumstances like these? My experience suggests but one course: to narrow down this inquiry to those—you will not find them many—who from their nearness to the place of tragedy or from some other cause equally pertinent may be looked upon as possible witnesses for the Coroner's jury. That this may be done speedily and surely, I am going to ask you, every one of you, to retake the exact place in the building which you were occupying when you heard the first alarm. I will begin with the Curator himself. Mr. Jewett, will you be so good as to return to the room, and if possible to the precise spot, you were occupying when you first learned what had occurred here?"

THREE WHERE TWO SHOULD BE

It was a good half-hour before Mr. Gryce again found himself in a position to pursue the line of investigation thus summarily interrupted. The condition of Mrs. Taylor, which had not been improved by delay, demanded attention, and it was with a sense of great relief that Mr. Gryce finally saw her put into a taxi. Her hurried examination by Coroner Price had elicited nothing new, and of all who had noticed her distraught air on leaving the building, there was not one, if we except the detective, but felt convinced that if she had not been of unsound mind previous to this accident, she certainly had become so since. He still held to his theory that her story, fantastic and out of character as it seemed, was true in all its essentials, and that it was the warning she believed herself to have received of her husband's death, rather than what had taken place under her eyes, which had caused her such extreme suffering and temporarily laid her reason low.

With the full approbation of the Coroner, to whom he had explained his idea, Mr. Gryce began the sifting process by which he hoped to discover the one witness he wanted.

THE MAN IN THE GALLERY

Beckoning to Sweetwater, Mr. Gryce pointed out this extra man and asked him if he recognized him as one of the twenty-two he had tabulated.

The answer was a vigorous no. "It's a new face to me. He must have dropped from the roof or come up through the flooring. He certainly wasn't anywhere about when I made out my list. He looks a trifle hipped, eh?"

"Troubled—decidedly troubled."

"You might go a little further and say done up."

"Good-looking, though. Appears to be of foreign birth."

"English, I should say, and just over."

"English, without a doubt. I'll go speak to him; you wait here, but watch out for the Coroner, and send him my way as soon as he's at leisure."

Then he reapproached the bench, and observing, with the keenness with which he observed everything without a direct look, that with each step he took the stranger's confusion increased, he decided to wait till after he had finished with the others, before he entered upon an inquiry which might prove not only lengthy but of the first importance.

He was soon very glad that he had done this. He got nothing from Mr. Simpson; but the questions put to Mr. Turnbull were more productive. Almost at the first word, this gentleman acknowledged that he had seen a movement in the great square of tapestry to which Mr. Gryce drew his attention. He did not know when, or just where he stood at the time, but he certainly had noticed it shake.

"Can you describe the movement?" asked the gratified detective.

"It swayed out——"

"As if blown by some wind?"

"No, more as if pushed forward by a steady hand."

"Good! And what then?"

"It settled back almost without a quiver."

"Instantly?"

"No, not instantly. A moment or two passed before it fell back into place."

"This was before the attendant Correy called out his alarm, of course?"

Yes, of course it was before; but how long before, he couldn't say. A minute—two minutes—five minutes—how could he tell! He had no watch in hand.

Mr. Gryce thought possibly he might assist the man's memory on this point but forbore to do so at the time. It was enough for his present purpose that the necessary link to the establishment of his theory had been found. No more doubt now that the bow lying in the niche of the doorway overhead had been the one made use of in this desperate tragedy; and the way thus cleared for him, he could confidently proceed in his search for the man who had flung it there. He believed him to be within his reach at that very moment, but his countenance gave no index to his thought as reapproaching the young man now sitting all alone on the bench, he halted before him and pleasantly inquired:

"Do I see you for the first time? I thought we had listed the name of every person in the building. How is it that we did not get yours?"

The tide of color which instantly flooded the young man's countenance astonished Mr. Gryce both by its warmth and fullness. If he were as thin-skinned as this betokened, one should experience but little difficulty in reaching the heart of his trouble.

With an air of quiet interest Mr. Gryce sat down by the young man's side. Would this display of friendliness have the effect of restoring some of his self-possession and giving him the confidence he evidently lacked? No, the red fled from his cheek, and a ghastly white took its place; but he showed no other change.

Meantime the detective studied his countenance. It was a good one, but just now so distorted by suffering that only such as were familiar with his every look could read his character from his present expression. Would a more direct question rouse him? Possibly. At all events, Mr. Gryce decided to make the experiment.

"Will you give me your name?" he asked, "—your name and residence?"

The man he addressed gave a quick start, pulled himself together and made an attempt to reply.

"My name is Travis. I am an Englishman just off the steamer from Southampton. My home is in the county of Hertfordshire. I have no residence here."

"Your hotel, then?"

Another flush—then quickly: "I have not yet chosen one."

This was too surprising for belief. A stranger in town without rooms or hotel accommodations, making use of the morning hours to visit a museum!

"You must be very much interested in art!" observed his inquisitor a little dryly.

Again that flush and again the quick-recurring pallor.

"I—I am interested in all things beautiful," he replied at last in broken tones.

"I see. May I ask where you were when that arrow flew which killed a young lady visitor? Not in this part of the court, I take it?"

Mr. Travis gave a quick shudder and that was all. The detective waited, but no other answer came.

"I am told that as she fell she uttered one cry. Did you hear it, Mr. Travis?"

"It wasn't a cry," was his quick reply. "It was something quite different, but dreadful, dreadful!"

Mr. Gryce's manner changed.

"Then you did hear it. You were near enough to distinguish between a scream and a gasp. Where were you, and why weren't you seen by my man when he went through the building?"

"I—I was kneeling out of sight—too shocked to move. But I grew tired of that and wanted to go; but on reaching the court, I found the doors closed. So I came here."

"Kneeling! Where were you kneeling?"

He made a quick gesture in the direction of the galleries.

"YOU THINK THAT OF ME!"

"We're certainly up against it this time," were the words with which Dr. Price led the detective down the gallery. "What sort of an opinion can a man form of a fellow like that? Is he fool or knave?"

Mr. Gryce showed no great alacrity in answering. When he did speak it was to say:

"We shall have to go into the matter a little more deeply before we can trust our judgment as to his complete sincerity. But if you want to know whether I believe him to have loosed the arrow which killed that innocent child, I am ready from present appearances to say yes. Who else was there to do it? He and he only was on the spot. But it was a chance action, without intention or wish to murder. No man, even if he were a fool, would choose such a place or such a means for murder."

"That's true; but how does it help to call it accident? Accident calls for a bow in hand, an arrow within reach, an impulse to try one's skill at a fancied target. Now the arrow—whatever may be said of the bow—was not within the reach of anyone standing in this gallery. The arrow came from the wall at the base of which this young woman died. It had to be brought from there here. That does not look like accident, but crime."

Yet as the Coroner uttered this acknowledgment, he realized as plainly as Mr. Gryce how many incongruous elements lay in the way of any such solution of the mystery. If they accepted the foreigner's account of himself,—which for some reason neither seemed ready to dispute,—into what a maze of improbabilities it at once led them! A stranger just off ship! The victim a mere schoolgirl! The weapon such an unusual one as to be outré beyond belief. Only a madman—But there! Travis had less the appearance of a lunatic than Mrs. Taylor. It must have been an accident as Gryce said; and yet—

If there is much virtue in an if, there is certainly a modicum of the same in a yet, and the Coroner, in full recognition of this stumbling-block, remarked with unusual dryness:

"I agree with you that some half-dozen questions are necessary before we wade deeper into this quagmire. Where shall we go to have it out?"

"The Curator will allow us to use his office. I will see that Mr. Travis joins us there."

"See that he comes before he has a chance to fall into one of his reveries."

But quickly as Mr. Gryce worked, he was not speedy enough to prevent the result mentioned. The man upon whose testimony so much hinged did not even lift his eyes when brought again into their presence.

The Coroner, in his determination to be satisfied on this point, made short work of rousing him from his abstraction. With a few leading questions he secured his attention and then without preamble or apology asked him with what purpose he had come to America and why he had been so anxious to visit the museum that he hastened directly to it from the steamer without making an effort to locate himself in some hotel.

The ease with which this apparently ingenuous stranger had managed to meet the opening queries of this rough-and-ready official was suddenly broken. He stammered and turned red and made so many abortive attempts to reply that the latter grew impatient and finally remarked:

"If the truth will incriminate you, you are quite justified in holding it back!"

"Incriminate me!" With the repetition of this alarming word, a change of the most marked character took place in young Travis' manner. "What does that mean?" he asked. "I am not sure that I understand your use of that word incriminate."

Dr. Price explained himself, to the seeming horror of the startled Englishman.

"You think that of me!" he cried, "of me, who——"

But here indignation made him speechless, till some feeling stronger than the one subduing him to silence forced him again into speech, and he supplemented in broken tones: "I am only a stranger to you and consequently am willing to pardon your misconception of my character and the principles by which I regulate my life. I have a horror of crime and all violence; besides, the young lady—she awakened my deepest admiration and reverence. I,"—again he stopped; again he burst forth,—"I would sooner have died myself than seen such angel graces laid low. Let my emotion be proof of what I say. It was a man of the hardest heart who killed her."

"It would seem so."

It was the Coroner who spoke. He was nonplussed; and Mr. Gryce no less so. Never had either of them been confronted by a blinder or more bewildering case. An incomprehensible crime and a suspect it was impossible to associate with a deed of blood! There must be some other explanation of the mournful circumstance they were considering. There had been twenty or more people in the building, but—and here was the rub—if the chart which they had drawn up was correct and the calculations which they had drawn from it were to be depended upon, this man was the only person who had been in this gallery when the arrow was shot.

With a side glance at Mr. Gryce, who seemed content to remain silent in the background, Dr. Price turned again to Mr. Travis.

"Your admiration of the young lady must have been as sudden as it was strong. Or possibly you had seen her before you hid behind the pedestal. Had you, Mr. Travis? She was a charming child; perhaps you had been attracted by her beauty before you even entered the galleries."

Instantly the man was another being.

BOOK II

MR. X

ON THE SEARCH

It was late in the afternoon. The Inspector's office had hummed for hours with messages and reports, and the lull which had finally come seemed grateful to him. With relaxed brow and a fresh cigar, he sat in quiet contemplation of the facts brought out by the afternoon's inquiries. He was on the point of dismissing even these from his mind, when the door opened and Gryce came in.

Instantly his responsibilities returned upon him in full force. He did not wait for the expected report, but questioned the detective at once.

"You have been to the hotel," he said, pointing out a chair into which the old man dropped with a sigh as eloquent of anxiety as of fatigue. "What more did you learn there?"

"Very little. No message has come; no persons called. For them and for us these two women, Madame Duclos and Miss Willetts, are still an unknown quantity. Their baggage, which arrived while I was there, supplied the only information I was able to obtain."

"Their baggage! But that should tell us everything."

"It may if you think best to go through it. It is not heavy—a trunk for each, besides the one they brought with them from the steamer. From the pasters to be seen on them, they have come from the Continental Hotel, Paris, by way of the Ritz, London. At this latter place their stay was short. This is proved by the fact that only the steamer-trunk is pasted with the Ritz label. And this trunk was the one I found in their room at the Universal. From it Miss Willetts had taken the dress she wore to the museum. Her other clothes—I mean those she wore on arriving—lay in disorder on the bed and chairs. I should say that they had been tossed about by a careless if not hasty hand, while the trunk——"

"Well?"

"Stood open on the floor."

"Stood open?"

"Yes, I went through it, of course."

"And found nothing?"

"Nothing to help us to-day. No letters—no cards. Some clothing—some little trifles (bought in Paris, by the way) and one little book."

"A name in it?"

"Yes—Angeline; and one line of writing from some poem, I judge. I put it back where I found it. When we know more, it may help us to find her friends."

"And is that all?"

"Almost, but not quite. The young girl had a bag too. It stood on a table——"

"Well?"

"Empty. Everything had been tumbled out—turned upside down and the contents scattered. I looked them carefully over. Nothing, positively nothing, but what you would be likely to find in any young girl's traveling-bag. There's but one conclusion to be drawn."

"And what is that?"

"That all these things, such as they were, had been pushed hastily about after being emptied out on the table. That was not the young girl's work."

"Madame Duclos'!"

"You've hit it. She was in search of some one thing she wanted, and she took the quickest way of finding it. And——"

"Yes, Gryce?"

"She was in a desperate hurry, or she wouldn't have left the trunk open or all those dainty things lying about. Frenchwomen are methodical and very careful of their belongings. One other thing I noted. There was a loose nail in the lock of the trunk. Sticking to this nail was a raveling of brown wool. Here it is, sir. The woman—Madame Duclos—wore a dress of brown serge. If my calculations are not wrong and we succeed in getting a glimpse of that dress, we shall find a tear in the skirt—and what is more, one very near the hem."

WHILE THE CITY SLEPT

Night—the night of a great city with its myriad of garish lights and its many curious and incongruous activities.

Who has not felt his imagination stirred by the contrasts thus offered—contrasts never more apparent than at these hours of supposed rest? Grim walls, with dimpled children sleeping behind them! Places of merrymaking athrob with music and dazzling with jets of incandescent light, with grief in the heart of the dancer and despair making raucous the enforced laugh!

But nowhere in the great city of which we write on this night of May 23, 1913, was there to be found a scene of greater contradictions than in the court and galleries of its famous museum.

Lighted as for a reception, the architectural beauties of its Moorish arcades and carven balustrades flashed in full splendor. Gems of antique art, casts in which genius had stored its soul and caused to live before us the story of the ancients, pillars from desert sands, friezes from the Parthenon and bas-reliefs from Nineveh and Heliopolis, filled every corner, commanding the eye to satisfy itself in forms of deathless grace or superhuman power. And no one to heed! Not an eye to note that the Venus in one corner seemed to smile in the soft light with more than its accustomed allurement, or that the armor in which kings had fought wore a menacing sparkle exceeding that of other times and quieter days. Ghosts of vanished ages might parade at will among the chattels of their time or drain the iridescent beaker to their unknown gods—no one would have noticed or turned aside to see. For there was something else within these walls to-night for the men assembled there to look upon, and a story to be read which shut the imagination upon the past by amply filling it with the present.

What is this something? Let us follow the gaze of the half-dozen persons grouped in front of the tapestry hanging in the northern gallery, and see.

But first, of whom is this small and mystic group composed? Who are these men who in the middle of the night, in the security of a completely shuttered building, busy themselves, not with the inestimable treasures surrounding them, but with an odd and seemingly mountebank adventure totally out of keeping with the place and their absorbed demeanor? We will name them:

Mr. Roberts and a second director seen here for the first time, Inspector Jackson, Mr. Gryce, two lesser detectives, and a strange young man of undoubted Indian extraction who kept much in the background and yet stood always at attention like one awaiting orders.

Are these all? Yes, in the one gallery; but in the other, shadowy figures are visible among the arches at one end, with whose identity we shall probably soon be made acquainted.

"AND HE STOOD HERE?"

The Inspector, finding himself very much disturbed by the doubt just mentioned, felt inclined to question whether any perceptible advancement had been made by this freak business of his canny subordinate. He was hardly ready to say yes, and was not a little surprised when on his way toward the head of the staircase he heard the exultant voice of Mr. Gryce whisper in his ear:

"That's all right. We've gained a point. We know now the exact place from which the arrow was shot."

"But not who shot it."

"No—except that it was not the man Travis."

"How can you be sure of that?"

"For two reasons. This is the first one: If it is difficult to understand how a man could slip from behind the eastern pedestal and make his way along the open gallery to Room H, without attracting the attention of the officer posted opposite, how next to impossible we should find it, if thirty feet were added to his course—which is the distance between the two pedestals!"

"What was that fellow doing, that he shouldn't have seen this effort at escape, whether it involved a short flight or a long one?"

FOOTSTEPS

WANTED—A WOMAN CALLING HERSELF ANTOINETTE Duclos, just arrived from Europe on the steamer Castania, who after taking rooms at the Universal for herself and her steamer companion, Angeline Willetts, left the hotel in great haste late in the afternoon of May twenty-third and has not been heard of since.

In person she is of medium height, but stocky for a Frenchwoman. Dark hair, black eyes, with an affection of the lid which causes the left one to droop. Her dress consisted of skirt and jacket of a soft shade of brown. Hat indistinguishable. She carried, on leaving the hotel, a dark brown leather bag of medium size, long and narrow in shape. Her only peculiarity, saving the one drooping eyelid, is a hesitating walk. This is particularly obvious when she attempts to hasten.

It is to be hoped that this person on hearing of Miss Willetts' death, will communicate at once with the clerk of the hotel.

If in two days this does not occur, a reward of five hundred dollars will be given to the man or woman who can give definite news of this Frenchwoman's whereabouts.

Police Headquarters, Mulberry St.

This notice, appended to such particulars of the tragedy as appeared in all the morning papers, roused the city—I may even say the country—to even greater wonder and excitement than had followed the first details given in the journals of the evening before.

Would anything come of it?

Morning passed; no news of Antoinette Duclos.

Afternoon: messages of all kinds leading to much work, but bringing no result.

Five o'clock: a missive from the directors of the museum to the effect that under the peculiar circumstances and the seeming absence of any friends of the deceased, they would be glad to furnish the means necessary to the proper care and burial of the young woman killed in such an unhappy manner within their walls.

A half-hour later, Gryce, for whose appearance the Inspector had been anxiously waiting, came in with his report. A chair was pushed up for him, for he was an old man and had had a sleepless night, as we know, besides two days of continued work. But he did not drop into it, as the Inspector expected, or give any other signs of exceptional fatigue; yet when he had seated himself and they were left alone, he did not hasten to speak, though he evidently had much to say, but remained quiet, holding counsel, as it were, in his old way, with some small object he had picked up from the desk before him.

"SPARE NOBODY! I SAY, SPARE NOBODY!"

On his way home Mr. Gryce stopped at the Calderon to inquire how Mrs. Taylor was doing, and what his prospects were for a limited interview with her.

He was told that no such interview could be considered for days—that she still lay in a stupor, with brief flashes of acute consciousness, during which she would scream "No! no!"—that brain fever was feared and that increased excitement might be fatal.

Another bar to progress! He had hoped to help her memory into supplying him with a fact which would greatly simplify a task whose anomalies secretly alarmed him. She had been in a fair state of mind before her nerve was attacked by the event which robbed the little Angeline of life and herself of reason, and if carefully approached, might possibly recall some of the impressions made upon her previous to that moment. If, for instance, she could describe even in a general way the appearance of any person she may have seen advancing in the direction of the northern gallery at the moment she herself turned to enter the southern one, what a stability it would give to his theory, and what certainty to his future procedure!

But he must wait for this, as he must wait for Angeline's story from Madame Duclos. Meantime, a word with Sweetwater—after which, rest.

It was Mr. Gryce's custom, especially when engaged upon a case of marked importance, to receive this, his recognized factotum, in his own home. No prying ears, no watchful eyes, were to be feared there. He was the absolute master of everything, even of Sweetwater, he sometimes thought. For this young fellow loved him—had reason to; and when Sweetwater played the violin, as he sometimes did after one of their long talks, the aged detective came as near happiness as he ever did, now that his little grandchild was married and had gone with her husband to the other side of the world.

"WRITE ME HIS NAME"

Refreshed by a good night's rest and quite ready to take up his task again, Mr. Gryce sat at the same table in the early morning, awaiting the expected message from Sweetwater. Meanwhile he studied, with a fuller attention than he had been able to give it the evening before, the memorandum which this young fellow had handed him of his day's work. A portion of this may be interesting to the reader. Against the list of people registered on his chart as present in the museum at the moment of tragedy, he had inscribed such details concerning them as he could gather in the short time allotted him.

I—Ephraim Short. A sturdy New Englander visiting New York for the first time. Has a big story to take back. Don't care much for broken marbles and pictures so dingy you cannot tell what you are looking at; but the sight of a lot of folks standing up like scarecrows in a field, here and there all over a great building, because something had happened to somebody, will make a story the children will listen to for years.

Address taken, and account of himself verified by telegraph.

II—Mrs. Lynch. Widow, with a small house in Jersey and money to support it. No children. Interested in church work. Honest and of reliable character. Only fault a physical one—extreme nervousness.

III—Mr. Carleton Roberts, director; active in his work, member of the Union League and an aspirant for the high office of U. S. Senator. Lives in bachelor apartment, 67 W. —— Street. A universally respected man of unquestioned integrity and decided importance. Close friend of Curator Jewett.

IV—Eben Clarke, door-man. Been long in the employ of museum. Considered entirely trustworthy. Home in decent quarter of West 80th Street. Wife and nine children, mostly grown. Never been abroad. Has no foreign correspondence.

V—Emma Sutton, an art enthusiast, gaining her living by copying old masters. Is at museum six days in the week. It was behind her easel Travis found a hiding-place in Room H.

VI—Mrs. Alice Lee, widowed sister of Edward Cronk Tailor, —— Sixth Ave. Lives with brother. Kindly in disposition, much liked and truthful to a fault. No acquaintance abroad.

VII-VIII—John and Mary Draper, husband and wife, living in East Orange, N. J. Decent, respectable folk with no foreign connections.

IX—Hetty Armstrong, young girl, none too bright but honest to the core. Impossible to connect her with this affair.

X—Charles Simpson, resident of Minneapolis. In town on business, stopping at Hotel St. Denis. Eager to return home, but willing to remain if requested to do so. Hates foreigners; thinks the United States the greatest country on earth.

XI—John Turnbull, college professor; one of the new type, alert, observant and extremely precise. Not apt to make a misstatement.

XII—James Hunter, door-man, a little old for his work, but straight as a string and methodical to a fault. No wife, no child. Bank account more than sufficient for his small wants.

XIII—Miss Charlotte Hunsicker, one of last season's débutantes. Given to tennis and all outdoor sports generally. Offhand but stanch. It was she who gave a woman's care to Mrs. Taylor when the latter fainted in Room B.

XIV—Museum attendant coming up from basement.

XV—Eliza Blake a school-teacher, convalescing after a long illness.

XVI—Officer Rudd.

XVII—Tommy Evans, boy scout. Did not lose his game. Went to the field after lunching on pie at a bakery.

A LOOP OF SILK

Sweetwater hesitated.

"I am very fond of the one of your own choosing," he smiled, "but if you insist——"

Mr. Gryce was already writing.

In another moment the two slips were passed in exchange across the table.

Instantly, a simultaneous exclamation left the lips of both.

Each read a name he was in no wise prepared to see. They had been following diverging lines instead of parallel ones; and it took some few minutes for them to adjust themselves to this new condition.

Then Mr. Gryce spoke:

"What led you into loading up Correy with an act which to accept as true would oblige us to deny every premise we have been at such pains to establish?"

"Because—and I hope you will pardon me, Mr. Gryce, since our conclusions are so different—I found it easier to attribute this deed of folly—or crime, if we can prove it such—to a man young in years than to one old enough to know better."

"Very good; that is undoubtedly an excellent reason."

As this was said with an accent we will for want of a better word call dry, Sweetwater, hardy as he was, flushed to his ears. But then any prick from Mr. Gryce went very deep with him.

NEWS FROM FRANCE

For the next three days the impatience of the public met with nothing but disappointment. The police were reticent,—more reticent far than usual,—and the papers, powerless to add to the facts already published, had little but conjectures to offer.

The hunt for Madame Duclos continued, joined in now by the general public. But for all the efforts made, aided by a careful search through her entire baggage, there was as little known concerning her as on the morning of her disappearance.

Nor did any better success follow the exhibition at the morgue of the poor little victim's innocent body. The mystery covering the whole affair seemed to be impenetrable, and the rush made on the museum upon its first reopening to the public was such as to lead to its being closed again till some limit could be put upon the attendance.

And thus matters stood when one morning the country was startled, and the keenest interest again aroused in this remarkable case, by an announcement received from France to the effect that the young lady so unfortunately killed in one of the public buildings in New York City was, from the description sent, not the ward of the woman Antoinette Duclos, but her own child, Angeline Duclos. That the two were well known in St. Pierre sur Loire, where they had lived for many years in the relationship mentioned. At the convent where she was educated, she had been registered under the name of Duclos—also at the hotel where she and her mother had spent a few days before leaving for England. Though of pure French descent, the father being a Breton, they could not furnish her birth-certificate, as she had not been born in France. According to the records to be seen at the convent, the father, Achille Duclos, was a professor of languages, whom her mother had met in England and married in France before going to the States. So far as known, their story was a simple one, affording no reason, so far as could be learned, for any change of name on the part of the young woman, in her visit to America.

This was supplemented by a word from Scotland Yard, England, received a few hours after the other, to the effect that Madame Duclos and Miss Willetts arrived at the Ritz from Dover, on the morning of May 16th, and left the next morning for Southampton. They spent the evening at the theater with friends who called for them in a public automobile. These people had not been found, but they had been advertised for and might yet show up. Nothing more could be learned of either of them.

Now here was an astonishing discovery! That two women known and recognized as mother and daughter in France should pass for unrelated companions on leaving that country to enter ours. What were we Americans to think of this, especially in the light of the tragic event which so soon terminated this companionship.

That the French records, imperfect as they were, were to be relied upon as stating the truth as to the exact nature of the connection between these two, there could be no doubt. But granting this, what fresh complexities were thus brought into an affair already teeming with incongruities—nay, absolute contradictions.

Madame Duclos' conduct, as shown toward her young charge, had seemed sufficiently strange and inconsistent when looked upon as that of governess or guardian. But for a mother, and a French mother at that, to allow a young and inexperienced girl to go alone to a strange museum on the very day of their arrival, and then, with or without knowledge of what had happened to her there, to efface herself by flight without promise of return, was inconceivable to anyone acquainted with the most ordinary of French conventions.

BOOK III

STORM IN THE MOUNTAINS

FRIENDS

A shaded walk, with a glimpse of sea beyond, embowering trees, a stretch of lawn on one side, and on the other the dormer windows of a fine old house half hidden by scaffolding, from which there came now and then the quick strokes of a workman's hammer.

It was half-past four, if the sharp little note of a cuckoo-clock, snapping out one, told the time correctly.

Two men are pacing this leafy retreat, both of whom we have seen before, but under circumstances so distracting that we took little note of their appearance, fine as it undoubtedly was in either case. However, we are more at leisure now, and will pause for an instant to give you some idea of these two prominent men, with one of whom our story will henceforth have very much to do.

One of them—the Curator of our famous museum—lacks comeliness of figure, though at moments he can be very impressive. We can therefore recognize him at a distance by means of a certain ungainliness of stride sometimes seen in a man wholly given over to intellectual pursuits. But when he turns and you get a glimpse of his face, you experience at once the scope of mind and charm of spirit which make his countenance a marked one in the metropolis. A little gray about the temples, a tendency—growing upon him, alas!—to raise his hand to his ear when called upon to listen, show that he has already passed the meridian of life; but in his quick glance, and clear and rapid speech, youth still lingers, making of him a companion delightful to many and admirable to all.

THE CUCKOO-CLOCK

As they made their way through scattered timber and the litter of fresh carpentry-work, the man who was busy there and who certainly had outstayed his time took up his kit and disappeared around the corner of the house. Neither noted him. The cuckoo-clock was chirping out its five small notes from the cheerful interior, and the Curator was remarking upon it.

"That's a merry sound both sweet and stimulating; and what is still better, I can hear it without effort. I believe I should like to have a clock of that kind."

"It goes where I go," muttered its strange owner with what seemed an involuntary emphasis. Then as the Curator turned upon him in some surprise, he added with studied indifference: "I brought it from Switzerland when I was younger than I am now—a silly memento, but I fancy it."

A commonplace explanation surely; why, then, did that same workman, who had stopped short after rounding the corner to pick up something which he as quickly threw down, turn a quick head and listen eagerly for what might be said next. Nothing came of it, for the veranda door was near and the two gentlemen had stepped in; but to one who knew Sweetwater, the smile with which he resumed his work had an element in it which, if seen, would have darkened still further the gloom in the troubled eye of the speaker.

Switzerland! He had said Switzerland.

It was not long after this that the Curator and his host left for New York.

The house was not quite ready for occupancy, but was in the process of being made so by the woman who had done duty as housekeeper for Mr. Roberts both before his marriage and since his wife's death. During the fifteen years which had intervened, she had been simply the cook.

This woman, Huldah Weston by name, did not accompany them. She was in Belport to stay, and as it behooves us to remain there for a while longer ourselves, we will join her in the quiet rest she is taking on the kitchen steps before shutting up the house for the night.

She is not alone. A young man is with her—one to whom she is giving temporary board and lodging in exchange for the protection of his presence and such slight help as he can afford her in the heavy task of distributing and arranging the furniture.

We know this man. It is the one we have just seen halting at the corner of the house, on quitting his work on the new veranda—Sweetwater.

He is a genial soul; she, though very old for the responsibilities she still insists upon carrying, enjoys a good laugh. Nor is she averse to the numberless little kindly attentions with which he shows his respect for her age if not a personal liking for herself. In short, they are almost friends, and she trusts him as she has never trusted any young man yet, save the boy she lost when she was still a comely widow.

Perhaps this is why, on this night when we find the two together, he ventures to turn the talk upon the man she had so devotedly served during the better part of her life.

He began with the cuckoo-clock. Where did it come from? How long had they had it? What a jolly little customer the wee bird was, darting out and darting in with his hurry-call to anyone who would listen! It made a fellow feel ashamed to dawdle at his work. It wouldn't do to let any mere bird get ahead of him—a wooden bird at that!

MRS. DAVIS' STRANGE LODGER

"If you will look carefully at this chart, and note where the various persons then in the museum were standing at the moment Correy shouted his alarm, you will see that of all upon whom suspicion can with any probability be attached there is but one who could have fulfilled the conditions of escape as just explained to you."

Stretching forth an impressive finger, Mr. Gryce pointed to a certain number on the chart outspread between him and the Chief Inspector.

He looked—saw the number "3" and glanced anxiously down at the name it prefigured.

"Roberts—the director! Impossible! Not to be considered for a moment. I'm afraid you're getting old, Gryce." And he looked about to be sure that the door was quite shut.

Mr. Gryce smiled, a little drearily perhaps, as he acknowledged this self-evident fact.

"You are right, Chief: I am getting old—but not so old as to venture upon so shocking an insinuation against a man of Mr. Roberts' repute and seeming honor, if I had not some very substantial proofs to offer in its support."

"No doubt, no doubt; but it won't do. I tell you, Gryce, it won't do. There cannot be any such far-fetched and ridiculous explanation to the crime you talk about. Why, he's next to being the Republican nominee for Senator. An attack upon him, especially of this monstrous character, would be looked upon as a clear case of political persecution. And such it would be, and nothing less; and it would be all to no purpose, I am sure. I hope you are alone in these conclusions—that you have not seen fit to share your ideas on this subject with any of the boys?"

"Only with Sweetwater, who did some of the work for me."

"And Joyce? How about him?"

"He had the same opportunities as myself, but we have not reached the point of mentioning names. I thought it best to consult with you first."

"Good! Then we'll drop it."

It was decisively said, but Gryce gave no signs of yielding.

"I'm afraid that's impossible," said he. Then with the dignity of long experience, he added with quiet impressiveness:

"I have, as you know, faced crime these many years in all its aspects. I have tracked the ignorant, almost imbecile, murderer of the slums, and laid my hand in arrest on the shoulder of so-called gentlemen hiding their criminal instincts under a show of culture and sometimes of wide education. Human nature is not so very different in high and low; and what may lead an irresponsible dago into unsheathing his knife against his fellow may work a like effect upon his high-bred brother if circumstances lend their aid to make discovery appear impossible.

"Mr. Roberts is the friend of many a good man who would swear to his integrity with a clear conscience. I would have sworn to it myself, a month ago, had I heard it questioned in the slightest manner; and I may live to swear to it again, notwithstanding the doubts which have been raised in my mind by certain strange discoveries which link him to this unhappy affair by what we are pleased to call circumstantial evidence. For, as I am obliged to acknowledge, the one great thing we rely upon, in accusations of this kind, is so far lacking in his case: I mean, the motive.

"I know of none—can, in fact, conceive of none—which would cause a gentleman of even life and ambitious projects to turn a deadly weapon upon an innocent child with whom he is not, so far as we can discover, even acquainted. Dementia only can account for such a freak, and to dementia we must ascribe this crime, if it is necessary for us to find cause before proceeding to lay our evidence before the District Attorney. All I propose to do at present is to show you my reasons for thinking that the arrow which slew Angeline Willetts—or, as we have been assured by unimpeachable authority, Angeline Duclos masquerading under the name of Angeline Willetts—was set to bow and loosed across the court by the gentleman we have just mentioned."

Here Mr. Gryce stopped for a look of encouragement from the severely silent man he was endeavoring to impress. But he did not get it. With a full sense of his years weighing upon him as never before, he sighed, but continued with little change of tone:

"In the first day or two of keen surprise following an event of so many complicated mysteries, I drew up in my own mind a list of questions which I felt should be properly answered before I would consider it my duty to submit to you a report to the disadvantage of any one suspect. This was Question One:

"'Whose was the hand to bring up into the museum gallery the bow recognized by Correy as the one which had been lying by for an indefinite length of time in the cellar?'

"Not till yesterday did I get any really definite answer to this. Correy would not talk; nor would the Curator; and I dared not press either of them beyond a certain point, for equally with yourself, I felt it most undesirable to allow anyone to suspect the nature of my theory or whom it especially involved.

MR. GRYCE AND THE TIMID CHILD

"Assurance does it, sir—a great deal of assurance. Not that I have much——"

Here Mr. Gryce laughed, with the result that Sweetwater laughed also. A moment of fun was a welcome relief, and they both made the most of it.

"Not that I lack it entirely," Sweetwater hastened to say. Then they laughed again—after which their talk proceeded on serious lines.

"Sweetwater, what is that you once told me about a family named Duclos?"

"Why, this, sir: There is one such family in town, as Peters discovered in looking up the name in the directory a day or two after Madame's disappearance. But there's nothing to be learned from them. Mr. and Mrs. Edward Duclos are a most respectable couple and have but one answer to every question. They know no one of their name outside their own family. Though the man of the house is Breton born, he has lived many years in this country, and in all that time has never met another Duclos."

"And Peters let it go at that?"

"Had to. What else could he do? However, he did make this admission—that there was a child in the room who betrayed a nervousness under his questions which was not observable in her elders, a girl of twelve or so who put her hands behind her when she found she could not control their twitching. And I've an idea that if he could have got this child by herself, he might have heard something quite different from the plain denial he got from the mother. I've always thought so; but I've had too many other things to do to make an effort in this direction.

"Now, if you approve, I'll see what I can do with this girl, for it stands to reason there must be some place in town where this woman, just off ship, found an immediate refuge and a change of clothing and effects. Nor should I be much surprised if we should discover that she is an inmate of this very house. What do you think, Mr. Gryce? Is it worth looking into?"

"It is worth my looking into. I have other work for you. Where does this Duclos family live?"

Sweetwater told him. It was in one of the Eighties, not a quarter of a mile from the Hotel Universal.

This settled, Mr. Gryce took from his pocket the mutilated photograph which had served as a target to the woman in Fifty-third Street.

"You see this," said he. "The face is all gone; only a sweep of the hair on one side, and a bit of collar and the tip of a shoulder on the other, remain to act as a clue. Yet I expect you to find the negative from which this photograph was printed. It should not be so difficult,—that is, if in the course of time it has not been destroyed,—for look here." And turning over what remained of the mutilated photograph he displayed the following:

"New York! The portrait was made here and—at Fredericks'. His studio was on the corner of Ninth Street up to a few years ago. It's a trail after my own mind. If that negative is in existence, I'll find it, if I have to ransack half the photograph-studios in town. About how old do you think this picture is?"

"Old enough to give you trouble. But that you're used to. What we want to know—what we must know—is this: The name of the man who has incurred Madame's enmity to such a degree that she spends the small hours of the night in knocking out his features from a fifteen-year-old photograph. If it should prove to be that of a public man, rich or otherwise, we might consistently lay it to social hatred; but if, on the contrary, it turns out to be that of a private individual—well, in that case, I shall have a task for you which may call for a little of that assurance of which we have just acknowledged you possess a limited share."

That evening, just at dusk, a taxicab which had been wandering up and down a well-kept block in Eighty-seventh Street stopped suddenly in front of a certain drug-store to let an old man out. He seemed very feeble and leaned heavily on his cane while crossing the sidewalk toward the store. But his face was kindly, and his whole aspect that of one who takes the ills of life without bitterness or complaint. When halfway to his goal,—for twenty steps are a journey to one who has to balance himself carefully with every one,—he slipped or stumbled, and his cane flew out of his hand. Happily—because he seemed unable to reach it himself—a young girl just emerging from the drug-store saw his plight and stooping for the stick, handed it to him. He received it with a smile, and while it was yet in both of their hands, said in the most matter-of-fact way in the world:

"Thank you, little Miss Duclos." Then suddenly: "Where's your aunt?"

She did not stop to think. She did not stop to ask herself what this question meant or whether this old gentleman who seemed to know so much about her and the family's secrets had a right to ask it, but blurted out in nervous haste as if she knew of nothing else to do, "She's gone," and then started to run away.

"Come back, little one." His tone was very imperative, but for all that of a nature to win upon a frightened child. "I know she's gone," he added soothingly as she looked back, hesitating. "And I'm sorry, for I have something for her. I recognized you the moment you stepped out of the store; but I see that you don't remember me. But why should you? Little girls don't remember old men."

Again that benevolent smile as he poked about in one of his pockets and finally drew out a little parcel which he held out toward her.

MR. GRYCE AND THE UNWARY WOMAN

Nevertheless Mr. Gryce was proud of the gain he had made in his talk with Mrs. Duclos, and he smiled as he thought of his next interview with Sweetwater. Assurance will often accomplish much, it is true, but it sometimes needs age to make it effective. He could not imagine either Mrs. Duclos or her daughter yielding to the blandishments of one even as gifted in this special direction as Sweetwater. Authority was needed as well—the authority of long experience and an ineradicable sympathy with human nature.

Thus he gratified himself with a few complacent thoughts. But when he stopped to think what a great haystack New York was, and how elusive was the needle which had escaped them now these three times, his spirits sank a trifle, and by the time he had ridden a half-block on his way back to Headquarters, he was at that low ebb of disheartenment from which only some happy inspiration can effectually lift one. He was glad to be able to report that he had learned a few important facts in regard to Madame Duclos, but he equally hated to admit that for all his haste in following up the clue given him, he knew as little as ever of her present whereabouts; and hated even worse to have to give the cue which would lead to a surveillance, however secret, over a house which held a child of so sensitive and tremulous a nature as that of the little friend who had picked up his stick in front of the drug-store.

He was recalling to mind the pathetic spectacle presented by her agitated little figure, when his eyes chanced to fall upon a small shop he was then passing. It was devoted to ladies' furnishings, and as he took in the contents of the window and such articles as could be seen on the shelves beyond, a happy thought came to him.

PERPLEXED

"Elvira Brown."

"Elvira Brown? That the name on the package?"

"Yes."

"And the address?"

The name of a small town in the Catskills was given him.

"Thank you. Very good work." And Mr. Gryce hung up the receiver. Then he stood thinking.

"Elvira Brown! A very fair alias—that is, the Brown end. But what am I to think of Elvira? And what am I to think of the Brown, now that I remember that the woman who has chosen to hide her identity under another name is a Frenchwoman. Something queer! Let me see if I can call up the station-master at the place she's gone."

A long-distance connection proving practicable, he found himself after a little while in communication with the man he wanted.

"I'm Gryce, of the New York police. A woman in whom we're greatly interested has just entered your town under the name of Elvira Brown."

"Elvira Brown!"

Mr. Gryce was startled at the tone in which this was repeated, even making due allowance for the medium through which it came.

"Yes. What's there strange about that?"

"Only this: That's the name of a woman who has lived in these mountains for forty years, and who died here three days ago. To-day we're going to bury her."

This was a blow to the detective's expectations. What awful mistake had he made? Or had it been made by the man detailed to steal the name from the package—or by the woman in the shop, or by all these combined? He could not stop to ask; but he caught at the first loose end which presented itself.

"Well, it isn't she we're after, that's certain. The one we want is middle-aged, and plain in looks and dress. If she came into your town, it was yesterday or possibly the night before. You wouldn't be apt to notice her, unless your attention was caught by her lameness. Do you remember any such person?"

"No, and I don't think anyone like that passed through my station. We're off the main road, and our travelers are few. I would have noticed the arrival of a woman like that."

HE REMEMBERS

Just an ordinary woman, lost in a dream of some kind while awaiting her departure on an out-going train!—or such was Detective Gryce's conclusion as he hobbled slowly past her.

Why should he give her a moment's thought? Yet he did. He noticed her dress and the way she held her hands, and the fact, not suspected before, that she was not looking out at the landscape outspread before her eyes, but down into her lap at her own hands clasped together in an unnaturally tight grip. Then he straightway forgot her in the thought of that other woman whose track he was following with such poor promise of success. Madame Duclos' image was in his mind as plainly as if she sat before him in place of this chance passenger. He knew the sort of hat she would wear (or thought he did). He also knew the color of her dress. Had he not been shown the piece of goods from which it had been taken? And had he not understood her choice, bizarre as it was, and for this very reason, that it was bizarre? Being a woman of subtle mind, she would reason that since the police were seeking one of plain exterior and simple dress, a gaudy frock would throw them off their guard and insure her immunity from any close inspection. Therefore this striped material rather than the plain black she so much preferred. Then her eyes! She would try to hide the defect which particularized them, by the use of glasses or, at least, by a very heavy veil. While her walk—well! she might successfully conceal her halting step if she were not hurried. But he promised himself that he would be very careful to see that any woman rousing his suspicion should be given some reason for hurrying.

While thus musing, he had reached the farther end of the piazza. In wheeling about to come back, the woman whose profile he now faced attracted his eye again, in spite of himself, and he gave her another idle thought. How absorbing was the subject upon which she was brooding, and how deeply it affected her!

It struck him as he quietly repassed her that he had never seen a sadder face. Then that impression passed from his mind, for he saw Perry coming toward him with a pencil and telegram-blank in hand. He had decided to let Sweetwater know where he could be reached that night, and Perry had come for the message.

It must have been fully two hours later that Mr. Gryce, sitting down in his former chair, looked up and found his view unobstructed to the river. The woman had gone.

Just for the sake of saying something to Perry, who had drawn up beside him, he remarked upon the fact, adding in explanation of his interest in so small a matter:

"It's the thoughts and feelings of people which take hold of my curiosity now. Human nature is a big book, a great book. I have only begun to thumb it, and I'm an old man. Some people betray their emotions in one way, some in another. Some are loudest when most troubled, and some are so quiet one would think them dead. The woman I was watching there was one of the quiet ones; her trouble was deep; that was apparent from her outline—an outline which never varied."

"Yes, she's a queer duck. I saw her: I even did an errand for her—that was before you sat down here."

GIRLS, GIRLS! NOTHING BUT GIRLS!

The superintendent was puzzled and showed it. He listened to Mr. Gryce with a shrug, saying that so many women had been taken on that day, that he really couldn't remember whether any one of them answered to the given description.

"There's the time-keeper's book. Look it over. All the names are there," he said.

Mr. Gryce did as he advised, but of course without finding there the name of Antoinette Duclos or of anyone else of whom he had ever heard.

The next thing was for him to go through the factory itself and see if he could pick her out from those already at work. This he was greatly averse to doing; it would be too long and painful an effort for him, and he could not trust Perry with any such piece of nice discrimination. How he missed Sweetwater! How tempted he was to send for him! It was finally decided that when the hour came for the departure of the whole dayshift, he should take his stand where he could mark each employee as she filed out.

A sorry attempt followed by as sorry a failure! He did not see one among them who was over twenty-five years of age. But this did not mean the end of all hope. There was the nightshift. Might she not be put on that? A different man had charge at night. He would wait for this man's appearance, present his cause to him and see what could be done.

Not much, he found, when the night superintendent finally entered the office and he had the chance of introducing himself. Newer to authority than the superintendent of the dayshift, he was also of a more active temperament and much more self-assertive. He was not impressed by the detective's years or even by his errand. It was a busy night, a very busy night—new hands in every department. To take him through the building at present was quite out of the question. Perhaps later it might be done; but not now, not now.

With that the night superintendent bustled out. This was not very encouraging, but Mr. Gryce did not despair. He had seen with what ease he could look from the broad, rear window near which he stood, into the rooms where rows upon rows of girls were already at work. Only a narrow court divided him from these girls, and as the three stories of which the factory was composed were all brilliantly lighted, he should have little difficulty in picking out from among them the middle-aged woman who held in her closed and mysterious hand the key to that formidable affair threatening the honor of one of New York's most prominent men.

Before doing this, Mr. Gryce stopped to locate himself and recall if possible the entire plan of the building. He was in what was called the outer office. The inner one, used only by the president of the concern, opened on his left. There was no one in the latter room at present, the president seldom showing up at night. Another door led to the platform outside, and a third one, located in the middle of the right-hand partition, to a large vestibule or locker-room belonging exclusively to the girls, which in its turn communicated with the work-rooms of the factory running in unbroken continuity around a narrow central court.

He had been through this locker-room in the late afternoon. It was here he had stood to watch the girls file out at the close of their day's work. The exit for all employees was in one of the corners and out of this Antoinette Duclos would have to pass when it came her turn to leave the building—that is, if she were really in it, as he had every reason to believe.

However, certainty on this point would relieve him from much of his present impatience, and with this end in view he prepared to enter the room again in the hope of spying among the various hats with which the walls were hung the one with whose shape and trimming he was so well acquainted.

But promising as this attempt looked, it was destined to immediate failure. The room was not empty. He could hear girls whispering not a dozen steps away, and anxious as he always was not to attract any unnecessary attention to himself, he turned his back upon this door and returned to the window from the broad view of which he anticipated so much.

FLIGHT

In leaving the building Mr. Gryce almost ran into the arms of Perry. In his anxiety to be within call, the young detective had seated himself on the steps outside and now stood ready for any emergency.

Mr. Gryce's spirits rose as he saw him there. The great door leading to the elevator opened not twenty feet to the left of him. Perhaps Perry had seen the woman and could tell which way she ran. Questions followed, rapid and to the purpose. Perry had seen a woman flash by. But she seemed to be in company with a man. He had not been able to see either clearly.

"Which way were they heading?" asked Mr. Gryce.

Perry told him.

It would look as though they were making for the station. Alarmed at the idea, Mr. Gryce stepped down into the road and endeavored to pierce the darkness in that direction. All he could see were the station lights. Everything else was in shadow. The night hung over all, and had it not been for the grinding of machinery in their rear, the silence would have been just as marked.

"Perry, is the way rough between here and the station—I mean, rough for me?"

"Not very, if you keep in the road."

"Run ahead, then, and learn how soon the next train is due—any train, going north or going south—I don't care which. If it is soon, look for a middle-aged woman in a striped dress, and if you can't prevent her getting on, without a fracas, follow her yourself and never quit her—telegraphing me at the first opportunity. Run."

Perry gave a leap and was soon swallowed up in the darkness which was intense as soon as he had passed beyond the glare from the factory. Mr. Gryce followed after, moving as quickly as he dared. It was not far to the station platform, but in his anxiety it seemed a mile; nor did he breathe with ease till he saw a flying shadow come between him and the station lights and knew that Perry had reached the platform.

It was just at the hour when the fewest trains pass, and Mr. Gryce was himself across the tracks and on the platform before a far-off whistle warned him that one was approaching. Looking hastily around, he saw Perry hurrying up behind him.

"No one," said he. "No such person around."

They waited. The train came in, stopped, took on two unimportant passengers and rushed away north.

TERROR

A woman fleeing from publicity as one flies from death—a refined woman, too, whose life had hitherto been passed in the open!

When Antoinette Duclos, after a night and morning of unprecedented fatigue and extraordinary fears, with little to upbear her in the way of food, stepped from the train which brought a few local passengers into the quiet village of Rexam, she hardly would have been recognized by her best friend, such marks may a few hours leave upon one battling with untoward Fate in one supreme effort.

She seemed to realize this, for meeting more than one eye fixed inquiringly upon her she drew down the veil wound about a sort of cap she wore till it concealed not only her features but her throat which a restless pulse had tightened almost to the exclusion of her breath. Ready to drop, she yet made use of the little energy left her, to approach with faltering steps a lumbering old vehicle waiting in the dust and smoke for such passengers as might wish to be taken up Long Hill.

There was no driver in sight, but she did not hesitate to take her seat inside. There was extra business at the station, for this was the first train to come in for two days; and if anyone noticed her in the shadowy recesses of the cumbrous old coach, nobody approached her; nor was she in any way disturbed. When the driver did show himself, she was almost asleep, but she woke up quickly enough when his good-natured face peered in at her and she heard him ask where she wanted to go and whether she had any baggage.

"I want to go up Long Hill and be set down at the first cross-road," she said. "My baggage is here." And she pointed to the space at her feet. But that space was empty; she had no baggage. She had dropped both bag and umbrella at the side of the road after one of her long climbs under a fitful moon and had not so much as thought of them since.

Now she remembered and flushed as she met the eyes of the man looking in at her with his hand on his whiskers, smoothing them thoughtfully down but saying nothing, though his countenance and expression showed him to be one of the loquacious sort. If any smiles remained to her from the old days, now was the time for one; but before she could twist her dry lips into any such attempt, he had uttered a cheerful "All right" and turned away to clamber up into his seat.

The relief was great, and she settled back, rejoicing in the fact that they would soon be moving and that she was likely to be the sole passenger. But she soon came to rue this fact, for the driver wanted to talk and even made many abortive attempts that way. But she could not fall in with his mood, and seeing this, he soon withheld all remarks and bent his full energies to the task of urging his horses up the interminable incline.

Houses, at which she scarcely looked, disappeared gradually from view, and groups of spreading trees and patches of upland took their places, deepening into the forest as they advanced. When halfway up, the farther mountains, which had hitherto been hidden by nearer hills, burst into view. Behind them the sun was setting, and the scene was glorious. If she saw it at all, she gave no sign of pleasure or even of admiration. Her head, which she had held straight up for the first quarter of a mile, sank lower and lower as they clambered on; yet she gave no signs of drowsiness—only of a mortal weariness which seemed to attack the very springs of life. The pomp and pageantry of the heavens, burning with all the pigments of the rainbow, failed to appeal to a soul shut within dungeon bars. Rocks and mighty gorges darkling to the eye and stirring to the imagination held no story for her; she looked neither to the right nor to the left while the beauty lasted, much less when the last gleam had faded from the mountain tops and a troop of leaden clouds, coming up from the east, added their shadows to those of premature night.

The driver, who had been eying these clouds for some little time, felt that he ought to speak if she did not. Pulling up his horses as though to give them a breathing spell, he remarked over his shoulder with a strain of anxiety in his voice:

"I hope your friends live near the top of the hill, missus. A storm is coming up, and it's getting very dark. Will you have to walk far?"

"No, no," she assured him with a quick glance up and around her. "A little way, a very little way!" Then she became quiet and absorbed again.

"I've got to go on," he broke in again as the top of the hill came in sight. "I've a passenger for the eight-fifty train waiting for me more than a mile along the road. I shall have to leave you after I set you down."

"That's right; I expect that. I can take care of myself—don't worry. Not but what you're very kind," she added after a moment, in her cultured voice, with just enough trace of accent to make it linger sweetly in the ear.

"Then here we are," he called back a moment later, jerking his horses to a standstill and jumping down into the road. "Goin' east or goin' west?" he asked as he took another glance at her frail and poorly protected figure.

"This way," she answered, pointing east.

He stopped and stared at her.

THE FACE IN THE WINDOW

"Is this the place?"

"According to our instructions, yes. The first house after the first turn to the right. We took the first turn, and this is the first house. Romantic situation, eh? But a bit lonesome for a city chap? Shall I help you down?"

While talking, Sweetwater, who was already in the road, held up his elbow to Mr. Gryce, who slowly descended. It was early morning, and the glory of sunshine was everywhere misleading the eye from the ravages of the night before; yet neither of these two men wore an air in keeping with the freshness of renewed life and the joyous aspect of exultant nature. There seemed to be an oppression upon them both—a hesitation not common to either, and to all appearance without cause.

To end what he probably considered a weakness, Sweetwater approached the door staring somewhat blankly from the flat front of the primitive old house whose privacy they were about to invade, and rapped on its weather-beaten panels, first gently and then with quick insistence.

There was no response from within; no sound of movement; no token that he had been so much as heard. Sweetwater turned and consulted his companion before making another attempt.

"It's early. Perhaps she's not up yet," rejoined the old detective as he painfully advanced. The storm of the preceding night had got into his bones.

"I don't know. There's something uncanny about this silence. She ought to be here; but I'm afraid she isn't." Sweetwater rapped again, this time with decided vehemence.

Suddenly in one of the uncurtained windows a face appeared. They saw it, and both drew a deep breath. The eyes were looking their way, but they were like ghost's eyes. Without sight or speculation in them, they simply looked; then the face slowly withdrew, growing ghastlier every minute, and the window stared on, but the woman was gone. Yet the door did not open.

BOOK IV

NEMESIS

FROM LIPS LONG SILENT

"This finishes my usefulness as a detective. I have had my fill of horrors; all, in fact, that my old age can stand."

Thus, Mr. Gryce, as hours afterward he and Sweetwater turned their faces back toward New York.

"I appreciate your feelings," responded the latter, who had been strangely silent all day, speaking only when directly addressed. "I can assure you that in my way I'm as much cut up as you are. I wish now that I had made an attempt from the rear to head off this distracted woman, even if I had been obliged to scratch my hands to pieces tearing a board from the fence."

"It would have done no good. She was determined to die rather than give up her secret. I remember the look with which her sister-in-law warned me that she would never survive a capture. But I thought that mere exaggeration."

Then after a moment of conscious silence on the part of both, the weary old man added with bitter emphasis, "Her testimony might—I do not say would—have cleared away our suspicions of Director Roberts."

"ROMANTIC! TOO ROMANTIC!"

Next morning Mr. Gryce left his home an hour earlier than usual. He wished to have a talk with Mrs. Taylor's nurse before encountering the Inspector.

It was an inconvenient time for a nurse to leave the sick-bed; but the matter being so important, she was prevailed upon to give him a few moments, in the little reception room where he had seated himself. The result was meagre—that is, from her standpoint. All she had to add to what she had written him the day before was the fact that the two lines of verse quoted in the note she had sent him were Mrs. Taylor's first coherent utterance, and that they had been spoken not only once but many times, in every kind of tone, and with ever-varying emphasis. That and a dreamy request for "The papers! the papers!" which had followed some action of her own this very morning comprised all she had to give in fulfillment of the promise she had made him at the beginning of this illness.

Mr. Gryce believed her and rose reluctantly to his feet.

"Then she is still very ill?"

"Very ill, but mending daily; or so the doctor says."

"If she talks again, as she is liable to do at any moment, do not check her, but remember every word. The importance of this I cannot impress upon you too fully. But do not by any show of curiosity endanger her recovery. She seems to be one of the very best sort; I would not have her body or mind sacrificed on any account."

"You may trust me, sir."

He nodded, giving her his hand.

But as he was turning away, he looked back with the quiet remark: "I should like to ask a final question. You have been in constant attendance on this lady for some time and must have seen many of her friends, as well as taken charge of her mail and of any messages which may have been left for her. Has there been anything in this experience to settle the doubt as to whether her talk of a vision in which she saw her absent husband stricken simultaneously with the poor child lying at that very moment dead at her feet simply delirium or a striking instance of telepathy recording an accomplished fact? In other words, do you believe her husband to be living or not living at the present time?"

"That is a subject upon which I have not been able to form any opinion. I have heard nothing, seen nothing to influence my mind either way. Some other people have asked me this same question. If her mail contains any news, it is still in the hands of the proprietor of the hotel. He has refrained from sending it up. She has lived here, as you know, for a long while."

"Has she no relative to share your watch or take such things in charge?"

"I have seen none. Friends she has in plenty, but no one who claims relationship with her, or who raises the least objection to anything I do."

He seemed about to ask another question, but refrained and allowed her to depart after some final injunction as to what she should do in case of certain emergencies. Then he had a talk with the proprietor, which added little or nothing to his present knowledge; and these duties off his mind, he went downtown.

As he expected, he found the Chief Inspector awaiting him. The death of Madame Duclos had added still another serious complication to the many with which this difficult affair was already encumbered, and he was anxious to talk over the matter with one who had been on the spot and upon whose impressions he consequently could rely.

But when he heard all that Mr. Gryce had to say on the subject, he grew as serious as the detective himself could wish, even going so far as to propose an immediate ride over to the District Attorney's office.

Fortunately, they found that gentleman in and ready to listen, though it was evident he expected little from the conference. But his temper changed as Mr. Gryce opened up his theory and began to substantiate it with facts. The looks which he exchanged with the Chief Inspector grew more and more earnest and inquiring, and when Mr. Gryce reached that portion of his report which connected Mr. Roberts so indisputably with the arrow, he called in his assistant and together they listened to what Mr. Gryce had further to say.

With this addition to his audience, the old man's manner changed and became a trifle more formal. He related the fact, not generally known, of Mr. Roberts' engagement to a young girl residing on Long Island, and how this was broken off immediately after the occurrence at the museum, seemingly from no other reason than the unhappy condition of mind in which he found himself, a condition added to if not explained by the pertinacity with which he had haunted the morgue and dwelt upon the image of the young girl who had perished under no random shot.

Here the old man paused, shrinking as much from what he had yet to say as they from the hearing of it. It was not till the Chief Inspector had made him an encouraging gesture that he found the requisite courage to proceed. He did so, in these words:

"I know that the evidence I have thus far advanced is of a purely circumstantial nature, capable, perhaps, of a more or less satisfactory explanation. But what I have to add cannot be so easily disposed of. Connections have developed between persons we thought strangers which have opened up a field of inquiry which brings the doubts and surmises of an old detective within the scope of this office. I do not know what to make of them; perhaps their full meaning can only be found out here. Of this only I am assured. The gentleman whom it seems presumptuous on my part to connect even in a casual way with crime has not gained but lost by what I have to tell of Madame Duclos' suicidal death. To those who see no association between the two, it looks like the opening of a new lead, but when I tell you that they knew each other, or at all events that she knew him and in the way of actual hatred, it looks more like a deepening of the old one. See here, gentlemen."

Opening a package he had hitherto held in hand, he showed them Fredericks' fifteen-year-old photograph of Mr. Roberts, together with its mutilated counterpart, and explained how the latter came to be in its present mutilated condition.

"But this is not all," he continued, as the remarks incident upon this proof of deadly hatred on the part of the mother of the victim for the man whom circumstances seemed to point out as her slayer subsided under the pressure of their interest in what he had further to impart. "As you will see after a moment's consideration, this token of animosity does not explain Madame Duclos' flight, and certainly not her death, which, as the unhappy witness of it, I am ready to declare was not the death of one driven to extremity from personal fear, but by some exalted feeling which we have yet to understand. All that I now wish to point out in its connection is the proof offered by this shattered photograph, that Mr. Roberts was in some manner and from some cause a party to this crime from which a superficial observation would completely dissociate him.

A STRONG MAN

An hour later when the Chief Inspector rose to depart, it was with the understanding that until their way cleared and their duty in this matter had become inevitable, no word of this business should reach the press, or even pass beyond the three officials interested.

Strange to say, they were able to keep this compact, and days elapsed without any public recognition of the new factor which had entered into the consideration of this complicated crime.

Then a hint of what was seething in the official mind was allowed to carry its own shock to the person most interested. Mr. Roberts was summoned to an interview with Coroner Price. No reason was given for this act, but the time was set with an exactness which gave importance to a request which they all felt the director would not venture to disregard.

Nor did he. He came at the time appointed, and Coroner Price in welcoming him with becoming deference could not but notice the great change which had taken place in him since that night they stood together in the museum and saw the Indian make the trial with bow and arrow which located the point of delivery as that of the upper pedestal. In just what this change lay, the Coroner hardly knew, unless it was in the increased grayness of his hair. Mr. Roberts' face, handsome as it was, was not an expressive one. Slight emotions made no impression there; nor did he to-day present anything but a calm and dignified appearance. Yet he was changed; and anyone who had not seen him since that night must certainly observe it.

The Coroner, who was also a man of a somewhat stolid cut, proffered him a seat and at once opened fire.

"You will pardon me any inconvenience I may have put you to, Mr. Roberts, when I tell you that Coroner D—— of Greene County, is anxious to have a few words with you. He would have visited you at your home; but I induced him to see you here."

"Coroner D—— of Greene County!" Mr. Roberts was entirely surprised. "And what business can he have with me?"

"It is in regard to the suicide of Madame Antoinette Duclos, committed, as you know, a week since in the Catskills."

"Ah! an extraordinarily sad affair, and of considerable moment I should judge, from its seeming connection with the one previously occurring at our museum. The girls' mother, was she not? Grief evidently unseated her brain. But—" here he changed his position quietly but with evident effort:—"in what manner am I supposed to be in a position to help the Coroner in his inquiry into this case? I was a witness, together with many others, of what happened after the accident which took place at the museum; but I know nothing of Madame Duclos or of her self-inflicted death, beyond what has appeared in the papers."

THE CREEPING SHADOW

Mrs. Taylor suffered a relapse, and the inquest which had been held back in anticipation of her recovery was again delayed. This led to a like postponement of an inquiry into the death of Madame Duclos; and a consequent let-up in public interest which thus found itself, for the nonce, deprived of further food on which to batten.

Meanwhile, Mr. Gryce was not idle. Anxious to determine just how and where Madame Duclos' story fitted into the deeper and broader one of the museum crime, he made use of his fast waning strength to probe its mysteries and master such of its details as bore upon the serious investigation to which he was so unhappily committed. When he had done this,—when he had penetrated, as it were, into the very heart of the matter to the elimination of all doubt and the full establishment of his own theory, it was felt that the time had come for some sort of positive action on the part of those interested in the cause of justice.

CONFRONTED

Late in the afternoon of the following day, the expected car entered Mr. Roberts' spacious grounds. It contained, besides the chauffeur, just two persons, the District Attorney and the Chief Inspector. But it was followed by another in which could be seen Mr. Gryce and a stenographer from the District Attorney's office.

The house was finished by this time, and to one approaching through the driveway presented a very attractive appearance. As the last turn was made, the sea burst upon the view—a somewhat tumultuous sea, for the wind was keen that day and whipped the waves into foam and froth from the horizon to the immediate shore-line. To add to the scene, a low black cloud with coppery edges hovered at the meeting of sea and sky, between which and themselves one taut sail could be seen trailing its boom in the water.

To one of them—to Mr. Gryce, in fact, upon whose age Fancy had begun to work, this battling craft presented an ominous appearance. It was doomed. The gale was too much for it. Did he see in this obvious fact a prophecy of what lay before the man upon whose privacy they were on the point of intruding?

The house was so arranged that to reach the main entrance it was necessary to pass a certain window. As they did so, the figure of Mr. Roberts could be seen in the room beyond moving about in an interested survey of its new furnishings and present comfortable arrangement. To these men bent on an errand as far as possible removed from interests of this kind, this evidence of Mr. Roberts' pleasure in the promise of future domesticity gave a painful shock, and raised in the minds of more than one of them a doubt—perhaps the first in days—whether a man so heavily weighted with a burden of unacknowledged guilt could show this pleasurable absorption in his new surroundings.

However, when they came to see him nearer, and marked the stiffening of his body and the slight toss-up of his head, as he noted the number and the exact character of his guests, their spirits fell again, for he was certainly a broken man, however much he might seek to disguise it. Yet there was something in this extraordinary man's personality—a force or a charm wholly dissociated it may be from worth or the sterling qualities which insure respect—which appealed to them in spite of their new-found prejudice, and prevented any dallying with his suspense or the use of any of the common methods usually employed in an encounter of this kind.

The Chief Inspector to whom the first say had been given faced the director squarely, as he saw how the hand which had just welcomed the District Attorney fell at his approach.

"You are surprised, Mr. Roberts, and rightly, to see me here not only in connection with the Prosecuting Attorney of the City of New York, but with a member of my own force. This, you will say, is no political delegation such as you have been led to expect. Nor is it, Mr. Roberts. But let us hope you will pardon this subterfuge when you learn that it was resorted to for the sole purpose of sparing you all unnecessary unpleasantness in an interview which can no longer be avoided or delayed."

"Let us sit."

It was his only answer.

When they had all complied, the District Attorney took the lead by saying:

"I am disposed to omit all preliminaries, Mr. Roberts. We have but one object in this visit and that is to clear up to your satisfaction, as well as to our own, certain difficulties of an unexpected nature which have met us in our investigation into the crime in which you, as a director of the museum in which it occurred, and ourselves as protectors of the public peace, are all vitally concerned."

"Granted," came in the most courteous manner from their involuntary host. "Yet I fail to understand why so many are needed for a purpose so laudable."

"Perhaps this will no longer surprise you, if you will allow me to draw your attention to this chart," was the answer made to this by the District Attorney.

Here he took from a portfolio which he carried a square of paper which he proceeded to lay out on a table standing conveniently near.

Mr. Roberts threw a glance at it and straightened again.

"Explain yourself," said he. "I am quite at your service."

The District Attorney made, perhaps, one of the greatest efforts of his life.

"I see that you recognize this chart, Mr. Roberts. You know when it was made and why. But what you may not know is this: that in serving its original purpose, it has proved to be our guide in another of equal, if not greater, importance. For instance, it shows us quite plainly who of all the persons present at the time of first alarm were near enough to the Curator's office to be in the line of escape from the particularly secluded spot from which the arrow was delivered. Of these persons, only one fulfills all other necessary conditions with an exactness which excuses any special interest we may feel in him. It is he who is tabulated here as number 3."

It was said. Mr. Roberts was well acquainted with his own number. He did not have to follow with his eye the point of the District Attorney's finger to know upon whose name it had settled; and for a moment, surprise, shock,—the greatest which can befall a man,—struggled with countless other emotions in his usually impassive countenance. Then he regained his poise, and with a curiously sarcastic smile such as his lips had seldom shown, he coldly asked:

"And by what stretch of probability do you pick me out for this attack? There were other men and women in this court, some very near me if I remember rightly. In what are their characters superior, or their claims to respect greater, that you should thus single me out as the fool or knave who could not only commit so wild and despicable an act, but go so far in folly—let alone knavery—as to conceal it afterward?"

"No evidence has been found against the others you have named which could in any way connect them with this folly—or shall we say knavery, since you yourself have made use of the word. But hard as it is for me to say this, in a presence so highly esteemed, this is not true of you, Mr. Roberts, however high are our hopes that you will have such explanations ready as will relieve our minds from further doubts, and send us home rejoicing. Shall I be frank in stating the precise reasons which seem to justify our present presumption?"

The director bowed, the same curious smile giving an unnatural expression to his mouth.

"Let me begin then," the other continued, "by reading to you a list of questions made out at Headquarters, as a test by which suspicion might be conscientiously held or summarily dismissed. They are few in number," he added, as he unfolded a slip of paper taken from his vest pocket. "But they are very vital, Mr. Roberts. Here is the first:

"'Whose hand carried the bow from cellar to gallery?'"

The director remained silent; but the oppression of that silence was difficult for them all to endure.

"WHY IS THAT HERE?"

They waited while he wrote. A sinister calm quite unlike that which the victim of his ambition had shown under the stress of equal suffering if not equal guilt had subdued his expression to one of unmoved gloom, never to be broken again.

As word after word flowed from the point of his pen upon the paper spread out before him, the two officials sitting aside in the shadow watched for the flicker of an eyelash, or a trembling of the fingers so busy over their task. But no such sign of weakening did they see. Once only did he pause to look away—was it into the past or into futurity?—with a steady, self-forgetful gaze which seemed to make a man of him again. Then he went on with his task with the grimness of one who takes his last step into ignominy.

We will follow his words as he writes, leaving them for the others to read on their completion.

"I, Carleton Roberts, in face of an inquiry which is about to be held on the death of her who called herself Angeline Willetts, but whose real name is as I have since been told Angeline Duclos, wish to make this statement in connection with the same.

"It was at my hand she died. I strung the bow and let fly the arrow which killed this unfortunate child. Not with the intention of finding my mark in her innocent bosom. She simply got in the way of the woman for whom it was intended—if I really was governed by intent, of which I here declare before God I am by no means sure.

"The child was a stranger to me, but the woman in whose stead she inadvertently perished I had known long and well. My wrongs to her had been great, but she had kept silence during my whole married life and in my blind confidence in the exemption this seemed to afford me, I put no curb upon my ambition which had already carried me far beyond my deserts. Those who read these lines may know how majestic were my hopes, how imminent the honor, to attain which I have employed my best energies for years. Life was bright, the future dazzling. Though I had neither wife nor child, the promise of activity on the lines which appeal to every man of political instinct gave me all I seemed to need in the way of compensation. I was happy, arrogantly so, perhaps, when without warning the woman I had not seen in years, who,—if I thought of her at all, I honestly believed to be dead—wrote me a letter recalling her claims and proposing a speedy interview, with a view to their immediate settlement. Though couched in courteous terms, the whole letter was instinct with a confidence which staggered me. She meant to reënter my life, and if I knew her, openly. Nothing short of bearing my name and being introduced to the world as my wife would satisfy her; and this not only threatened a scandal destructive of my hopes, but involved the breaking of a fresh matrimonial engagement into which I had lately entered with more ardor I fear than judgment. What was I to do? Let her have her way—this woman I had not seen in fifteen years,—who if at the age of twenty had seemed to my enthusiastic youth little short of a poet's dream, must be far short of any such perfection now? I rebelled at the very thought. Yet to deny her meant the possible facing of consequences such as the strongest may well shrink from. And the time for choice was short. She had limited her patience to a fortnight, and one day of that fortnight had already passed.

"I have in my arrogant manhood sometimes credited myself with the possession of a mind of more or less superiority; but I have never deceived myself as to the meretricious quality of the goodness with which many have thoughtlessly endowed me. I have always known it was not even up to that of men whose standards fall far short of the highest integrity. But never, till that hour came, had I realized to what depths of evil my nature could sink under a disappointment threatening the fulfillment of my ambitious projects. Had there been any prospect of escape from the impending scandal by means usually employed by men in my position, I might have given my thoughts less rein and been saved at least from crime. But these were not available in my case. She was not a woman who could be bought. She was not even one I could cajole. Death only would rid me of her; kindly death which does not come at call. This is as far as my thoughts went at first. I was a gentleman and had some of a gentleman's feelings. But when my sleep began to be disturbed by dreams, and this was very soon, I could not hide from myself toward what fatal goal my thoughts were tending. To be freed from her! To be freed from her! dinned itself in my ears, sleeping or waking, at home or abroad. But I saw no plain road to this freedom, for our paths never crossed and my honor as well as safety demanded that the coveted result should be without any possible danger to myself. Cold, heartless villain! you say. Well, so I was; no colder nor more heartless villain lives to-day than I was between the inception of my purpose and its diabolical fulfillment in the manner publicly known.

AGAIN THE CUCKOO-CLOCK

Then to the wonder and admiration of all, this extraordinary woman showed her full strength and the inexhaustible power she possessed over her own emotions. With a smile piteous in its triumph over a suffering the depths of which they were just beginning to sound, she held his gaze in hers and quietly said:

"You have driven me to the wall, Carleton. If I answer, nothing remains to us of hope or honor; nothing upon which to stay our souls but a consciousness of truth. Shall we let all go and meet our fate as people should who stand on a desolate shore and see the whole world roll away from before them?"

"What was her name?"

At his look, at this repetition of his question, she straightened up, and addressed herself to Mr. Gryce.

"You were astonished and regarded me curiously when at the sound of that foolish little clock I entered this room. That little clock means everything to me, gentlemen." Here she surveyed them one after the other with her proud and candid eye. "It is the one witness I have—is it not, Carleton?" she asked, turning quickly upon him. "You have not failed me in this?"

He shook his head.

THE BUD—THEN THE DEADLY FLOWER

You who have read thus far will care little for the legalities which followed the events just related, but you may wish to know to a fuller extent some of the facts in Ermentrude Taylor's life which led to this tragic end of all her hopes.

Her story is twofold, the portion connecting her with Carleton Roberts being entirely dissociated from that which made her the debtor of Antoinette Duclos. Let me tell the latter first, as it preceded the other, and tell it in episodes.

Two girls stood at one end of a long walk of immemorial yews. At the other could be seen the advancing figure of a man, young, alert, English-clad but unmistakably foreign. They were school girls and bosom friends; he their instructor in French; the walk one attached to a well-known seminary. When they had entered this walk, it had been empty. Now it held for one of them—and possibly for the other, too—a world of joy and promise;—the world of seventeen. Innocent and unthinking, neither of them had known her own heart, much less that of her fellow. But when in face of that approach, eye met eye with an askance look of eager question, revelation came, crimsoning the cheeks of both, and marking an epoch in either life.

Noble of heart and tender each toward the other, they were yet human. Arm fell from arm, and with an equally spontaneous movement, they turned to search each the other's countenance, not for betrayal,—for that had already been made—but for those physical charms or marks of mental superiority which might attract the eye or win the heart of a man of the ideality of this one.

Alas! these gifts, for gifts they are, were much too unequally distributed between these two to render the balance at all even.

Ermentrude was handsome; Antoinette was not.

Ermentrude had besides, what even without beauty would have made her conspicuous to the eye, the figure of a goddess and the air of a queen. But Antoinette was small and had to feel secure and in a happy mood to show the excellence of her mind and the airy quality of her wit.

Then, Ermentrude had money and could dress, while Antoinette, who was dependent upon an English uncle for everything she possessed, wore clothes so plain that but for their exquisite neatness, one would never dream that she came from French ancestry, and that ancestry noble.

Yes, she had that advantage; rank was hers, but not the graces which should accompany it. More than that, she had nothing with which to support it. Better be of the yeoman class like Ermentrude, and smile like a duchess granting favors. Or so she thought, poor girl, as her meek regard passed from the friend whose attractions she had thus acknowledged to the man whose approbation would make a goddess of her too.

He was coming—not with his usual indifferent swing, but eagerly, joyously, as though this moment meant something to him too. She knew it did. Small memories rushing upon her, made no doubt of that. But why? Because of Ermentrude or because of herself? Alas! she could recall nothing which would answer that. They were much together; he had scarcely ever seen them separate. It might be either——Hardly alive from suspense, she watched him coming—coming. In a moment he would be upon them. On which would his eyes linger?

That would tell the tale.

In an anguish of ungovernable shyness, she slipped behind the ample figure of her friend till only her fluttering skirt betrayed her presence. Perhaps she was saved something by this move; perhaps not. She did not see the beam of joy sparkling in his eye as he greeted Ermentrude; but she could not but mark the heaviness of his step as he passed them by and wandered away into the shadows.

And that she understood. Ermentrude had not smiled upon him. To him, the moment had brought pain.

It was enough. Now she knew.

But why had not Ermentrude smiled?

A dormitory lighted only by the moon! Two beds close together; in one a form of noble proportions, and in the other the meagre figure of a girl almost buried from sight among pillows and huddled-up blankets. Both are quiet save for an occasional shudder which shakes the bed of the latter. Ermentrude lies like the dead, though the moonlight falls full upon her face blanching it to the aspect of marble. Even her lashes rest moveless on her cheek.

But she is not sleeping; she is listening—listening to the sobs, almost inaudible, which now and then escape from the beloved one at her side. As they grow fainter and fainter and gradually die away altogether till stillness reigns through the whole dormitory, she rouses and bending forward on her elbow, looks long and lovingly at the wet brow of her sleeping mate. She then sinks back again into rigidity, with a low moan, ending in the whispered words:

"He does not love,—not yet. A slight thing will turn him. Did I not see him glance back twice, and both times at her? The look with which she greeted him was so wonderful."

A village street in Britanny; a parish church in the distance; two women bidding each other farewell amid a group of wedding-guests, gay as the heavens are blue.

"Au revoir!" was the whisper breathed by the bride into the ear of the other. "Au revoir, my Ermentrude. May you have a happy year in Switzerland!"

"Au revoir! little Madame. You will be happy I know in those United States to which you are going."

And the tears stood in the eyes of both.

"You will write?"

"I will write."

But the bride did not seem quite satisfied. Glancing about and finding her young husband busy with his adieux, she drew her friend apart and softly murmured:

"There is something I must say,—something I must know, before the sea divides us. You remember the day we all left school and you went home and I came to Britanny? Ermentrude, Achille tells me that on that day he sought the whole house over for you till he came upon you in one of the classrooms; and that you whom I had sometimes seen so sad were very gay and told him between laughing and crying that you were bidding a solemn farewell to all the nooks and corners of the old seminary, because your fiancé awaited you at home, and there would be no coming back."

"I meant my music."

"He did not know that, Ermentrude," and here she laid her hands upon the other's shoulders, drawing back as she did so to look earnestly up into her face. "Was that done for me?"

They were too near for anything but the truth to pass from eye to eye. Ermentrude tried to laugh and utter a quick No, no! but the little bride was not deceived. Again upon her face there appeared that wonderful look of hers, which made her face for the moment verily beautiful, and unclasping her hands, she threw them about the other's neck, whispering in awed tones:

"Yet you loved him! loved him too!"

Then after a moment of silence dear to both their hearts, she drew back to give her friend one other look, and quietly said:

"His heart is mine now, Ermentrude, wholly and truly mine. And so you would have it be, I am sure. Life looks fair to me and very sweet; but however fair, however sweet, that life is yours if ever you want it and when you want it. The time may come—one never knows—when I can pay you back this debt. Till then, let there be perfect trust and perfect love between us. Give me your hand upon it—not just your lips—for I speak as men speak when they mean to keep their word."

Their eyes met, their hands clasped; then the bridegroom drew away his bride, and Ermentrude turned with bowed head and glistening eyes, to enter upon the new life awaiting her in ways she had yet to tread.

The second series of episodes opens with the meeting of a man and woman on a rustic bridge spanning a Swiss chasm. They are strangers to each other, yet both instinctively pause and a flush of intuitive feeling dyes the cheek of each.

The eternal, ever-recurring miracle has happened. He sees Woman for the first time, though he had thought himself in love before and had wandered thus far in an effort to forget. So, likewise, with her. She had had her fancies, or rather her one fancy; but when in strolling along this road ahead of her party she saw rising between her and the glorious landscape which had hitherto filled her eye the fine masculine head and perfect figure of Carleton Roberts, this fancy floated from her mind like the veriest thistledown, leaving it free to expand in fuller hopes and deeper joys than visit many women even when they think they love.

Alas! why in that instant of mutual revelation had not the further grace been given them of quick catastrophe shutting the door upon a future of which neither could then dream or sense the coming doom.

It was not to be.

He passed, she passed, and for the time the look they gave each other was all; but the world had been glorified for them both—and Destiny waited.

"Good looks? Yes; but nothing else; very ordinary connections, very. A little money, true. Her uncle, whom by the way I judge you have not seen, will leave her a few thousands; but meanwhile he is a fixture—will not leave her or let her leave him, which is a misfortune since in a social way he is simply impossible. No sort of match for you, Roberts. Cut and run while there is time; that's my advice to you, given in the most friendly spirit."

"Thank you. As I have but just met Miss Taylor, don't you think such advice is a little premature?"

"No, I don't. She is a woman who must be loved or left; that's all. You've heard me."

Did Carleton Roberts heed these words? No. What man in the thrall of his first romance ever did.

"You love me, Ermentrude?"

"I love you, Carleton."

"For a day, for a month or for a year?" he smiled.

"Forever," she answered.

"That's a long time," he murmured, with his eyes on a little clock hanging in the shop window before which they had stopped in one of their infrequent walks together. "A long time! That foolish little clock will beat out the hours of its short life and go the way of all things, before we shall hardly have entered upon the soul's 'forever.'"

"That clock will last our lifetime, Carleton. Afterward, love will not be counted by hours."

As she said this she turned her face his way and he saw it in its full flower with the light of heaven upon it. In later years he may have forgotten the emotions of that moment, but they were the purest, the freest from earthly stain that he was ever destined to know.

"I will love you forever," he whispered. "That little clock shall be my witness." And he drew her into the shop.

"Cuckoo!"

Ermentrude glanced up; the clock hung on her wall.

"Oh," she murmured, "each hour it will speak to me of him and his words," then softly, like one adream in Paradise:

"I love but thee,

And thee will I love to eternity."

Such was the event to her. What was it to him? Let us see:

A hotel room—a view of Pilatus, but with its top lost in enveloping clouds.

Seated before it with pen in hand above a sheet of paper, Carleton Roberts eyes these clouds but does not see them; he is hunting in his brain for words and they do not come. Why? His mother's name is on the page and he has only to write that she has been quite correct in her judgment as to the unfitness of the marriage he had had in mind:—that youth should mate with youth and that if she could see the glorious young girl whose acquaintance he had made here, she would be satisfied with his new choice which promised him the fullest happiness. Why then a sheet yet blank and a hesitating hand, when all it had to do was to write?

Who can tell? Man knows little of himself or of the conflicting passions which sway him this way or that, even when to the outward eye, and possibly to the inner one as well, action looks easy.

Did he feel, without its reaching the point of knowledge, that this mother of keenest expectation and highest hope would not be satisfied with what this charming but undeveloped girl of middle class parentage would bring him? Or was there, deep down in his own undeveloped nature, a secret nerve alive to ambitions yet unnamed, to hopes not yet formulated, which warned him to think well before he spoke the irrevocable word linking a chain which, though twined with roses, was nevertheless a chain which nothing on earth should have power to break.

He never sounded his soul for an answer to this question; but when he rose, the paper was still blank. The letter had not been written.

"I do not like secrecy."

"Only for a little while, Ermentrude. My mother is difficult. I would prepare her."

"And Uncle!"

"What of Uncle?"

"He made me take an oath to-day."

"An oath?"